<?xml version="1.0" encoding="UTF-8"?> <feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"> <title>INTF</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog" /> <link rel="self" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/rss" /> <subtitle>INTF</subtitle> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/rss</id> <updated>2026-03-13T09:25:38Z</updated> <dc:date>2026-03-13T09:25:38Z</dc:date> <entry> <title>The Women Behind Your Critical Editions</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/the-women-behind-our-critical-editio-1" /> <author> <name /> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/the-women-behind-our-critical-editio-1</id> <updated>2024-08-07T15:13:07Z</updated> <published>2024-08-07T06:59:00Z</published> <summary type="html">&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:16px;"&gt;By Greg Paulson with Katie Leggett&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_All.jpg/0b889dc2-74d6-413d-a3e9-d86233638c38?t=1723014784893" style="width: 800px; height: 587px;" /&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;From left to right: Katrin Landefeld, Megan Burnett, Marie-Luise Lakmann, Annette Hüffmeier, Dora Panella, Katharina Sandmeier&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Times New Roman"&gt;It's well known that the critical editions produced at the INTF in Münster—the Nestle-Aland, the UBS Greek New Testament, and the &lt;em&gt;Editio Critica Maior&lt;/em&gt; (ECM)—are renowned worldwide and provide the basis for almost all modern New Testament translations around the globe. Most will also know that Barbara Aland was the first female director of the INTF, serving from 1983-2004, and leaving an indelible legacy on the institute and the wider field of New Testament textual criticism. A lesser-known fact, however, and one that we are also very proud of, is that half of the INTF's current staff working on these acclaimed critical editions is female.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Times New Roman"&gt;In this blogpost we would like to introduce you to some of the highly qualified women behind your critical editions. Through these short interviews we hope you get to know them better and see how each of their contributions has a direct impact on the most widely used Greek New Testaments in the world. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;- - -&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:20px;"&gt;&lt;strong&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Dr. Marie-Luise Lakmann &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;Tell us about your academic background and what brought you to the INTF&lt;/em&gt;&lt;/u&gt;:&lt;/span&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_MLL.jpg/a5f00aaf-d303-4022-80a0-cf50fd0fb0eb?t=1723017742497" style="margin: 10px 30px; float: right; width: 200px; height: 285px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;After studying Classical Philology (Greek, Latin, Pedagogy) at the University of Münster, I began a project called Platonism in Antiquity in 1985 led by Matthias Baltes, which was a comprehensive study of the history of Plato's philosophy in texts and commentaries. As part of this project, I wrote my doctoral thesis called "Der Platoniker Tauros in der Darstellung des Aulus Gellius" (Leiden 1993). In 2002, the INTF advertised a position to collaborate in developing a digital edition with the most important manuscripts of the New Testament, called "Digitale Edition der überlieferungsgeschichtlich wichtigsten Handschriften des Neuen Testaments mit kritischem Apparat auf einer Website," better known as NT Transcripts (&lt;a href="http://nttranscripts.uni-muenster.de/"&gt;http://nttranscripts.uni-muenster.de/&lt;/a&gt;). The purpose of the project was to make digital transcriptions of the most important Greek New Testament manuscripts and produce an apparatus online, further developing the Collate program created by Peter Robinson. This was a pioneering work in the field when digital tools were only in their infancy and essentially the beginning of the NTVMR. My fascination with philological work on Greek texts and the constantly expanding digital possibilities in the field made this position very appealing. I’ve been working as a researcher in various areas of New Testament editions and textual criticism ever since NT Transcripts.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;As a 22-year veteran of the INTF, I’m proud to say I've been at the INTF the longest of the current employees. Since I've been part of the INTF for nearly one-third of its lifespan, I've had the privilege of seeing numerous fascinating developments in the field of New Testament textual criticism in these 22 years. Throughout my time here, my enthusiasm for textual criticism has continued to grow the more deeply I engage with the many facets of this field. I greatly enjoy working with the sources of the New Testament and especially grappling with philological challenges of the text, which requires a meticulous and sometimes even detective-like approach.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What specific project(s) are you working on at the INTF? How does your work directly affect the critical editions?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;One focus of my work is the transcription and collation of New Testament manuscripts. This task has remained a constant throughout my tenure at the INTF and is still ongoing! In 2007 I began working on the ECM of the&amp;nbsp; Catholic Letters, which was the continuation of the project first envisioned by Kurt Aland and others in the 1960s. Under the direction of Barbara Aland, the first volumes of the ECM were published, and the current director&amp;nbsp; Holger Strutwolf, secured funding from the North Rhine-Westphalian Academy of Sciences and Arts until 2030 to make the editions of Acts, Mark, Matthew, and Luke (in this order).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_ECM_Matt.jpg/373af918-fd78-4d21-9597-aa66eba64521?t=1723015257090" style="width: 500px; height: 412px; float: right; margin: 10px 30px;" /&gt;&lt;/p&gt; &lt;table align="right" border="0" cellpadding="15" cellspacing="10" style="width:557px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Image: Preview of digital ECM Matthew&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;As part of the ECM team, I provide transcriptions of selected manuscripts and compile the text-critical apparatus of the Greek manuscripts based on these transcriptions. This work is carried out verse by verse in four stages: regularization of the variants, establishing variation units, determining the order of the variants, and post-editing and correcting the apparatus. This results in the Greek apparatus you see in the ECM (digital and print). Another major project has been an intensive revision of the Nestle-Aland 28th edition apparatus. For this I worked with Beate von Tschischwitz, who was an integral part of the INTF staff until retiring at the end of 2016. We revised the entire apparatus, making it more user-friendly and incorporating the new findings of the ECM Catholic Letters.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I also worked as co-editor on the ECM Mark, and now Matthew, supporting the editorial team. We meet regularly to discuss places where there are significant differences in the manuscript tradition. Sometimes establishing the Ausgangstext can be resolved quickly, other times we come back again and again to try and discern the best solution for particularly difficult passages. I am also involved in indexing and transcribing in the &lt;a href="https://ntvmr.uni-muenster.de/"&gt;NTVMR&lt;/a&gt; as well the digital edition, and I assist in maintaining the &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/what-is-the-kurzgefass"&gt;&lt;em&gt;Kurzgefasste Liste&lt;/em&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;A particularly enjoyable responsibility is coordinating and supervising the student workers at our institute, which includes training them in Greek paleography and how to use digital tools to produce transcriptions and upload microfilm and digital images of manuscripts. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Who (past or present) has had the biggest influence on your formation as a scholar? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;By working on the research project "Platonism in Antiquity" I became familiar with aspects of academic research that are also fundamental to my work at INTF. The leader of this project, Prof. Matthias Baltes (1940-2003) was a role model for many students and staff thanks to his prolific knowledge, enthusiasm, and disciplined approach to work.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you wish more people knew about the INTF or the work you do there? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;That in the long history of the INTF, which celebrates its 65th anniversary this year, groundbreaking work on the New Testament has been and continues to be pursued in a way that is unparalleled in the world. The institute remains at the forefront of New Testament studies, pioneering numerous groundbreaking projects in areas such as manuscript studies, critical editions, and digital humanities.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What is your all-time favorite critical edition of the New Testament?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;The Nestle-Aland 28th edition, on whose revision I worked intensively.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;- - -&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:20px;"&gt;&lt;strong&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Dr. Megan Burnett &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;Tell us about your academic background and what brought you to the INTF&lt;/em&gt;&lt;/u&gt;:&lt;/span&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_Megan.jpg/98caa109-4799-4033-8ec3-2f64ed2e8619?t=1723017891737" style="margin: 10px 30px; float: right; width: 200px; height: 261px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I studied Biblical Studies, first a BA at Southwest Baptist University and then an MA and PhD at New Orleans Baptist Theological Seminary where I wrote my dissertation &lt;em&gt;Codex Washingtonianus: An Analysis of the Textual Affiliations of the Freer Gospels Manuscript&lt;/em&gt; (Piscataway, NJ: Gorgias, 2022). &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;After graduating, I saw a position funded jointly by the German Bible Society and INTF as a research fellow for the hand editions of the Greek New Testament. This 3-year postdoc position was previously held by &lt;strong&gt;Dora Panella&lt;/strong&gt;. I was excited at the prospect of working at the INTF because it's the premiere institute for NT textual criticism and I wanted to pursue this career.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What specific project(s) are you working on at the INTF? How does your work directly affect the critical editions?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_NA29_Paratext.jpg/578f997f-ef7a-4745-ab5b-9a9450765464?t=1723015797377" style="width: 500px; height: 378px; margin: 10px 30px; float: right;" /&gt;&lt;/p&gt; &lt;table align="right" border="0" cellpadding="10" cellspacing="1" style="width:555px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp; &amp;nbsp;Image: Editing program view of NA29 Mark&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 12pt;"&gt;My primary task is to revise the Nestle-Aland (NA) edition, implementing new information from the Editio Critica Maior as it becomes available. For the forthcoming 29th edition of the NA, I updated the text and apparatus of Mark and Revelation. The book of Acts was done primarily by Dora, which means the NA29 will contain major updates to these three books. Apart from these changes, further changes that will appear in the NA29 edition are more cosmetic. For example, the NA (and the UBS GNT) will no longer use letters to signify majuscules, utilizing their Gregory-Aland numbers instead.&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Besides revising the NA, I also attend the NA and UBS GNT editorial meetings and take the meeting minutes. It has been fascinating to see the decision-making processes of the editors firsthand. The NA and the UBS GNT have different target audiences and purposes, which is reflected in how the editors determine what information they include in the apparatus. The NA includes more apparatus units to illustrate the transmission of the text. For the UBS GNT, which is the base text for Bible translations in over 700 languages, the editors only include textual variants that are potentially significant for translation.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you like about working at the INTF/doing textual criticism?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I became interested in biblical studies when I underwent a crisis of my Christian faith as a young college student at Southwest Baptist University. It was there that my professors introduced me to a whole new way of understanding the Bible, and it began to come alive for me. The historical characters of the NT went from being people of “ye olde ancient days” to people of a concrete time and place, with distinct cultures and worldviews. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I didn’t become interested in textual criticism until seminary. There, Dr. Bill Warren, who has been very influential in my formation as a scholar, set up an excellent research center called the Center for New Testament Textual Studies. I started transcribing a few manuscripts, and it all snowballed from there. Ironically, I did some introductory work on textual criticism in undergraduate studies, and I&amp;nbsp; found it to be quite boring at the time! It seemed so esoteric and removed from an understanding of the New Testament. It wasn’t until I started engaging with the manuscripts that I realized how important and practical it all is. Either the manuscript evidence says one thing or it says something else. That clarity appeals to me.&amp;nbsp; Of all biblical study disciplines, textual criticism is the closest to a hard science. I appreciate the wealth of data (i.e., NT manuscripts) that text critics have available for research. The INTF has done a great deal to make this data accessible through its Virtual Manuscript Room (&lt;a href="https://ntvmr.uni-muenster.de/"&gt;https://ntvmr.uni-muenster.de/&lt;/a&gt;). &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Concerning my job specifically, I have been intrigued by what exactly goes into the creation of the critical editions. One thing I appreciate about textual criticism is that the work is similar no matter where one goes in the world. I did my studies in the USA, but then moved to Germany to do my professional work. And though I certainly experienced some cultural differences, I have found that my work as a text critic remains largely unchanged. This work entails collaborating with people from all over the world. No matter where we are, it seems like we’re all on the same team.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you wish more people knew about the INTF or the work you do there? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;It’s a pet peeve of mine, but textual criticism isn’t the same as biblical translation. Whenever I tell people what I do, they often say, “Oh, so you do translation work.” I try to explain that I do the work that needs to happen before translation can start, but they often still don’t understand. A lot of folks are simply used to having the Bible around and have spent little time thinking about where it came from. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Certain sectors of the community also have a particular bugbear about the phrase “initial text" (Ausgangstext) and think it somehow denigrates the textual authority of the NT. As a committed Christian, I have no problem with this term and know it is not at all intended to weaken the authority of the Bible as the living word of God. In my experience, my colleagues at the INTF have a high respect for the New Testament and for the work they do as text critics. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Do you have advice for others (or specifically for women) wanting to enter this field? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Learning to do textual criticism is like learning to drive a car. You can read all the books you want, but you don’t learn to drive until you get behind the wheel. If you want to do textual criticism, you have to work with the manuscripts themselves. Reading books about manuscripts will not be enough.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;- - -&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:20px;"&gt;&lt;strong&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Dr. Annette Hüffmeier &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;u&gt;&lt;em&gt;Tell us about your academic background and what brought you to the INTF&lt;/em&gt;&lt;/u&gt;:&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_Annette.jpg/7c889222-0465-40cc-ab27-561ccbe7a0cb?t=1723018085664" style="margin: 10px 30px; float: right; width: 200px; height: 250px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I studied to be a secondary school teacher in ancient Greek, history, German, and mathematics, but I actually only worked at a school during my teacher training period. Since I really enjoyed delving deeply into academic topics, I decided to pursue a PhD (1996-1999). My doctoral thesis was called “Pythagorean Sayings in Porphyry's Life of Pythagoras.” I had laid the foundation for this years earlier during my year abroad at Trinity College in Dublin during which I obtained my M. Litt. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;After I began my teacher training period, I took maternity leave to focus on raising my children. I began supporting the existing intensive Greek courses at the Faculty of Protestant Theology in the late 1990s and was eventually offered a temporary part-time teaching position there in 2007. In 2010, Gerd Mink at the INTF was due to retire and I successfully obtained his position. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;My position is split between teaching at the Protestant faculty and researching at the INTF. Even though these two roles certainly require more work than one full time position, I wouldn't want to miss out on either! Combining work and family at the beginning when my children were young was only possible because my husband reduced his work hours (before he later retired). Thankfully, I was able to work flexibly, teaching and working at the INTF in the mornings when our daughters were at nursery and school and then finishing the rest at home (often) late in the evenings when the children no longer needed me. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Each October, I teach an intensive Greek course for beginners who after six or nine months are going to take the state qualification Graecum. After a few months with the basics, we move to reading Plato and finally Paul. The course is supplemented with classes on the world of Paul. While the intensive pace can be exhausting, it is very rewarding to have close contact with the students and to witness positive growth. This work is connected with the INTF because often our graduates go on to work as student assistants, for example in transcription, patristics, or at the Bible Museum.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;At the INTF I can work independently, utilizing my skills in classic ancient Greek, but I also enjoy collaboration with colleagues. We're part of a larger interdisciplinary project in which everyone knows they can't be successful on their own and that they stand on the shoulders of their predecessors. The opportunity to collaborate internationally is also a particularly rewarding aspect of the work. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What specific project(s) are you working on at the INTF? How does your work directly affect the critical editions?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I work almost exclusively on the ECM. My primary tasks are creating and refining the apparatus, coordinating the versional and patristic contributions to it, working in the editorial team, a lot of proofreading, giving presentations on the ECM both locally and internationally, and representing the INTF in various external committees like IGNTP and SBL. My work —together with that of Marie-Luise — is the critical apparatus, which would not exist without our combined efforts. We collaborate on the four steps she mentioned above, with the goal to make the apparatus as comprehensible and readable as possible. I also work with the versionists and patristic scholars to coordinate material so we can identify certain variants that are not present in Greek manuscripts and determine how probable it is that these go back to lost Greek readings. If a positive decision is made, I work with the versionists to retro-translate the versional wording into Greek, which can then be found in the apparatus. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I also work extensively to refine the apparatus, checking the multiple instances of lectionary readings, examining the references to synoptic parallels or adding punctuation to the initial text (again along with Marie-Luise). As a member of the ECM editorial committee, I am one of five that votes on textual decisions and uses the help of the &lt;a href="https://ntg.uni-muenster.de/"&gt;CBGM&lt;/a&gt; to do this. When I first started with ECM Acts 14 years ago, I was the only female on the committee and a complete newcomer in the field. It was very intimidating working alongside such seasoned textual critics, but thankfully I held my own and was able to stay on. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_CBGM_tfg_Prelim.jpg/ef4dbef2-f46c-468c-a3f7-eba3fdfb7f9e?t=1723016330215" style="width: 1000px; height: 334px;" /&gt;&lt;/p&gt; &lt;table border="0" cellpadding="10" cellspacing="1" style="width:800px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Image: Preliminary CBGM General Textual Flow diagram for Matthew 16:26/6-8&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Who has had the biggest influence on your formation as a scholar? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;My former Greek teacher at school (Manfred Kretschmer) and my Greek professor in Classics (Prof. Dr. Matthias Baltes), who sadly passed away far too early.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you wish more people knew about the INTF or the work you do there? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;How hard we all work (together) and how we struggle over every textual decision that is made. Each decision is scrutinized extensively, and we strive to remain objective and keep ideology out as much as possible. Unfortunately, a common fallacy is that our work is largely done by computers. It's not the CBGM that automatically generates the many thousands of textual decisions behind our critical editions. We humans do that! Of course we are supported by digital tools in this endeavor, but our task as scholars with these thousands of textual decisions is to carefully weigh every single one. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Do you have advice for others (or specifically for women) wanting to enter this field? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Don't let yourself be discouraged on your career path. If you believe that what you are doing is worthwhile, then keep steadily working at it (but without wearing yourself down). Set measurable, interim goals for yourself and seek out help when needed. Network as much as possible. Always keep learning and consider early on what you are (not) prepared to sacrifice for your career. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;- - -&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:20px;"&gt;&lt;strong&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Dr. Katrin Maria Landefeld &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;u&gt;&lt;em&gt;Tell us about your academic background and what brought you to the INTF&lt;/em&gt;&lt;/u&gt;:&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_Katrin.jpg/cab55965-f948-450c-8300-e4818ed08e8e?t=1723018160720" style="margin: 10px 30px; float: right; width: 200px; height: 281px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I studied Latin, Greek and Theology in Bielefeld and Münster and then completed my doctorate in classical Greek Philology, writing my dissertation on prayer in the works of Epictetus. At that time, I was a tutor for Latin and Greek, then had various other teaching assignments, and finally was a lecturer in Bielefeld and Bochum. While working on my doctorate, I saw a position advertised for student workers at the INTF. That is how I got to know Marie-Luise Lakmann. I worked in the Patristics Department for about a year as a research assistant gathering citations from editions of Church Fathers. After my time there, I taught Latin in Bochum and in 2020 came back to the INTF to work on a project with Prof. Dr. Holger Strutwolf, Prof. Dr. Ulrich Schmid and Dr. Troy Griffitts. Our project was called “Theory of Variation on the basis of an open digital edition of the Greek New Testament.” It investigated the emergence of variants in Acts of the Apostles. We tagged the text and variants morphologically, making it possible to search for certain grammatical phenomena. Specifically, I studied corrections in particular manuscripts. I found that the examination of single places of correction can be profitable for judging specific variants and their emergence. We also looked at genealogical connections of manuscripts and found that 05 and 08/1884 are probably connected in this way.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;In 2023, I returned to the Patristics department and now work together with David Vasquez. In addition to my work in Patristics, I am writing my Habilitation, a commentary on Augustine's “De musica” book 6, in which Augustine combines music theory with theology.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What specific project(s) are you working on at the INTF? How does your work directly affect the critical editions?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_PatrCitat.jpg/f9cda4b9-6463-4189-962b-5d1bb28661ca?t=1723016560653" style="margin: 10px 30px; float: right; width: 400px; height: 427px;" /&gt;&lt;/p&gt; &lt;table align="right" border="0" cellpadding="15" cellspacing="1" style="width:455px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;&lt;em&gt;Image: INTF database of Patristic citations for Mark 1:1&lt;/em&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;The church fathers are often early witnesses to the text of the NT so it's important to include this information in the ECM. Since we often know when and where church fathers lived, they are valuable for understanding the transmission and reception of the NT. Church fathers quoted Scripture in a variety of works, such as homilies and commentaries, and in numerous forms, such as allusions and direct quotations. My task is to collect and evaluate these Patristic NT citations and assign them to variant readings in the ECM apparatus. All the church fathers and their respective works consulted are listed in the printed edition of the ECM. There is also a &lt;a href="http://intf.uni-muenster.de/patristik/index.php"&gt;database of Patristic citations&lt;/a&gt; that is open to the public, so everyone can see what material was used and evaluated for the editions. Although we only incorporate direct quotations in the ECM apparatus, the database offers the full context of the quotation (and bibliography) so that readers have exhaustive evidence at their fingertips if they wish to research further. As new editions of the&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;NA appear, the Patristic citations will be revised based on the ECM.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;u&gt;&lt;span style="font-size:18px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Why did you decide to pursue this field?&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I got to know the INTF while studying in Münster and was fascinated by the combination of Theology and classical languages being utilized there. I pursued this field because I found the idea of working together in this interdisciplinary team really inspiring, and I am grateful to be working here now.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you like about working at the INTF/doing textual criticism?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;First and foremost, the team at the INTF is great! It is a wonderful experience to work together on such a monumental project developing an esteemed critical edition. Textual criticism is a field where you are able to scrutinize textual and grammatical details, which is something I enjoy.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Who (past or present) has had the biggest influence on your formation as a scholar? &lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;There are many people who have influenced my formation as a scholar, I’ll only name a few here. Dr. Peter Prestel was my Latin and Greek teacher in Bielefeld, with whom I have worked together for many years. He piqued my interest in classical languages, and I could always come to him with questions while I was studying. I’m very grateful to him for all his help and for giving me the chance to teach language courses. Moreover, Prof. Dr. Rainer Henke, Prof. Dr. Christian Pietsch and Prof. Dr. Samuel Vollenweider have also had an immense influence on me and my work. They supervised several theses/papers throughout my studies and enhanced my interest in ancient philosophy and theology. Now, Prof. Dr. Christian Pietsch and Prof. Dr. Holger Strutwolf are supervising my Habilitation. Through conversations with them, the idea of writing a commentary on Augustine's early work “De musica” for this project emerged, allowing me to combine again my interest in theology and textual studies. Finally, the team at the INTF continues to impact me and my work. To all these people, I am very grateful.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What is your all-time favorite critical edition of the New Testament?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;The ECM, of course :)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;- - -&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:20px;"&gt;&lt;strong&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Dr. Katharina Sandmeier &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;u&gt;&lt;em&gt;Tell us about your academic background and what brought you to the INTF&lt;/em&gt;&lt;/u&gt;:&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_Katharina.jpg/17144696-7aa4-4ca5-ae9e-fe7cb92cc98e?t=1723018245247" style="margin: 10px 30px; float: right; width: 200px; height: 261px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I studied Egyptology, Coptology, and Ancient Near Eastern Studies at the University of Münster. These disciplines offer a joint BA program here in Münster. When I started, I was still undecided about which field I would find most interesting. I then took courses in Coptic language and culture and found both fascinating. In my MA program I focused on Coptology and decided I wanted to make it my profession. As I was finishing my MA thesis in 2014, there was an opening at the INTF, and it soon became a second home. This was immensely lucky since jobs in such a specialized field are rare, and I didn’t even have to move to a new city! One of my main interests during my studies was book culture and codicology; the New Testament and its witnesses have a lot to do with that. So, I was able to enrich my area of speciality and be employed while doing so. I started as a student assistant working part-time while I wrote my PhD on Coptic and Greek punctuation and segmentation. (Just finished!) Since 2022 I’m a full-time researcher and the heart of the Coptic department at the INTF – which, after Siegfried Richter left, is made up of a student assistant and myself.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What specific project(s) are you working on at the INTF? How does your work directly affect the critical editions?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;I work on the Coptic tradition of the NT for the ECM. Egypt was under Roman rule by the time Christianity spread, and letters from the Greek alphabet, along with some characters from Demotic, were used to reproduce the Coptic language in written form. Around the 4th or early 5th century, the NT was translated from Greek into different dialects of late antique Egypt, most commonly Sahidic, Bohairic, and Fayyumic. Coptic is important for a critical edition because we can figure out which of the different textual traditions within the Greek was used as a source text for the Coptic translation. The Coptic support of a certain variant in the Greek critical apparatus helps us ascertain that this reading was established quite early on.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;em&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/W_Coptic.jpg/3bd8975b-9104-4edd-8f3a-2d8d2d8862da?t=1723017048573" style="margin: 10px; width: 800px; height: 418px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;table border="0" cellpadding="10" cellspacing="1" style="width:800px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Image: ECM Matthew Coptic apparatus editing program. This particular passage shows where the Coptic tradition can be cited (circled in red).&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;The first step is cataloging all relevant witnesses, which in the Coptic tradition are often quite fragmentary and can be scattered across different collections and museums. The electronic repository of all known Coptic NT MSS is called the SMR database and can be found here: &amp;lt;&lt;a href="http://intf.uni-muenster.de/smr/"&gt;http://intf.uni-muenster.de/smr/&lt;/a&gt;&amp;gt; This was begun here at the INTF by Gerd Mink and Franz-Jürgen Schmitz in the 1970s (back then, of course, in printed form) and is still growing today. The second step is to transcribe all Coptic witnesses from available images. For some witnesses there are editions which can be collated and utilized, but many have never been published or even worked on in any form! The existing critical editions of the Coptic NT are quite old and therefore don’t include many of the MSS we know today. After collection and transcription, the final task is to connect the Coptic tradition with the variants of the Greek source texts in the critical apparatus of the ECM, determining which Greek variants are possible Vorlagen for the Coptic translations. I have carried out this work on the ECM of Acts and Mark and right now am working on ECM Matthew. I have already started on transcriptions for ECM Luke as well.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you like about working at the INTF/doing textual criticism?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;It’s amazing to see how numerous Greek variants can result in the same Coptic translation while at the same time, a certain Greek expression can be rendered with different Coptic phrases. Sometimes these nuances are due to a specific Coptic dialect, but also within the same dialect there seem to have been options to choose from which – as far as we know – have little or no difference in the meaning.&amp;nbsp; I also really enjoy the search for parallels in the versions, like the old Latin, Syriac, Gothic or Ethiopic translations of the NT. Similarities between the versions when they differ from the Greek variants can indicate the attestation of a reading which has been lost in the Greek tradition. Looking for these makes for some great eureka moments.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Who has had the biggest influence on your formation as a scholar?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;That would be Siegfried Richter. He was my supervisor when I joined the INTF and introduced me to Coptic textual criticism. During this collaboration, I learned not to dwell on mistakes made but to be happy that they were found before publication! When I first began, Richter once compared my way of working to a tank: I would choose a direction and once that path was chosen, put all my energy towards full speed ahead. From him, I learned that it’s sometimes necessary to take a step back and get a different perspective, to pause and make sure the direction and destination are (still) right. I think about this view very often when I face a new challenge. I’m sure he doesn't know how much of an impression his words have made on me!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;u&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;What do you wish more people knew about the INTF or the work you do there?&lt;/span&gt;&lt;/em&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;Curating the SMR-database and transcribing all relevant Coptic MSS are necessary prerequisites before the work of assigning Coptic to Greek variants can even begin. Each of these elements is an immense amount of work. Most people see either the database/transcription aspect or only the text-critical work that is done here. It is important to acknowledge the thorough treatment of the whole Coptic NT tradition being carried out at the INTF and how much effort it takes to organize and research this tradition so that we can accurately represent it in the ECM.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;- - -&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-size:18px;"&gt;&lt;span style="font-family:Times New Roman"&gt;We hope you’ve enjoyed these short profiles about the talented women contributing to the critical editions. In a field historically dominated by men, we are privileged to collaborate with such skilled and dedicated women. We extend our heartfelt gratitude for their years of hard work and commitment and hope these scholars will inspire future generations, and particularly more women, to pursue the field of New Testament textual criticism!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</summary> <dc:creator /> <dc:date>2024-08-07T06:59:00Z</dc:date> </entry> <entry> <title>Keeping Track of Manuscripts: The Curious Case of 0320</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/keeping-track-of-manuscripts-the-curious-case-of-0320" /> <author> <name>Katie Leggett</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/keeping-track-of-manuscripts-the-curious-case-of-0320</id> <updated>2024-07-31T17:48:13Z</updated> <published>2024-07-31T15:38:00Z</published> <summary type="html">&lt;p style="margin-right:-13px"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Managing the &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/what-is-the-kurzgefass"&gt;&lt;i&gt;Kurzgefasste Liste&lt;/i&gt;&lt;/a&gt; often entails unraveling mysteries from the past. Such was recently the case with GA 0320 (formerly D&lt;sup&gt;abs2&lt;/sup&gt;) also known as Codex Waldeccensis. This case involves six leaves of a 10th century Greek-Latin majuscule thought to be have been lost, and two lost leaves that we didn’t seem to know were missing!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-right:-13px"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_1.jpg/2e466677-e064-4fd8-aca2-a2aab7ef1351?t=1722444913246" style="width: 1017px; height: 802px; float: left;" /&gt;&lt;/p&gt; &lt;p style="margin-right:-13px"&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 1: New Images of GA 0320 (Signatur HStAM Best. 147 Nr. Hr 2/2) courtesy of the Hessisches Staatsarchiv in Marburg&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Let’s start at the beginning.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;In &lt;b&gt;1902&lt;/b&gt; Victor Schultze, Professor in Greifswald, was thrilled to discover in the city archives of Mengeringhausen (Hessen) two leaves of a previously unknown New Testament diglot. The 10th century folios of Ephesians 1:5–13; 2:3–11 (Latin) and 1:13–19; 2:11–18 (Greek) had been repurposed as an envelope, folded over into quarto format to house 17th century paperwork for the local shooting club. Schultze’s &lt;b&gt;1904&lt;/b&gt; &lt;i&gt;editio princeps&lt;/i&gt;, &lt;a href="https://archive.org/details/bub_gb_tAEVAAAAYAAJ/mode/2up"&gt;&lt;i&gt;Codex Waldeccensis: unbekannte Fragmente einer Griechisch-Lateinischen Bibelhandschrift&lt;/i&gt;&lt;/a&gt;, described the leaves, offering a full transcription of the Greek and Latin text.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_2.jpeg/6883b0a1-9435-407f-b819-b7566e9461f3?t=1722444920279" style="width: 970px; height: 720px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 2: Here the inscription “Schützen ordenung” on 1r above the Latin text of Eph 1:5–13.&amp;nbsp;(Photo Schultze, pg. 6)&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;That same year &lt;a href="https://books.google.de/books?id=OnkxAQAAMAAJ&amp;amp;lpg=PA449&amp;amp;dq=Griechisch-Lateinisch%20Mengeringhausen&amp;amp;pg=PA449#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Caspar René Gregory drew attention to this new discovery&lt;/a&gt; and&amp;nbsp;then added Codex Waldeccensis to his &lt;i&gt;Textkritik des Neuen Testaments&lt;/i&gt;, vol. 3&lt;i&gt; &lt;/i&gt;(the pre-cursor to the &lt;i&gt;Liste&lt;/i&gt;) in &lt;b&gt;1909&lt;/b&gt; as D&lt;sup&gt;abschrift &lt;/sup&gt;, meaning it was a copy of D 06, Codex Claromontanus in Paris.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_3.jpg/3a57524e-c957-4a01-9e5e-fa8c03ed3c00?t=1722444925732" style="width: 1000px; height: 513px; float: left;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 3: Entry for D&lt;sup&gt;abschrift&lt;/sup&gt; in Gregory, Textkritik&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Skipping ahead several decades, the INTF—four years after it was founded—published its first edition of the &lt;i&gt;Kurzgefasste Liste&lt;/i&gt; in &lt;b&gt;1963&lt;/b&gt;, recording the uncial leaves in Mengeringhausen as a D&lt;sup&gt;abs2&lt;/sup&gt;, one of two &lt;i&gt;Abschriften&lt;/i&gt; (copies) of D 06.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_4.jpg/f0291e36-fc3f-4488-8af0-b7115b80a55c?t=1722444932550" style="width: 1000px; height: 224px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 4: Entry for D&lt;sup&gt;abs2&lt;/sup&gt; in the 1963 Liste&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_5.jpg/55e44e67-2b86-47a1-a72a-a7700104d105?t=1722444938596" style="width: 1000px; height: 47px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 5: The footnote in the 1963 Liste describes the Latin and Greek contents, exactly as Schulze did in 1904.&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;In &lt;b&gt;1969&lt;/b&gt; the INTF published a report with updates and additions to the &lt;i&gt;Liste&lt;/i&gt;, noting the discovery of 6 new leaves in the Hessisches Staatsarchiv in Marburg that belong to D&lt;sup&gt;abs2&lt;/sup&gt;. The newly added Greek leaves contain 2 Cor 12:7-12 and Titus 1:1-3:3.&lt;a href="#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:12.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_6.jpg/e0a83714-6c90-4c1c-ad6d-bfe731174f59?t=1722444943933" style="width: 1000px; height: 659px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 6: Update to D&lt;sup&gt;abs2&lt;/sup&gt; in the 1969 Liste supplement&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Here’s where the events become difficult to trace. In the 1963 &lt;i&gt;Liste&lt;/i&gt; and the 1969 supplement, no mention is made that the leaves of D&lt;sup&gt;abs2&lt;/sup&gt; in Mengeringhausen have gone missing. But sometime between the 1969 supplement and the printing of the 1994 &lt;i&gt;Liste&lt;/i&gt;, it seems the INTF was informed that these leaves were no longer at Mengeringhausen. The only clue is on the INTF’s info folder for D&lt;sup&gt;abs1&lt;/sup&gt; and D&lt;sup&gt;abs2&lt;/sup&gt; where the location of Mengeringhausen is crossed off in pencil.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_7.jpeg/e9e50b50-7da0-4f7d-9f51-cf0b49171d0e?t=1722444949239" style="width: 1000px; height: 589px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 7: The hanging folder for D&lt;sup&gt;abs1&lt;/sup&gt; and D&lt;sup&gt;abs2&lt;/sup&gt; at the INTF&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Perhaps the INTF was alerted by Hartmut Hoffmann, who wrote the Mengeringhausen city archive in &lt;b&gt;1984 &lt;/b&gt;to inquire about the whereabouts of these leaves. He received the following response:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_8.jpg/36249cbe-30fc-4a57-8b82-5f6dc95839ce?t=1722444955197" style="width: 601px; height: 850px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 8: Mengeringhausen to Hoffmann, Aug. 6, 1984&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;A month later Hoffmann received another reply that the Mengeringhausen folios weren’t at the Pfarrerkirche nor the city archives.&lt;a href="#_ftn2" name="_ftnref2" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:12.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; While correspondence from Hoffmann wasn’t found in the INTF archives, it does seem probable he would have alerted the institute that the Mengeringhausen leaves were missing since he was working in nearby Göttingen. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Curiously, the &lt;b&gt;1994&lt;/b&gt; &lt;i&gt;Liste&lt;/i&gt; recorded &lt;i&gt;only &lt;/i&gt;the &lt;i&gt;6 &lt;/i&gt;folios in Marburg and completely omitted the 2 fragments at Mengeringhausen. We know the INTF was aware that this manuscript was split between two institutions, because next to the Marburg shelf number, the indication of “6 fol.” is given, which is only offered for manuscripts with multiple parts. The contents in the &lt;i&gt;Liste&lt;/i&gt; entry itself still indicate only Ephesians. The footnote, however, was updated to include the contents of &lt;i&gt;all 8 leaves&lt;/i&gt; (which would lead to more problems later!).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_9.jpg/bfbfff8f-79d9-444d-95a6-fb534aa11d76?t=1722444961053" style="width: 1000px; height: 223px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_10.jpg/0e140453-bc67-4f5e-96c8-1f92e8acc0ed?t=1722444967022" style="width: 1000px; height: 71px;" /&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 9: Entry for D&lt;sup&gt;abs2&lt;/sup&gt; in the 1994 Liste&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Thus, it seems from 1994 onward that the Mengeringhausen leaves were forgotten, although remnants of them remained in the &lt;i&gt;Liste&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;In 2009 the INTF published &lt;a href="https://www.uni-muenster.de/NTTextforschung/KgLSGII09_08_20.pdf"&gt;online a new update to the &lt;em&gt;Liste&lt;/em&gt;&lt;/a&gt;, giving the &lt;i&gt;Abschriften&lt;/i&gt; new numbers. D&lt;sup&gt;abs2&lt;/sup&gt; was thus renamed 0320.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_11.jpg/a3129a78-1e65-439b-8200-3dad11965607?t=1722444972657" style="width: 1000px; height: 69px;" /&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 10: Entry for 0320 in the 2009 online Liste update&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Just like the 1994 &lt;i&gt;Liste&lt;/i&gt;, this update did not list the two Mengeringhausen folios.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;In &lt;b&gt;2015&lt;/b&gt; Alan Taylor Farnes, who was writing his dissertation on 0320, inquired on the NTVMR Forum if the Ephesians leaves also belonged to 0320. Because the biblical contents were already entered for 8 folios, including Ephesians, the entry was updated from 6 folios to 8 folios, which seemed only logical. The contents were updated to reflect the footnote: pP: E2KTt&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_12.jpg/9f9aac45-3dc9-45d6-8425-fcb7b7f48a2f?t=1722444978601" style="width: 1000px; height: 83px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 11: Entry for 0320 in the 2015 online Liste update&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Later that same year, Farnes wrote again on the Forum to say he'd received word that 0320 is now lost. He attached a letter from the Staatsarchiv that reported: “I am very sorry to tell you that the original of Codex Waldeccensis went lost at an unknown point of time after 1999.”&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_13.jpg/0bde796d-af24-4f55-b16e-e8218ca2ec01?t=1722444983678" style="width: 1000px; height: 212px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 12: NTVMR Forum &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Hereafter, the NTVMR was updated to note that 0320 had gone missing. The news of 0320 being missing was reflected in other publications well, such as the &lt;a href="https://books.google.de/books?id=eR6uEAAAQBAJ&amp;amp;pg=PA156&amp;amp;lpg=PA156&amp;amp;dq=dabs2+aland+mengeringhausen&amp;amp;source=bl&amp;amp;ots=J6tQiifIi0&amp;amp;sig=ACfU3U1Baobm4mkYAwZXnBGVzqioDFrJwA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjckIjOwMmHAxVx57sIHYXNLKM4ChDoAXoECAkQAw#v=onepage&amp;amp;q=dabs2%20aland%20mengeringhausen&amp;amp;f=false"&gt;2023 &lt;i&gt;Oxford Handbook of the Latin Bible&lt;/i&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Earlier this month in updating manuscript information in Germany for our ongoing work on the &lt;i&gt;Liste&lt;/i&gt;, we wrote to the Hessisches Staatsarchiv in Marburg to see if there were any updates. Imagine our surprise to discover that &lt;strong&gt;&lt;em&gt;&lt;a href="http://&amp;lt; https://arcinsys.hessen.de/arcinsys/detailAction?detailid=b1752&amp;gt;"&gt;Codex Waldeccensis was still there and always had been&lt;/a&gt;!&lt;/em&gt; &lt;/strong&gt;It seems that Best. 147 Nr. Hr 2/2 was separated and repacked around 2015, which could be the reason why they thought that the fragments had been lost. It’s also likely they were looking for a full codex, not a few leaves.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;We were happy to be able to update the &lt;i&gt;Liste&lt;/i&gt; accordingly and were kindly sent &lt;a href="https://ntvmr.uni-muenster.de/manuscript-workspace?docID=20320"&gt;high quality digital images of the Marburg portion of 0320 for use in the NTVMR&lt;/a&gt;. These have just been uploaded today! &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;It seemed like a happy ending. But last week, while looking over the new images, we quickly realized that the two Ephesians folios were missing from what Marburg gave us.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;When we inquired about the absent leaves, they were perplexed, replying they had no record of any additional leaves with Ephesians! Only after more investigating did we realize the two leaves of Ephesians had never been in Marburg. Although the INTF had once recorded the contents of the Mengeringhausen folios and had microfilm of them, the information that these folios were at a separate location (i.e., Mengeringhausen) seemed to have been lost. Somehow over the years, it seems the INTF thought all of 0320 was in Marburg.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;So where are the missing fragments of Ephesians?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;According to Bredehorn, the last traces we have of the fragments in Mengeringhausen were in 1938 when they were recorded as being displayed in a museum in the sacristy of a church; since then, there has been no word of their whereabouts. Likewise, the 2002 catalogue &lt;em&gt;Kostbare Handschriften aus dem Stadt- und Kirchenarchiv Mengeringhausen&lt;/em&gt; confirms nothing is known about the missing leaves since the Second World War.&lt;a href="#_ftn3" name="_ftnref3" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:12.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;The two forgotten Ephesians leaves have now been entered in the &lt;i&gt;Liste&lt;/i&gt; under “location unknown (formerly Mengeringhausen).” The number of leaves in Marburg has been changed back to 6 fol. and the total number of folios for 0320 remains 8 folios.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Now that we know the 2 Ephesians leaves are missing, we can begin keeping an eye out for them. Because they never had a proper shelf number and have been missing for years, finding them again won’t be easy.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&amp;nbsp;There’s one more vexing piece of this &lt;i&gt;Liste&lt;/i&gt; mystery that still needs to be solved.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;We noticed the INTF has &lt;a href="https://ntvmr.uni-muenster.de/manuscript-workspace?docID=20320"&gt;microfilm of the missing Ephesians leaves of 0320&lt;/a&gt;. It seems this microfilm was taken in Münster, as indicated by the receipt included in the microfilm image! If, as it is claimed, the Mengeringhausen leaves have been missing since the 1930s/40s, where did this microfilm come from? Were these leaves ever really in Münster as the receipt seems to indicate?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/20320_14.jpeg/09fd565b-2c63-494d-af92-107c3b6d8c84?t=1722444989024" style="width: 1000px; height: 1001px;" /&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Image 14: &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=20320/420494/51/10/22"&gt;Page ID 51 of 0320 in the NTVMR&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;This is the same leaf above of Eph 1:5–13, but clearly photographed decades later.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;This is the next part of the puzzle we’re working to solve. In case anyone has any tips or theories, we’re most happy to hear them.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;div&gt;&amp;nbsp; &lt;hr align="left" size="1" width="33%" /&gt; &lt;div id="ftn1"&gt; &lt;p class="MsoFootnoteText"&gt;&lt;span style="font-size:10pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;a href="#_ftnref1" name="_ftn1" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span lang="EN-GB" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;For a thorough description of this manuscript see Karin Bredehorn, “Aus Fuldischen Handschriften. Codex Waldeccensis: Fragmente einer griechisch-lateinischen Bibelhandschrift (olim Arolsen-Mengeringhausen, Stadtarchiv s. n.; Marburg, Hessisches Staatsarchiv Best. 147 Hr 2, 2),” &lt;i&gt;Archiv für&lt;/i&gt; &lt;i&gt;mittelrheinische Kirchengeschichte&lt;/i&gt; 51 (1999): 455–514. The Latin text is referred to as VL83, see Hugh Houghton, &lt;i&gt;The Latin New Testament: A Guide to its Early History, Texts and Manuscripts&lt;/i&gt; (Oxford, 2016). For a brief summary of theories about the origins of the codex see, Alan Taylor Farnes, &lt;i&gt;Scribal habits in Selected New Testament Manuscripts, Including those with Surviving Exemplars&lt;/i&gt; (PhD, University of Birmingham, 2018), 141–143.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn2"&gt; &lt;p&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;a href="#_ftnref2" name="_ftn2" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span lang="EN-GB" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span style="color:black"&gt;See Hartmut Hoffmann, &lt;i&gt;Buchkunst und Königtum im ottonischen und frühsalischen&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="text-autospace:none"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span style="color:black"&gt;Reich&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-GB" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span style="color:black"&gt; (Stuttgart: Anton Hiersemann, 1986), 137.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn3"&gt; &lt;p class="MsoFootnoteText"&gt;&lt;span style="font-size:10pt"&gt;&lt;span style="font-family:Calibri,sans-serif"&gt;&lt;a href="#_ftnref3" name="_ftn3" title=""&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span class="MsoFootnoteReference" style="vertical-align:super"&gt;&lt;span lang="EN-US" style="font-size:10.0pt"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span lang="EN-GB" style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;Bredehorn, “Aus Fuldischen Handschriften,” 467. Jürgen Wolf (2002) &lt;i&gt;&lt;a href="https://kobra.uni-kassel.de/themes/Mirage2/scripts/mozilla-pdf.js/web/viewer.html?file=/bitstream/handle/123456789/2010051032855/WolfMengeringhausenMittelalter2002.pdf?sequence=3&amp;amp;isAllowed=y#pagemode=thumbs"&gt;Kostbare Handschriften aus dem Stadt- und Kirchenarchiv Mengeringhausen&lt;/a&gt;. In: Mengeringhausen im Mittelalter. &lt;/i&gt;- Bad Arolsen : Waldeckischer Geschichtsverein, (Stadtgeschichte(n) Mengeringhausen; 2), (2002), 240–1. Wolf erroneously claims “Die Mengeringhäuser Stücke enthalten Abschnitte aus dem 2. Brief des Paulus an die Korinther sowie aus den ersten drei Kapiteln des Briefes an Titus.” &amp;nbsp;In fact, the Mengeringhausen fragments contain only Ephesians. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;</summary> <dc:creator>Katie Leggett</dc:creator> <dc:date>2024-07-31T15:38:00Z</dc:date> </entry> <entry> <title>ECM Revelation: The Details</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-revelation-the-details" /> <author> <name>Darius Mueller</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-revelation-the-details</id> <updated>2024-06-28T12:49:48Z</updated> <published>2024-06-17T14:51:00Z</published> <summary type="html">&lt;p style="text-align: justify;"&gt;&lt;span style="font-family:aptos,sans-serif;"&gt;&lt;span style="font-size:11.0pt;"&gt;We are pleased to announce the publication of ECM Revelation, available now through&lt;a href="https://shop.die-bibel.de/ECM-VI.-Offenbarung.-Gesamtband/5623"&gt; the German Bible Society&lt;/a&gt;. The project, which took 12 years total to complete, was carried out in Wuppertal under the leadership of Martin Karrer with Darius Müller and Marcus Sigismund and a&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14px;"&gt;highly supportive&lt;/span&gt;&lt;span style="font-family:aptos,sans-serif;"&gt;&lt;span style="font-size:11.0pt;"&gt; team (including Matthias Geigenfeind, Peter Malik, Markus Lembke, Edmund Gerke, Nicola Seliger). We were also supported by Holger Strutwolf, Annette Hüffmeier, and Greg Paulson as co-editors at the INTF in Münster relying on their software, digital tools, and years of experience as editors of previous ECM projects.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM_Rev.jpeg/790303aa-2907-4bc3-9983-79b9dae246cd?t=1718636497499" style="height: 500px;" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;strong&gt;The Basics in Numbers&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The edition comprises &lt;strong&gt;four &lt;/strong&gt;volumes: the first volume contains the new initial text and the critical apparatus, the second volume includes supplementary material, and volumes three and four include studies on the text and studies on the punctuation and textual structure.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The new text of ECM Revelation contains &lt;strong&gt;84&lt;/strong&gt; new initial readings, that is 84 places where the text of Revelation differs from the NA28, which will be considered by the editors for inclusion in the NA29.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;In addition to the new initial readings, there are &lt;strong&gt;95&lt;/strong&gt; orthographical differences from the NA28.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;There are&lt;strong&gt; 106&lt;/strong&gt; split guiding lines in the new edition, meaning there were 106 places with at least two readings that were equally probable as the initial text. So, the editors decided to leave the textual decision open in these places.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;In total, &lt;strong&gt;110&lt;/strong&gt; manuscripts were chosen as the basis for creating the edition:&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;span style="font-family:aptos,sans-serif;"&gt;&lt;span style="font-size:11.0pt;"&gt;P18. P24. P43. P47. P85. P98. P115. 01. 02. 04. 025. 046. 051. 052. 0163. 0169. 0207. 0229. 0308. 0326. 35. 61. 69. 82. 91. 93. 104. 141. 177. 201. 218. 250. 254. 325. 367. 452. 456. 469. 498. 506. 522. 620. 632. 792. 808. 911. 1006. 1424. 1611. 1637. 1719. 1732. 1734. 1773. 1780. 1795. 1828. 1849. 1852. 1854. 1872. 1888. 2019. 2026. 2028. 2037. 2042. 2048. 2050. 2053. 2056. 2057. 2067. 2070. 2071. 2073. 2074. 2076. 2077. 2080. 2081. 2138. 2200. 2256. 2286. 2329. 2344. 2350. 2351. 2377. 2429. 2432. 2436. 2495. 2582. 2595. 2672. 2681. 2723. 2814. 2845. 2846. 2847. 2886. 2917. 2919. 2921. 2924. (L475. L546)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;strong&gt;What’s New in this Edition?&lt;/strong&gt;&lt;/p&gt; &lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM_Rev_Text.jpg/f7e5f999-3fd4-4085-9c5f-66ccd3065767?t=1718636608432" style="float: right;" /&gt; &lt;p style="text-align: justify;"&gt;Users may be interested to note that the ECM Apocalypse contains several apparatuses and many other new features. For example, all the nomina abbreviata and the orthographical variants of the many numbers in the biblical text are listed both in the guiding line and in the variant apparatus of the edition.&lt;/p&gt; &lt;div style="text-align: justify;"&gt;As a major feature of the edition, the punctuation and segmentation of the Apocalypse was completely reinvestigated based on the selected manuscripts. In an apparatus created for this purpose, the segmentation of the initial text is justified, and any segmentation variants of the witnesses are documented.&lt;/div&gt; &lt;p style="text-align: justify;"&gt;In addition, the Greek chapter divisions are documented in the segmentation apparatus, while the main strand of the transmission is shown in the header next to the Latin chapter numbering, too.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The edition also contains a third apparatus in which essential &lt;a href="https://www.manuscripta-biblica.org/"&gt;paratextual content&lt;/a&gt; of the Greek manuscripts of the Apocalypse is documented, in order to augment the study of the new initial text.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;strong&gt;Other Highlights of the Edition&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;In addition to the well-established overviews, a few other highlights of the second supplementary volume are its overview of the biblical cross-references, a list of all singular readings as well as various lists of the orthography of the manuscripts selected for the edition. The Supplementary material is extremely rich, offering previously unexpected possibilities for research, particularly in the areas of studying scribal habits and the development of the Greek language.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;In addition, two volumes including studies on the text and segmentation have been produced. The first volume comprises studies on the reconstruction of the initial text and the provided attestation. These include a comprehensive account of the outlines of the edition, a concise history of the text, and, finally, a meticulous text-critical commentary.&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM_Rev_Running+text.jpg/55fd2369-02df-4f16-9be2-e593f455f10a?t=1718636797978" style="height: 700px; float: left;" /&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The second volume is dedicated to the Greek segmentation. It begins with a comprehensive methodological study on the segmentation, followed by a detailed commentary on segmentation, which is available in both German and English. The volume is complemented by several additional overviews of the segmentation of the manuscripts. Lastly, a running text of Revelation is given that offers the punctuation, Greek chapter divisions, and other features that are otherwise not possible to visualize in the format presented in the text volume—see image on the left.&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;&lt;strong&gt;Digital Tools&lt;/strong&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The digital edition in the NTVMR will soon be updated to include the latest version of the apparatus. As for all ECM editions, this will all be freely available here: &lt;a href="https://ntvmr.uni-muenster.de/ecm"&gt;https://ntvmr.uni-muenster.de/ecm&lt;/a&gt;&lt;/p&gt; &lt;p style="text-align: justify;"&gt;The CBGM will of course be made public soon as well. More on this to come!&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="text-align: justify;"&gt;In summary, the edition is designed to be accessible to the general public and offer all relevant data to facilitate fruitful future research on the new initial text and the transmission of the Apocalypse. We hope that this edition will be made available to all interested parties and that they will take advantage of the fruit of our labors.&lt;/span&gt;&lt;/p&gt;</summary> <dc:creator>Darius Mueller</dc:creator> <dc:date>2024-06-17T14:51:00Z</dc:date> </entry> <entry> <title>Greek New Testament Manuscripts at the Bible Museum Münster</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/greek-new-testament-manuscripts-of-the-bible-museum-munster" /> <author> <name>marie-luise lakmann</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/greek-new-testament-manuscripts-of-the-bible-museum-munster</id> <updated>2024-05-29T11:16:10Z</updated> <published>2024-05-29T08:58:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;Since its founding in 1979, the &lt;a href="https://www.uni-muenster.de/Bibelmuseum/"&gt;Bible Museum in Münster&lt;/a&gt; has collected a multitude of&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;artefacts that illuminate the living history of the Bible&lt;/span&gt;&lt;span style="font-size: 12pt; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial;"&gt;&lt;span style="color:#4d5156;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:10.5pt;"&gt;—&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;from its inception as a written text to the modern day. Many of these objects highlight the development and transmission of the New Testament text. In addition to Coptic, Syriac and Latin manuscripts, the Greek manuscripts in the collection&lt;/span&gt;&lt;a href="#_ftn1" name="_ftnref1" style="font-size: 12pt; background-color: rgb(255, 255, 255); color: rgb(5, 99, 193); text-decoration-line: underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:12pt;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt; are of particular importance as carriers of the original language of the New Testament.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Bibelmuseum1.jpg/a2d0b3cc-7bbb-46c2-a9bd-1eb28140dbc0?t=1716980856431" style="height: 400px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;Altogether the Bible Museum houses 23 Greek NT textual witnesses: 2 majuscules, 11 minuscules, and 10 lectionaries, making it the third largest collection of Greek NT manuscripts in Germany.&lt;/span&gt;&lt;a href="#_ftn2" name="_ftnref2" style="font-size: 12pt; background-color: rgb(255, 255, 255); color: rgb(5, 99, 193); text-decoration-line: underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:12pt;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;In addition, 6 New Testament papyri from the 3/4th century are currently on loan at the Museum from Cologne (Institut für Altertumskunde) and Berlin (Staatliche Museen). Visitors have the unique opportunity to view P8, P25, P66, P86, P87, P118 until Sept. 29, 2024.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0);"&gt;This blogpost briefly introduces the manuscripts in the collection based on information from my new catalogue, published on the occasion of the Bible Museum's 45th anniversary. (Many thanks to Katie Leggett for summarizing and translating the catalogue for this blogpost.)&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Catalog.png/bf914100-39b2-4828-b9b1-20781437d317?t=1716974306500" style="width: 596px; height: 600px;" /&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0);"&gt;For much more detailed information &lt;a href="https://lit-verlag.de/isbn/978-3-643-15535-1/" style="color:rgb(5, 99, 193);text-decoration-line:underline;"&gt;see here&lt;/a&gt;.&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:24px;"&gt;&lt;strong&gt;Majuscules&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;GA 0233 Bibelmuseum Ms. 1&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;8th century Gospel manuscript, written in majuscule with 93 parchment folios that were removed in the 13th century, trimmed, and rewritten to create GA L1684 (see below). The manuscript measures 270x210 mm with 2 columns and 23-27 lines per folio.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/0233.png/0f301e0e-dc72-4fa3-8261-84f5f8ed4375?t=1716974350287" style="width: 498px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:10pt;"&gt;On fol. 128v of GA 0233 the undertext, John 2:12-15, is visible&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 0301 &lt;/span&gt;Bibelmuseum Ms. HKS 677&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The museum's oldest Greek NT witness, this single fragment is from a miniature 5th century manuscript (68x70 mm).&lt;/span&gt;&lt;a href="#_ftn3" name="_ftnref3" style="color:rgb(5, 99, 193);text-decoration-line:underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:12pt;"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#141413;"&gt; It has only 14 lines per side and contains &lt;/span&gt;John 17:1-4, the beginning of the High Priestly Prayer. It's not possible to decide definitively if this text originated from a Gospel codex or was part of a commentary manuscript. It is also possible—due to its small size—that the text was created for everyday use and perhaps worn as an amulet.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/0301.png/497aa621-0989-411c-94f9-7ec265526609?t=1716974392256" style="height: 500px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:10pt;"&gt;GA 0301 with John 17:1-2 on the recto side&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:24px;"&gt;&lt;strong&gt;&lt;span style="color:#141413;"&gt;Minuscules&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 676 &lt;/span&gt;Bibelmuseum Ms&lt;span style="color:#141413;"&gt;. 2&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;13th century on parchment, 344 leaves with the Gospels, Acts of the Apostles, Pauline Epistles and Catholic Letters (196x150 mm), 1 column with 28 lines&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;A critical eye will notice that this codex was written by two different scribes: the first penned the Gospels and the second the rest. In the 14th century, beautiful illuminations of the evangelists on gold leaf in vivid colors were added to the Gospels (fol. 9, 57, 140). They were painted over (palimpsest) an 11th century theological text. The illustration of Luke is unfortunately missing.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/676.png/75c59980-a407-4460-8fda-efadf73fa03a?t=1716974446178" style="width: 479px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:10pt;"&gt;Illustration of John the Evangelist in GA 676 (fol. 140v)&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 798 Bibelmuseum Ms. 7&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;11th century Gospel manuscript on parchment containing 148 of 260 total leaves (170x115 mm), 1 column with 20 lines (occasionally 21 or 22)&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The 148 leaves at the Bible Museum contain Luke and John. They belong together with the 112 folios held at the National Library in Athens &lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;EBE 137 containing &lt;/span&gt;the Gospels of Matthew and Mark.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/798.png/ff80c357-9e55-468b-a8ac-0c1ff9c88e21?t=1716974776817" style="width: 842px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 89r with the beginning of Mark (left)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10pt;"&gt; held in Athens &lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;and fol. 96r. with John (right) held in Münster (GA 798)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;GA 1432 Bibelmuseum Ms. 3&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;12th century Gospel manuscript on parchment with 225 folios, 1 column with 28 lines. At 147x115 mm, it's the smallest bound codex in the collection.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;This manuscript was formerly in the possession of the Skete of St. Andrew on Mount Athos, whose western wing and library were partially destroyed by fire in July 1958. The Gospel text is complete, only the Kephalaia before the Gospels of Matthew and Mark seem to be missing. The manuscript boasts colorful canon tables and intricate frames of the Gospels decorated in gold, blue, green and red.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/1432.png/4fee96fc-f302-465f-80ca-e6e4bb1e442c?t=1716974957354" style="width: 967px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:10pt;"&gt;Ornate canon tables of GA1432 (fol. 5r) and the elegant beginning of the Gospel of Mark (fol. 68r)&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;GA 2444 Bibelmuseum Ms. 4&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;This 13th century Gospel manuscript measures 220x150 mm with 308 leaves, 1 column and&amp;nbsp;&lt;span style="font-size: 12pt;"&gt;22 lines. It is the only minuscule on paper in our collection.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The geometric and floral ornamentations as well as the opulent, oversized initials in black and red at the beginning of each Gospel are particularly noticeable.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2444.png/e29ecacc-e557-4a74-95b5-a3c416408c4a?t=1716974989853" style="width: 433px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Folio 2r of GA 2444 showing the beginning of the Gospel of Matthew&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2445 Bibelmuseum Ms. 5&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;12th century Gospel manuscript on parchment, 116 leaves (163x130 mm), 1 column with 20-22 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Numerous leaves are missing at the beginning (all of Matthew and Mark 1:1-7:9) and the end (from John 7:33 to the end) as well as other individual leaves throughout the codex. The text was written by two different hands: the first part with 20 lines per folio and the Gospel of John from with 22 lines per folio.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2445.png/b948714e-2f0a-4458-893a-5a9520e6023b?t=1716976323058" style="width: 935px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;GA 2445 left image showing the hand of Luke (fol. 38r) and right (fol. 110r) showing John&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2446 Bibelmuseum Ms. 6&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;12th century Gospel manuscript with 320 leaves on parchment (168x128 mm), 1 column with 20 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Curiously, numerous folios of this manuscript have been replaced at about the same time it was written or shortly thereafter. It appears that the original leaves were carefully cut out and replacement folios were adapted to them, but with a different ruling (e.g. fol. 36, 38, 44, 50).&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2446.png/798e7149-2548-41f6-a232-7521e35eea53?t=1716975178935" style="width: 438px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Folio 50v of GA 2446 shows on the right where the new folio was bound in the codex.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2460 Bibelmuseum Ms. 19&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;8 leaves of a 13th/14th century Gospel manuscript with&lt;/span&gt;&lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt; Matthew 18:32-22:9 &lt;/span&gt;&lt;span style="color:#141413;"&gt;on parchment&amp;nbsp;&lt;/span&gt;&lt;span style="color: rgb(20, 20, 19); font-size: 12pt;"&gt;(240x170 mm), 1 column with 26 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The bulk of this Gospel manuscript (195 leaves) resides in Ioannina, Greece (&lt;span style="color:#202124;"&gt;Zosimaia School, 2), &lt;/span&gt;and&lt;span style="color:#141413;"&gt; two leaves are at Columbia University (Plimpton Ms.12).&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2460.png/c38b238a-0e8b-4e27-a382-e5d10cc99c65?t=1716975294360" style="width: 444px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 24v. of GA 2460 with text of Matthew 22:1-9&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2754 Bibelmuseum Ms. 8&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;11th century Gospel manuscript on parchment with 256 leaves (193x143 mm), 1 column with 25-26 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Various marginal notes (fol. 77v; 138v; 151v; 199r; 228v) refer to the church της περιβλεπτου Βερροιας (Veria) in northern Greece from which the manuscript originally came. An interesting feature is the Kephalaia for Matthew, which was added by a later hand on fol. 75r-76v using pages that were blank. The later scribe drew 12 simple circles with the names, origin, places of activity, and martyrdoms of the 12 apostles.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2754.png/c4d901a8-1ca5-4907-b81e-3455e726aa36?t=1716975406745" style="width: 469px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 75v of GA 2754 showing 8 of the 12 circles referring the Apostles and below the continuation of the Kephalaia for Matthew&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2755 Bibelmuseum Ms. 9&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;11th century Gospel manuscript on parchment, with commentary on Matthew and Mark&amp;nbsp;&lt;/span&gt;&lt;span style="color: rgb(20, 20, 19); font-size: 12pt;"&gt;(322x232 mm), 1 column with 29 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;With 370 folios this is our most voluminous codex and our sole commentary manuscript. There are two additional leaves in Cambridge (&lt;/span&gt;&lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;Ms. Add. 4490),&lt;/span&gt; &lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;and some leaves of the original codex are still missing, especially at the end. &lt;/span&gt;&lt;span style="color:#141413;"&gt;The commentaries are very extensive e.g., just the first two words of the Matthew's Gospel, βιβλος γενεσεως, comprises 3.5 pages.&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2755.png/76bea07e-0b98-41d2-a67d-69e9f2a901b5?t=1716975440688" style="width: 409px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 7r of GA 2755 showing βιβλος γενεσεως (five lines from the bottom) written in semiuncial&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2756 Bibelmuseum Ms. 10&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;13th century Gospel manuscript on parchment with 195 leaves (187x145 mm), 1 column with 25 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The text is complete, except the final page of John. It has elegant illuminations of all four evangelists that originate from another manuscript and were inserted later as enhancements (fol. 6, 63, 99, 156).&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2756.png/74097425-7b95-40e7-854b-ac7149fb0bc3?t=1716975485138" style="width: 461px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;GA 2756, illumination of Luke (fol. 99v)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA 2793 Bibelmuseum Ms. 11&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;13th/14th century single leaf on parchment from a Gospel manuscript with Matthew 22:7-22&amp;nbsp;&lt;/span&gt;&lt;span style="color: rgb(20, 20, 19); font-size: 12pt;"&gt;(139x103 mm), 1 column with 20 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The leaf was sold in 1853/54 by Konstantinos Simonides, an infamous forger of ancient Greek texts, to Sir Thomas Philipps (1792-1872) who was an English collector of antiquities. Hermann Kunst acquired the sheet in 1973 from Bernard Quaritch Ltd.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2793.png/b87819ae-6e1e-4ba6-9064-00f576af69e9?t=1716975512644" style="width: 414px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:10pt;"&gt;Frontside of GA 2793 showing Matt 22:7-14&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="font-size:24px;"&gt;&lt;strong&gt;&lt;span style="color:#141413;"&gt;Lectionaries&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1681 Bibelmuseum Ms. 12&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;15th century Gospel lectionary with 187 leaves on paper (215x150 mm), 1 column with 26-28 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;This lectionary along with L1682, L1684, L2208, and L2276 in our collection contain Gospel readings for every day of the week from Easter to Pentecost as well as readings for Saturdays and Sundays.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;At the end of the lectionary, the scribe concludes his work with a colophon:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;δόξα σοι ὁ θεὸς ἡμῶν δόξα σοι ̇ ἀμήν.&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;σωθῆ ὁ ἔχων ̇ ἐλεηθῆ ὁ γράψας.&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;em&gt;&lt;span style="color:#141413;"&gt;Honor be to you, our God, glory be to you. Amen.&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;em&gt;&lt;span style="color:#141413;"&gt;May the owner be saved, may the writer find mercy.&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1681.png/f7600c92-0cf6-4d07-8a61-da3e555693e4?t=1716975550631" style="width: 418px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 186r of GA L1681 containing a scribal colophon to conclude the work&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1682 Bibelmuseum Ms. 14&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Gospel lectionary on paper with 131 leaves (270x145 mm), 1 column with 24 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Dated to the 16th century, L1682 along with L1686 are the two youngest Greek New Testament witnesses in our collection. The leaves were heavily trimmed at the outer edge, so that sometimes parts of letters at the beginning or end of lines are lost. The middle part of the manuscript is well preserved but the front and back parts are quite badly damaged, and in some places the text of parts of the pages has been restored.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1682.png/b6dfd81e-d07d-403e-952a-4dce56a802de?t=1716975596336" style="width: 341px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 123r of GA L1682 showing trimming and where sections have been patched&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1683 Bibelmuseum Ms. 15&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;13th century Gospel lectionary on parchment with 241 leaves (295x220 mm), 2 columns with 26 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;This lectionary, containing Gospel readings for every day of the year is embellished with oversized initials at the start of lections. One headpiece seems to have been left unfinished.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1683.png/4af86bff-aa72-4415-a12e-46ed923c7f92?t=1716975629140" style="width: 434px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 81 of GA L1683&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1684 Bibelmuseum Ms. 1&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;13th century Gospel lectionary, parchment palimpsest with 166 leaves (270x210), 2 columns and 23-26 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The undertext of this artefact is majuscule 0233. Interestingly, the upper text is also written in two columns of the same width as the under text. Some of the parchment leaves were later (16th century?) replaced by paper (fol. 1-38, 68, and 129-164). On the supplemental paper folios, it seems the copyist attempted to imitate the original scribe's handwriting but opted to use red for initials and decorations.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1684together.png/074932ec-879c-400f-9539-5cff27349661?t=1716975665843" style="width: 943px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 60r and 68r of GA L1684 showing how the later scribe (right) tried to imitate the work of the former (left)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1685 Bibelmuseum Ms. 16&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;15th century lectionary on paper with 264 leaves (275x190 mm), 2 columns with 31 lines per folio. This is the only lectionary in the collection with both Gospel and Apostolos readings for every day of the year.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The initials at the beginning of each lesson are decorated and extend over several lines. Before larger sections, such as between the Synaxarion and the Menologion, there are smaller ornamentations colored in red, yellow and green. The text has evidently been copied very hastily; there are numerous omissions resulting from eye leaps that a later scribe had to remedy. On several pages in the margins there are various notes and scribbles.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1685.png/79405013-e58a-4435-bb0d-cd43afbde779?t=1716975812910" style="width: 934px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Marginal notes and corrections on fol. 36 and fol. 37 in GA L1685&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L1686 Bibelmuseum Ms. 13&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;16th century lectionary on paper, 184 leaves with the Gospels and Apostolos (205x150 mm), 1 column with 17 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;This is not a lectionary proper, but another liturgical book that has extensive readings from the New Testament.&lt;/span&gt; &lt;span style="color:#141413;"&gt;The manuscript provides various clues about its owners. On fol. 1r, next to a curse against potential thieves, a &lt;em&gt;sakelarios, &lt;/em&gt;who probably belonged to a priesthood, is named, and on fol. 2r a priest named Athanasios is referenced. On the last page (fol. 184r) there is a dedication note dated 1624 by a certain Sterianos to the church of Taxiarches (παμμεγίστων&lt;/span&gt; &lt;span style="color:#141413;"&gt;ταξιαρχῶν) in memory of his parents.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1686.png/ecd83fa2-fc0e-4060-8fd3-af4d90492b1d?t=1716975849717" style="width: 456px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 2 of GA L1686, opening page of the codex&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L2005 Bibelmuseum Ms. 20&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;10th century majuscule lectionary on parchment, 1 leaf&amp;nbsp;(320x235 mm),&amp;nbsp;2 columns with 19 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;This is the only majuscule lectionary, and also the oldest lectionary in the collection. All but three&amp;nbsp;leaves have gone missing. Two&amp;nbsp;leaves are at the Byzantine and Christian Museum in Athens (&lt;/span&gt;σπ. 42). Our leaf contains readings from John 16:24-17:3, part of the passion narratives.&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L2005.png/3fd88d2e-3ca6-4727-9174-b4a88b7d5eb1?t=1716975889107" style="width: 417px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Recto of the single folio of GA L2005 located in the Bible Museum&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L2137 Bibelmuseum Ms. 17&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;12th century Gospel lectionary on parchment with 213 leaves (320x245 mm), 2 columns with 24-27 lines per folio&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;Like L1683 and L1685, this lectionary contains Gospel readings for every day of the year.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L2137.png/9a37dfa1-b9bf-4977-99b4-580e9103e4fb?t=1716975915760" style="width: 440px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 38r of GA L2137 shows the ecphonetic notation and the red braided bands that separate the different sections of the lectionary.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L2208 Bibelmuseum Ms. 18&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;11th/12th century Gospel lectionary with 207 leaves on parchment (223x170 mm), 2 columns with 25 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;This colorful lectionary has decoration dividing the reading units in carmine red and green. &amp;nbsp;The headings indicating the book and the day are often highlighted in yellow—sometimes with red and green initial letters, as are the cross-shaped dots in the text to mark reading breaks, and capital letters to mark paragraphs.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L2208.png/412cd40e-1599-47a8-9193-fe540a3195b3?t=1716975942119" style="width: 470px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 44r of GA L2208 showing the beginning of the Matthean period of readings&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;strong&gt;&lt;u&gt;&lt;span style="color:#141413;"&gt;GA L2276 Bibelmuseum Münster Ms. 21&lt;/span&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;13th/14th century Gospel lectionary on parchment with 55 leaves (292x230 mm), 2 columns with 28 lines&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color:#141413;"&gt;The manuscript contains many large gaps; of the original 140-150 leaves only about a third are preserved. The sections of the lectionary are separated by small, braided bands or decorative strips in red. The day information in the upper margin, the subheadings, the bookmarks and the ornate, oversized initials at the beginnings of the lessons are also written in red.&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L2276.png/75c45841-e0d1-44dd-9801-8bd10cd91227?t=1716975971648" style="width: 475px; height: 600px;" /&gt;&lt;/p&gt; &lt;p align="center" style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);text-align:center;"&gt;&lt;span style="color:#141413;"&gt;&lt;span style="font-size:10pt;"&gt;Fol. 15r of GA L2276 shows the beginning of the Lukan section&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;We hope you enjoyed these brief descriptions of the manuscripts in our collection. For those whose interest has been piqued, you can &lt;a href="https://ntvmr.uni-muenster.de/home" style="color:rgb(5, 99, 193);text-decoration-line:underline;"&gt;go here to the NTVMR to see full images.&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Or better yet, come visit us in person at the &lt;a href="https://www.uni-muenster.de/Bibelmuseum/" style="color:rgb(5, 99, 193);text-decoration-line:underline;"&gt;Bible Museum in Münster&lt;/a&gt;&lt;span style="text-decoration-line:underline;"&gt;&lt;span style="color:#0563c1;"&gt;!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;div style="color:rgb(0, 0, 0);font-size:medium;"&gt;&amp;nbsp; &lt;hr align="left" size="1" width="33%" /&gt; &lt;div id="ftn1"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;a href="#_ftnref1" name="_ftn1" style="color:rgb(5, 99, 193);text-decoration-line:underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:10pt;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:10pt;"&gt; Many of the original manuscripts in the collection came from Bishop Hermann Kunst who donated his private collection to the Evangelical Church in Germany (EKD), stipulating they should be kept by the Hermann Kunst-Stiftung and displayed in the Bible Museum. Others came from the collection of the Loverdos Museum in Athens and a few from private auction houses and antiquarian bookshops.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn2"&gt; &lt;p style="font-size:10pt;font-family:Times New Roman, serif;"&gt;&lt;a href="#_ftnref2" name="_ftn2" style="color:rgb(5, 99, 193);text-decoration-line:underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:10pt;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-attachment:initial;background-origin:initial;background-clip:initial;"&gt;The largest collection is the Bavarian State Library in Munich with 30 Greek NT witnesses followed by the State Museum in Berlin with 25.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn3"&gt; &lt;p style="font-size:10pt;font-family:Times New Roman, serif;"&gt;&lt;a href="#_ftnref3" name="_ftn3" style="color:rgb(5, 99, 193);text-decoration-line:underline;" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:10pt;"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Martin Schøyen loaned 0301 to the Bible Museum over 20 years ago and graciously donated the piece to the Hermann Kunst-Stiftung in 2023.&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;</summary> <dc:creator>marie-luise lakmann</dc:creator> <dc:date>2024-05-29T08:58:00Z</dc:date> </entry> <entry> <title>Three Greek New Testament Manuscripts for Sale</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/three-greek-new-testament-manuscripts-for-sale" /> <author> <name>Katie Leggett</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/three-greek-new-testament-manuscripts-for-sale</id> <updated>2024-05-04T07:30:04Z</updated> <published>2024-05-04T07:14:00Z</published> <summary type="html">&lt;p&gt;Next month three Gospel manuscripts from the Schøyen collection will be up for auction.&lt;/p&gt; &lt;p&gt;&lt;a href="https://www.christies.com/en/lot/lot-6483584"&gt;GA 1421, the so called “Charles of Anjou” Gospels, 10th century on vellum (Schøyen Collection, MS 675)&lt;/a&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/1421.jpg/621006ff-60c7-4554-9f9b-5327f61b8e43?t=1714807312052" /&gt;&lt;/p&gt; &lt;p&gt;Image of GA 1421&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;a href="https://www.christies.com/en/lot/lot-6483588"&gt;GA 2836, 12th century manuscript on vellum with 33 leaves of the Gospel of Matthew (Schøyen Collection, MS 694)&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2836.jpg/5da889de-d297-423d-932c-ee11abfda22c?t=1714807329398" /&gt;&lt;/p&gt; &lt;p&gt;Image of GA 2836&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;a href="https://www.christies.com/en/lot/lot-6483590"&gt;GA 2483, 13th century on vellum, originally from Great Lavra Monastery in Athos (Schøyen Collection, MS 2932)&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/2483.jpg/5f19aafa-f40d-44e4-84b7-db74ca566041?t=1714807321776" /&gt;&lt;/p&gt; &lt;p&gt;Image of GA 2483&lt;/p&gt; &lt;p&gt;We hope these three manuscripts find a loving home and that the new owners let us know where they have ended up!&lt;/p&gt;</summary> <dc:creator>Katie Leggett</dc:creator> <dc:date>2024-05-04T07:14:00Z</dc:date> </entry> <entry> <title>Amulets and Ostraca</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/amulets-and-ostraca" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/amulets-and-ostraca</id> <updated>2024-01-19T08:50:49Z</updated> <published>2024-01-19T08:30:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/AmuletsT2.jpg/1f194ab2-7c42-43df-8328-9131258f6aa1?t=1705653690441" style="font-size: 12pt;" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Image: T2&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;In an attempt to put the magic back in the &lt;em&gt;Kurzgefaßte Liste&lt;/em&gt;, the INTF will be resurrecting the talisman and ostracon numbers.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;In the latest issue of JBL (&lt;/span&gt;&lt;a href="https://scholarlypublishingcollective.org/sblpress/jbl/article/142/4/633/384965/Resurrecting-Amulets-and-Ostraca-within-New" style="font-size: 12pt;"&gt;142 no. 4 [2023]: 633–655&lt;/a&gt;&lt;span style="font-size: 12pt;"&gt;), Brice Jones and I explore the usefulness of amulets and magical ostraca for New Testament textual criticism. We briefly define these objects and describe how New Testament text is recorded on them. We then survey which amulets and magical ostraca were used in 20th critical editions of the Greek New Testament and why these categories were added and then subsequently removed from the &lt;/span&gt;&lt;em style="font-size: 12pt;"&gt;Kurzgefaßte Liste&lt;/em&gt;&lt;span style="font-size: 12pt;"&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;Although the essential research is based on Jones’ book,&lt;/span&gt;&lt;em style="font-size: 12pt;"&gt; &lt;a href="https://www.bloomsbury.com/uk/new-testament-texts-on-greek-amulets-from-late-antiquity-9780567685353/"&gt;New Testament Texts on Greek Amulets from Late Antiquity&lt;/a&gt;&lt;/em&gt;&lt;span style="font-size: 12pt;"&gt;,&amp;nbsp;it was fun to dig further into the history of &lt;/span&gt;&lt;em style="font-size: 12pt;"&gt;Kurzgefaßte Liste&lt;/em&gt;&lt;span style="font-size: 12pt;"&gt; publications to see exactly what happened to these witnesses. Years ago, I saw an unknown symbol in Nestle&lt;/span&gt;’&lt;span style="font-size: 12pt;"&gt;s&amp;nbsp;&lt;/span&gt;&lt;em style="font-size: 12pt;"&gt;Novum Testamentum Graece&lt;/em&gt;&lt;span style="font-size: 12pt;"&gt;. It was not until I read Jones’ book that I finally made the connection that it was an amulet, T3.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/AmuletsT3inN13.jpg/a8c53870-da5a-475d-af99-68288639aa35?t=1705653734629" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;Image: Citations of T3 (highlighted) in the Nestle 13th edition (1927) at Matt 6:12–13&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Our article, “Resurrecting Amulets and Ostraca in New Testament Textual Criticism,” seeks to explain why the “talisman” and “ostracon” categories have now been continued in the &lt;em&gt;Kurzgefaßte Liste.&lt;/em&gt; It highlights the shift in New Testament textual criticism toward an increased appreciation of the social milieu of those who used the biblical text and how this new perspective on the value of amulets and magical ostraca justifies their inclusion in the ECM, CBGM, and the &lt;em&gt;Kurzgefaßte Liste&lt;/em&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Amulets up to T39 and magical ostraca up to Os30 will be catalogued in the &lt;em&gt;Kurzgefaßte Liste &lt;/em&gt;as an appendix and will not be included in the tally of Greek New Testament witnesses for now.&lt;a href="#_ftn1" name="_ftnref1" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:12pt;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Readers can see how their inclusion affects already cataloged witnesses and how images and transcriptions of these new additions are already accessible in the &lt;a href="https://ntvmr.uni-muenster.de/"&gt;NTVMR&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;To find which amulets and magical ostraca have been added to the &lt;em&gt;Liste&lt;/em&gt;, in the NTVMR, just type in “t” or “os” in the search field under “name” (or use the six-digit Doc IDs beginning with 51 and 52 for “ID” in the search field). Or, you can click &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=51"&gt;here for amulets&lt;/a&gt;&amp;nbsp;and &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=52"&gt;here for magical ostraca&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The article explains how these witnesses will appear in the apparatus of ECM Matthew when it is published, as well as in the CBGM. Their inclusion in the CBGM is probably unexpected since they are non-continuous witnesses. From the article,&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: &amp;quot;Times New Roman&amp;quot;, serif; font-size: 16px;"&gt;“&lt;/span&gt;Amulets have two major disadvantages in the context of the CBGM: (1) they contain a small amount of text, and (2) their text is often an indirect witness; that is, they were not initially created with the &lt;em&gt;primary&lt;/em&gt; intention of accurately transmitting the New Testament text. Their limited text poses the same problem as other fragmented texts (like the early papyri), and, on this basis alone, their inclusion in the CBGM would produce cautionary results at best. As indirect witnesses, they would be inappropriately taken as representing the same tradition as continuous text manuscripts or lectionaries that are in the CBGM.&lt;span style="color: rgb(0, 0, 0); font-family: &amp;quot;Times New Roman&amp;quot;, serif; font-size: 16px;"&gt;”&lt;/span&gt; (p. 647)&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Nevertheless, the Greek text of amulets can be assigned to Greek variants in the apparatus, unlike versions that would have to rely on a retro-translation. In the CBGM, amulets and ostraca, with only a small amount of text available, qualify as “fragmented” witnesses and their inclusion in the Coherence at Variant Passages diagrams can be turned on or off with the button labeled “Frag.” This way, users will have the option to see them or not. Their inclusion is largely exploratory, and a study is planned to appear on the results in the forthcoming edition of ECM Matthew.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;Below is the full list of amulets and magical ostraca now recorded in the&lt;em&gt;&amp;nbsp;Liste&lt;/em&gt;. If there are any more we should be aware of, please let us know!&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td style="padding:0.75pt;"&gt;&amp;nbsp;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T1&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family:times,serif;"&gt;&lt;span style="font-size:9.5pt;"&gt;=[0152]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:11-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Athens, National Historical Museum, 12227&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T2&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 4:23-24&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pg&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Allentown, PA, Muhlenberg College, Pap. 1077 (theol. 2)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T3&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Location unknown, Zuletzt: Germany, (früher: Berlin, Staatliche Museen P. 954)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T4&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9; Jn 1:23; Gospel incipits&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI?&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Florence, Biblioteca Medicea Laurenziana, 13926&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T5&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VII-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wood&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Heidelberg, Ägyptologisches Institut , 761&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T6&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13; Lk 9:37(?); 11:1b-2&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Giessen, Universitätsbibliothek, P. Iand. 14&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T7&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9; Mk 1:1-8; Lk 1:1-7; Jn 1:1-17&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;XII/XIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pg&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Chicago, IL, University of Chicago Library, Ms. 125 (Goodspeed)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T8&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 2:1a-2; Rom 12:1-2&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, G 2312&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T9&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 1:1, 3&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;?&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Glasgow, University Library, Ms. Gen. 1026/12&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T10&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 28:19; Mt 4:23; Gospel incipits; Jn 1:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pg&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Berlin, Staatliche Museen zu Berlin Preußischer Kulturbesitz, P. 6096&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T11&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 4:23; 9:35; 8:15; Mk 1:31&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Berlin, Staatliche Museen zu Berlin Preußischer Kulturbesitz, P. 21230&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T12&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-11&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Princeton, NJ, Princeton University Libraries, AM 8963&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Durham, NC, Duke University, David M. Rubenstein Library, P. Duk. Inv. 778&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;[T14]&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;= 0324&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt;&amp;nbsp;&lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt;&amp;nbsp;&lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt;&amp;nbsp;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T15&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;New Haven, CT, Yale University Library, P. CtYBR 4600&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T16&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13; 2 Cor 13:13(?)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV-V&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oslo, University of Oslo Library , P. 1644, fol.;&lt;br /&gt; &lt;br /&gt; Oslo/London, The Schøyen Collection, MS 244/4, fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T17&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:10-12&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;E III - A IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oxford, Sackler Library, P. Ant. 54&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T18&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:11-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Köln, Institut für Altertumskunde, Inv. Nr. 3559 (recto), fol.; Inv. Nr. 3583 (recto), fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T19&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:12-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Köln, Institut für Altertumskunde, Inv. Nr. 3302&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T20&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family:times,serif;"&gt;&lt;span style="font-size:9.5pt;"&gt;=[P105]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 27,62-64; 28,2-5&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V/VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oxford, Sackler Library, P. Oxy. 4406&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T21&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mk 1:1-2&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;III-IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oxford, Sackler Library, 25 3B 58/E(c)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T22&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 1:1-11&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Köln, Institut für Altertumskunde, Inv. Nr. 649, fol.; Inv. Nr. 689, fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T23&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 1:5-6&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pg&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, G 29831&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T24&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 1:29, 49&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Berlin, Staatliche Museen zu Berlin Preußischer Kulturbesitz, P. 11710&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T25&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;2 Cor 10:4; 1 Thess 5:8; Eph 6:16&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, G 26034, fol.; G 30453, fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T26&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family:times,serif;"&gt;&lt;span style="font-size:9.5pt;"&gt;=[0262]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;1 Tim 1:15-16&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pg&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Berlin, Staatliche Museen zu Berlin Preußischer Kulturbesitz, P. 13977&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T27&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family:times,serif;"&gt;&lt;span style="font-size:9.5pt;"&gt;=[P78]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jd 4.5.7.8&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;III/IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oxford, Sackler Library, P. Oxy. 2684&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T28&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Col 3:9-10&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV/V&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, University College, Petrie Museum, UC 32070&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T29&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Act 9:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;III/IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Birmingham, University of Birmingham Cadbury Research Library, P.Harr. inv. 486&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T30&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 1:20&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Ann Arbor, MI, University of Michigan Library, P. Mich. inv. 4944b&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T31&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 1:1; Mk 1:1; Jn 1:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Alexandria, Bibliotheca Alexandrina Antiquities Museum, BAAM 0505&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T32&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 1:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt;&amp;nbsp;&lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Heidelberg, Institut für Papyrologie, P. Lat. 5&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T33&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 1:1; Mk 1:1; Lk 1:1; Jn 1:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, G 348&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T34&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9-13&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Oxford, Sackler Library, P. Oxy. 4010&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T35&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Ps 21:19/Mt 27:35/Jn 19:24&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, G 29418&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T36&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:11-12&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wien, Österreichische Nationalbibliothek, L 91&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T37&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 6:9&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VII?&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Wood&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Paris, Musée du Louvre, D 552B&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;T38&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;James 1:14-17&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;E V?&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Papyrus&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Genova, Biblioteca Universitaria, 1160 Vo&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td style="width:65px;border:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os1-20&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family:times,serif;"&gt;&lt;span style="font-size:9.5pt;"&gt;=[0153]&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Matt 27:31–32; Mark 5:40–41; 9:17, 18, 22; 15:21; Luke 12:13–15, 15– 16; 22:40–45, 45–49, 49–53, 53–54, 55–59, 59–60, 61, 61–64, 65–69, 70–71; John 1:1–9, 14–17; 18:19–25; 19:15–17&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-image:initial;border-left:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: times, serif; font-size: 16px;"&gt;Location unknown&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os21&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Lk 1:42, 28&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, British Museum, EA 33101&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os22&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;John 2:1&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, British Museum, EA 55805&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os23&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Act 2:22-24 (UC 62598), 2:25-29, 32-36; 3:1-2 (UC 62568); 15:38-16:1, 7-9 (UC 62540+62547); 16:18; 19:1, 8-9 (UC 62567); Rom 13:3-6, 7-11 (UC 62600); Gal 1:8-11 (UC 62732), 15-18; 2:3-8 (UC 62583); James 2:2-3, 8-9 (UC 62719); 4:11-13 (UC 62592); 1Jn 2:12-14, 19-22 (UC 31897); 3:17-22; 4:1-3 (UC 62566), 19-14, 18-21 (UC 62584); Jude 1-3, 4 (UC 62573).&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, University College, Petrie Museum, UC 31897, fol.; UC 62598, fol.; UC 62568, fol.; UC 62540, fol.; UC 62547, fol.; UC 62567, fol.; UC 62600, fol.; UC 62732, fol.; UC 62583, fol.; UC 62719, fol.; UC 62592, fol.; UC 62573, fol.; UC 62566, fol.; UC 62584, fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os24&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Rom 8:31&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;IV-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Stone&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Cambridge, Cambridge University Library, Ostraka inv. 129&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os25&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Lk 1:28&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, British Museum, EA 32966&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os26&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 1:19-20&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;V-VI&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Turin, Museo Egizio, Cat. Fab. 2136&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os27&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 7:18-20, 29-8:4&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Cairo, Coptic Museum, Naqlun 53/88, fol.; Naqlun 64/86, fol.&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os28&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Mt 16:18-19; Heb 5:6&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;New York, NY, The Metropolitan Museum of Art, Acc. no. 14.1.202&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os29&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Jn 9:1-12; Act 3:11&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VII-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;London, British Museum, Eg. Dept. (?)&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td style="width:65px;border-right:1pt solid rgb(204, 204, 204);border-bottom:1pt solid rgb(204, 204, 204);border-left:1pt solid rgb(204, 204, 204);border-image:initial;border-top:none;padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Os30&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:241px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Heb 2&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:41px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;VI-VIII&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:54px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Pottery&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;td style="width:203px;border-top:none;border-left:none;border-bottom:1pt solid rgb(204, 204, 204);border-right:1pt solid rgb(204, 204, 204);padding:3.75pt 3pt;vertical-align:top;"&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;"&gt;&lt;span style="font-family:times,serif;"&gt;Anonymous owner, Anonymous owner, Milan Private Owner&lt;/span&gt;&lt;/p&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;We are still in the process of acquiring images, but many images are already included in the NTVMR, especially ones with text from Matthew, such as T34:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/AmuletsT34.jpg/516ad1bc-b8d9-4f68-b950-da0f9ab98494?t=1705653880623" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Some ostraca also have images in the NTVMR, for example Os25:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/AmuletsOs25.jpg/612c37b8-297e-45cf-9a47-3b04fb95ca87?t=1705653921601" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;I end with a quote from the article:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0); font-family: &amp;quot;Times New Roman&amp;quot;, serif; font-size: 16px;"&gt;“&lt;/span&gt;While there is little doubt that amulets and magical ostraca provide an important window into early Christian faith and practices, as many have convincingly argued, the precise textual worth of each of these witnesses remains to be determined. Magical ostraca in particular warrant further research, and scholars now have new resources at their fingertips to gain insights into and to research the rich textual history of the New Testament. It is hoped that recording these witnesses in the &lt;em&gt;Liste&lt;/em&gt; (and their images in the NTVMR whenever possible), and including them in the ECM and CBGM, will make way for more productive and nuanced research on their worth for textual criticism and the role they play in the exploration of the social history of early Christianity.&lt;span style="color: rgb(0, 0, 0); font-family: &amp;quot;Times New Roman&amp;quot;, serif; font-size: 16px;"&gt;”&lt;/span&gt; (p. 655)&lt;/p&gt; &lt;div style="color:rgb(0, 0, 0);font-size:medium;"&gt; &lt;div id="ftn1"&gt; &lt;p style="font-size:10pt;font-family:Times New Roman, serif;"&gt;&lt;a href="#_ftnref1" name="_ftn1" title=""&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="vertical-align:super;"&gt;&lt;span style="font-size:10pt;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Peter Head’s essay, “Additional Greek Witnesses,” in &lt;em&gt;The Text of the New Testament in Contemporary Research&lt;/em&gt;, ed. Ehrman and Holmes, 2nd ed (2013), was especially helpful for bringing the list of ostraca up to date. Correspondence with Theodore De Bruyn was very helpful when I first began to research amulets. I have Joseph Sanzo to thank for bringing to my attention, among other things, that the term “ostraca” really should be “magical ostraca” since we are talking about apotropaic artifacts, not mere citations from the Bible.&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2024-01-19T08:30:00Z</dc:date> </entry> <entry> <title>How Many Greek New Testament Manuscripts Are There REALLY? The Latest Numbers</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-many-greek-new-testament-manuscripts-are-there-really-the-latest-numbers" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-many-greek-new-testament-manuscripts-are-there-really-the-latest-numbers</id> <updated>2023-09-29T13:57:49Z</updated> <published>2023-09-29T08:33:00Z</published> <summary type="html">&lt;p&gt;&lt;span style="font-size:18px;"&gt;&lt;strong&gt;By Katie Leggett and Greg Paulson&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;In this post we'll tackle the question of how many Greek New Testament manuscripts there are using the latest information in the NTVMR. We'll explain how Greek New Testament witnesses are currently registered in the Liste and some of the complexities of counting manuscripts.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;The work of cataloguing all known Greek New Testament manuscripts worldwide is a massive endeavor that has been going on for many years. The Kurzgefasste Liste (for more on the history of the Liste, see &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/what-is-the-kurzgefass"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;) was designed to offer a systematic list of all known Greek New Testament manuscripts and to make them available as potential witnesses for use in critical editions and more widely for scholarly research. Greek New Testament manuscripts are designated with a Gregory-Aland (GA) number and their codicological and paleographical features like date, contents, writing material, script, lines, columns, and dimensions are catalogued.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Just since 2019, an additional 167 Gregory-Aland numbers have been added (2 papyri, 3 majuscules, 81 minuscules, and 81 lectionaries.&lt;a href="#_ftn1" name="_ftnref1" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[1]&lt;/span&gt;&lt;/a&gt; These numbers would be even higher if we also included the dozens of additions to the Liste which were not given a new GA number but were identified as parts of manuscripts already entered therein. While the Liste aims to offer a census of available witnesses of the Greek New Testament, it is far from exhaustive. It's important to keep in mind there are still more manuscripts we aren't yet aware of. The Liste is constantly in flux. We are very grateful for the support of scholars, librarians, and curators who continue to collaborate and inform us of unregistered manuscripts.&lt;a href="#_ftn2" name="_ftnref2" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[2]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;We have also been in the process of cleaning up the Liste by identifying manuscripts that were unknowingly entered twice, combining folios that belong together, and removing manuscripts that never should have been entered in the first place because, for example, they have no New Testament content or were entered without enough information to identify them.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;While some might find it disconcerting that so many entries have been stricken from the Liste, this purging process has actually been going on for many years. In the first edition of the Liste (1963), Kurt Aland described this "Bereinigung" and its importance in detail; he continued this reduction process into the second edition in 1994 as well.&lt;a href="#_ftn3" name="_ftnref3" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[3]&lt;/span&gt;&lt;/a&gt; The desideratum has never been to simply add as many manuscripts as possible but rather to offer the most accurate representation of the available manuscript evidence. We recognize there have been many inconsistencies over the years about what qualifies for inclusion (e.g. Psalms and Odes, prayer books, ostraca, supplements, manuscripts with virtually no information to identify them again, etc.). We are in process of creating more sensible and transparent criteria for what manuscripts should be removed and what will be included in the future.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;strong&gt;&lt;u&gt;Counting Complexities &lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Some of the factors that make tallying manuscripts difficult have been discussed elsewhere but we'll briefly address a few of these issues here.&lt;a href="#_ftn4" name="_ftnref4" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[4]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;First, throughout its history, the Liste (or its predecessor inaugurated by Gregory) has included diverse New Testament witnesses such as lectionaries and other liturgical books, amulets, ostraca, and even patristic works; these have been divided between the four main Liste categories of: papyri, majuscules, minuscules, and lectionaries. (But of course, the distinctions between categories are not always clearcut.) Under minuscules one also finds catenae, but not lectionaries even though they are written in minuscule script. Under lectionaries were Psalms and Odes (which will no longer be added) as well as other liturgical books like euchologia.&lt;a href="#_ftn5" name="_ftnref5" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[5]&lt;/span&gt;&lt;/a&gt; Even if we compare two "complete" New Testaments, a full continuous text of Mark will contain all 16 of its chapters, but a complete lectionary might only contain four or five chapters of Mark (none of which are even a complete chapter). Yet a lectionary will still be considered "complete" for what it was intended for (in this case, liturgy on Sundays). This means when we speak of "manuscripts" we mean a wide range of witnesses with Greek text of the NT, and these of course have varying worth for critical editions, dating from the late second century to the eighteenth century.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Second, numerous manuscripts have gone missing over the years or have been destroyed. We're still working out the best practice for how to deal with these. Should they be counted, especially if there are no images? For the moment if we have good reason to believe a manuscript no longer physically exists (but have not yet confirmed), we have decided to tag it in the NTVMR with the feature called "Manuscript Destroyed." &lt;a href="https://ntvmr.uni-muenster.de/liste?gaNum=&amp;amp;featureCode=ManuscriptDestroyed&amp;amp;featureCode=Liste&amp;amp;featureCode=Removed!%3DDisplay"&gt;&lt;u&gt;There are currently 56 manuscripts in the Liste tagged as “Manuscript Destroyed”&lt;/u&gt;&lt;/a&gt;. The majority of these were held at Mega Spileon Monastery in Kalavryta and the Skete of Saint Andrews on Mt. Athos. Sometimes we are pleasantly surprised to rediscover a manuscript presumed destroyed. This was the case, for example, with 0229 formerly housed at the Biblioteca Medicea Laurenziana in Florence. While the 1963 Liste noted it was destroyed, it was, in fact only badly damaged and is now housed at the Papriological Institute in Florence.&lt;a href="#_ftn6" name="_ftnref6" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[6]&lt;/span&gt;&lt;/a&gt; Another example is the four leaves of 0106 held at the University Library in Leipzig that were listed as "Kriegsverlust" and long assumed to have been destroyed in WW2. However, they were recently rediscovered in the Moscow State University Library.&lt;a href="#_ftn7" name="_ftnref7" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[7]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Another concern is what to do with manuscripts that have long been missing. When we don't know the current location of a manuscript, we list it under "location unknown" (formerly called "Besitzer unbekannt"). &lt;a href="https://ntvmr.uni-muenster.de/liste?gaNum=&amp;amp;country=Location%20unknown&amp;amp;featureCode=Removed!%3DDisplay"&gt;&lt;u&gt;There are currently 105 manuscripts in this category&lt;/u&gt;&lt;/a&gt;, but these are certainly not all the same! Some are here because they were recently auctioned or sold. Numerous manuscripts have landed in private collections, which makes them tricky to keep track of. This was the case for 2805 which was held in a private collection in Athens until it was sold on Christies in 2013. Through a gracious tip&lt;a href="#_ftn8" name="_ftnref8" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[8]&lt;/span&gt;&lt;/a&gt; we found out it had been &lt;a href="https://www.historicalbiblesociety.org/art-gallery/manuscripts/"&gt;&lt;u&gt;purchased by a private collector in New York&lt;/u&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Unfortunately, this proves the exception as private buyers often do not want to be identified, especially if their manuscript has a problematic provenance.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Other manuscripts in "location unknown" like those in Damascus have been missing for over 100 years. Despite our best efforts, we've not be able to verify where these are.&lt;a href="#_ftn9" name="_ftnref9" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[9]&lt;/span&gt;&lt;/a&gt; But manuscripts that have been missing for decades do occasionally turn up again. Many of the manuscripts held at the Kosinitza Monastery near Drama, Greece were looted during WWI and have been missing since then. Several of these have been located again in recent years including 1424 and 1429 which have been returned to Drama.&lt;a href="#_ftn10" name="_ftnref10" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[10]&lt;/span&gt;&lt;/a&gt; Just last month we discovered another Kosinitza New Testament manuscript: L2378 that has ended up in Sydney. (&lt;a href="https://www.youtube.com/watch?v=HNSU4_CRsZg"&gt;&lt;u&gt;Here is a presentation about this lectionary&lt;/u&gt;&lt;/a&gt;. At timestamp 6:24 the origin of the manuscript and its theft from Monastery Kosinitza is narrated.)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;In 2021, GA 2853 was removed from "location unknown" when it was discovered to be the same as 2892 owned by the Van Kampen Foundation and housed in Orlando.&lt;a href="#_ftn11" name="_ftnref11" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[11]&lt;/span&gt;&lt;/a&gt; Likewise we discovered 2343, whose location has been unknown since at least the 1963 Liste, was at the Walters Art Museum under GA 2375. These few examples illustrate why we never give up hope of a manuscript turning up again after we've lost track of it.&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Adding to the complexity of counting manuscripts is the fact that one entry, that is one GA number, can represent a single fragment with just a few verses like &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=20317/420494/10/20/7"&gt;&lt;u&gt;0317&lt;/u&gt;&lt;/a&gt; (pictured below). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+many+MSS8.jpeg/c74c34a2-901b-44d5-a45c-c6d511b9d8fe?t=1695995039926" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Or one GA number can represent a rather voluminous codex, such as &lt;a href="https://www.metmuseum.org/art/collection/search/477499"&gt;L351&lt;/a&gt;, with over 300 leaves (pictured below).&lt;/span&gt;&lt;/p&gt; &lt;p align="center" style="text-align:center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+many+MSS.jpg/60065500-96d1-4358-a806-6236d424e3a1?t=1695995635959" /&gt;&lt;/p&gt; &lt;p align="center" style="text-align:center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;While this fragmentary nature is well known for papyri (and perhaps majuscules), this is often overlooked when it comes to minuscules and lectionaries. In fact, approximately 27% of lectionaries have 50 folios or less and 10% of minuscules have 50 folios or less.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Another matter that can make understanding data in the Liste confusing is that there isn't always a one-to-one correlation between an entry in the Liste and a single artefact. That is, one GA number doesn't necessarily correspond to one physical manuscript or a single shelf number at a holding institution. It is possible for multiple artefacts scattered throughout the globe to share a single GA number. This is the case with L2434, which has a current total of 48 leaves dispersed throughout 26 locations.&lt;a href="#_ftn12" name="_ftnref12" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[12]&lt;/span&gt;&lt;/a&gt; &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=42434"&gt;&lt;u&gt;Here is the list of locations of L2434 in the NTVMR&lt;/u&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Or it often happens that a single artefact will be assigned multiple GA numbers, such as Panteleimon Monastery 97, which has been given 17 Gregory-Aland numbers! (See its entry in &lt;span style="color:black;"&gt;&lt;a href="https://pinakes.irht.cnrs.fr/notices/cote/22234/"&gt;&lt;u&gt;Pinakes&lt;/u&gt;&lt;/a&gt;&lt;/span&gt; below.)&amp;nbsp;&lt;span style="color:black;"&gt;&lt;a href="https://pinakes.irht.cnrs.fr/notices/cote/22234/"&gt; &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+Many+MSS4.jpeg/5d0415e5-1181-4cdc-bf2a-78c959eacb9a?t=1695995691842" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Each part of the artefact was given a separate entry because it had unique features which could not be subsumed under a single GA number.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Biblioteca Nazionale Marciana Gr. Z. 10&amp;nbsp; has two GA numbers, 209 and 2920, because fol. 1-381 were originally Gospels, Acts, Catholic Letters, and Paul, and later a manuscript of Revelation was combined with it, becoming fol. 382-421 in the same codex. These two portions of Gr. Z. 10 are from different centuries, have a different line count, and the script is different (with 2920 resembling 205 according to Gregory). These were clearly originally two separate artifacts and were not intentionally made to be bound together.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Thus, one artefact can be given multiple GA numbers if the physical features (e.g. date, columns, writing material) deviate so greatly from the other parts that it must be catalogued in the Liste as a separate entry to record these distinctions. Here is an example from Barb. Gr. 521, where GA &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=30392/420494/160/10/152"&gt;054&lt;/a&gt; and &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=30392/420494/170/10/132"&gt;392&lt;/a&gt; are bound in the same codex (see below). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+many+MSS10.jpeg/4cfa8f30-a232-474c-8844-cfea3b10daee?t=1695995800206" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;And depending on the purpose of an artifact, a shelf mark could represent a collection of material, such as Paris, Suppl. Gr. 1155, which has 11 GA numbers. As you can see in these images, &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=20063/420494/220/20/43"&gt;folio 4v Suppl. Gr. 1155 (GA 063)&lt;/a&gt; is distinct from &lt;a href="https://ntvmr.uni-muenster.de/community/modules/papyri/?site=INTF&amp;amp;image=40352/420494/10/20/2"&gt;the following folio 5r (GA L352)&lt;/a&gt; (see below).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+many+MSS7.jpeg/713feb30-0989-41bc-b205-fddfd522e746?t=1695995829091" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Then there are supplemental portions of manuscripts.&lt;a href="#_ftn13" name="_ftnref13" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[13]&lt;/span&gt;&lt;/a&gt; If the supplement was originally part of another manuscript and was later torn out and bound together with another manuscript, in the past the rule of thumb was that it was assigned a new GA number.&lt;a href="#_ftn14" name="_ftnref14" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[14]&lt;/span&gt;&lt;/a&gt; Some supplements were created specifically with the intention to replace the missing text in a manuscript, and these are not normally given a separate GA number (e.g., &lt;a href="https://ntvmr.uni-muenster.de/manuscript-workspace?docID=32542&amp;amp;pageID=1780"&gt;fol. 89-96 in GA 2542&lt;/a&gt;).&lt;a href="#_ftn15" name="_ftnref15" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[15]&lt;/span&gt;&lt;/a&gt; However, this isn't always possible to know for certain, and doesn't change the fact that part of a manuscript may have distinct paleographical and codicological features that cannot simply be subsumed under one GA number. For new entries when a manuscript contains features that varies substantially from the rest of the manuscript,&lt;span style="color:black;"&gt;&lt;a href="#_ftn16" name="_ftnref16" title=""&gt;&lt;span style="color:black;"&gt;&lt;span style="font-family:times new roman,serif;"&gt;[16]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt; we will consider on a case-by-case basis whether to give that portion a new GA number. We must be careful about assigning GA numbers ad absurdum and inflating the Liste beyond what is manageable or useful.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;So, a manuscript scattered across various holding institutes may share a single GA number or portions of a single artefact may be assigned multiple GA numbers. Palimpsests add yet another layer of complexity since &lt;em&gt;the same pages of a single artifact can be assigned two GA numbers&lt;/em&gt;. This is the case with Cambridge University Library, Ms. Add. 10062. The undertext is 040 (Codex Zacynthius) containing portions of the Gospel of Luke, and the overtext is L299 with daily readings from the four Gospels.&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Thus, one GA number does not always correspond to a single manuscript or artefact but rather designates &lt;em&gt;a distinct paleographical and &lt;/em&gt;&lt;em&gt;codicological&lt;/em&gt; &lt;em&gt;witness of the New Testament text.&lt;/em&gt; This distinction is useful at times for understanding the data in the Liste and working with manuscripts in the real world. For example, if someone wanted to view Greek New Testament manuscripts at the Herzog August Library in Wolfenbüttel, Germany they would &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=&amp;amp;country=Germany&amp;amp;instID=57"&gt;&lt;u&gt;look in the Liste and see eight entries&lt;/u&gt;&lt;/a&gt;. But if they asked the librarian for eight New Testament manuscripts there might be some confusion since the library has only five artefacts with text of the NT with five different shelf numbers (or six if you count their manuscript of Psalms with Odes!). In other words, how the INTF catalogues manuscript witnesses in the Liste (that is, based on text critical features) may be different than how holding institutions themselves catalogue their manuscripts. In the case of Wolfenbüttel, one of their artifacts was given a second GA number for the book of Revelation, and two of their manuscripts contain palimpsests with New Testament text.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;With so many factors that complicate the task of counting manuscripts, it's no wonder that obtaining an accurate tally of Greek New Testament manuscripts is often seen as a fool's errand and the desideratum is round numbers or a gross estimate that may be much higher or lower than the actual number. We fully recognize that the data in the Liste is a work in progress and there are still inconsistencies and errors to be resolved. There are still far too many manuscripts registered which we know very little about. It is likely there are still dozens of duplicate entries and fragmented/separated manuscripts that belong together that need to be identified.&lt;a href="#_ftn17" name="_ftnref17" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[17]&lt;/span&gt;&lt;/a&gt; Nevertheless, we believe the Liste offers the best data available about the current Greek New Testament manuscript evidence and we strive continually to make it more accurate.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;In light of the complexities mentioned above, we are convinced that rather than trying to ascertain how many New Testament manuscripts we have, a more useful question—and one which we can answer by utilizing the NTVMR—is how many New Testament witnesses have been catalogued in the Liste to date. &lt;/span&gt;&lt;span style="font-size:16px;"&gt;By utilizing the &lt;a href="https://ntvmr.uni-muenster.de/liste"&gt;&lt;u&gt;NTVMR&lt;/u&gt;&lt;/a&gt;, this is relatively easy to find out.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Without further ado, here are the current tallies:&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/10192/0/How+many+MSS9.jpeg/812c6c93-0601-4fbd-8df0-b7f73fb2ef21?t=1695995858466" /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;strong&gt;&lt;u&gt;Customizing the Results&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;The NTVMR also offers users the ability to sort through the data and generate lists which eliminate certain kinds of manuscripts. Providing customized parameters can refine search results. It is possible, for example, to eliminate all manuscripts tagged as "Manuscript Destroyed," or "Presumed Missing," or other liturgical books or commentary manuscripts (including catenae).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;For example, if you wanted to know how many minuscules there are that &lt;em&gt;do not&lt;/em&gt; have a commentary, you can do the following search in the &lt;a href="https://ntvmr.uni-muenster.de/liste"&gt;NTVMR&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Enter "3" as the ID in the "Manuscript Num." field&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Select the feature "Commentary"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Check the box "Does not have"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Select the feature "Removed"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Select "Display"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Check the box "Does not have"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;(Or &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=3&amp;amp;featureCode=!Commentary&amp;amp;featureCode=Removed!%3DDisplay"&gt;&lt;u&gt;click here to perform this search&lt;/u&gt;&lt;/a&gt;—you can see the search parameters in the URL.)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;And you’ll discover there are 2,236 minuscules in the Liste that do not have a commentary.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Another example: if you want a tally of all lectionaries, but do not want to include ones tagged as "Other liturgical books," &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=4&amp;amp;featureCode=LiturgicalBookType!%3DOther%20Lit%20Book"&gt;&lt;u&gt;this can be easily done as well&lt;/u&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Or you can add together &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=&amp;amp;featureCode=ManuscriptDestroyed"&gt;&lt;u&gt;all destroyed manuscripts&lt;/u&gt;&lt;/a&gt; with ones &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=&amp;amp;featureCode=PresumedMissing"&gt;&lt;u&gt;presumed missing&lt;/u&gt;&lt;/a&gt;, and subtract this number from the total number of manuscripts, which results in 5,541 manuscripts.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;Therefore, user can generate a more sparse or refined list of New Testament witnesses depending on their interests or research purposes.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;In closing, the current number of entries in the Kurzgefasste Liste, 5,700, is only a snapshot in time; it will surely be outdated soon—probably even before you’ve finished reading this. There are certainly still more duplicate entries to be found, more manuscripts waiting to be assessed, and more discoveries to be made. While we continue to hope for new discoveries, particularly as exciting digitization efforts are underway in places like Sinai and Athos, it's also possible the current numbers will decrease as more entries are combined and we continue to prune results so we can offer the most accurate and reliable inventory of the Greek New Testament manuscript evidence.&lt;/span&gt;&lt;/p&gt; &lt;div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;hr align="left" size="1" width="33%" /&gt; &lt;div id="ftn1"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref1" name="_ftn1" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[1]&lt;/span&gt;&lt;/a&gt; Some of these lectionaries were inserted in the free numbers L1581–L1598 and L1596 (see &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/1376024"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;).&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn2"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref2" name="_ftn2" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[2]&lt;/span&gt;&lt;/a&gt; Here a special word of thanks is due to the tireless efforts of Georgi Parpulov who has informed us of dozens of new additions, many of which result from &lt;a href="https://www.birmingham.ac.uk/research/itsee/projects/catena/project.aspx"&gt;Birmingham’s Catena project&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn3"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref3" name="_ftn3" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[3]&lt;/span&gt;&lt;/a&gt; See Aland, "Einführung," in the Liste (1&lt;sup&gt;st&lt;/sup&gt; ed., 1963), 12ff.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn4"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref4" name="_ftn4" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[4]&lt;/span&gt;&lt;/a&gt; See J. Raasted, Review of the 1963 Liste, &lt;em&gt;Libri &lt;/em&gt;16 (1966): 75–76; J.K. Elliott, Review of the 1994 Liste, &lt;em&gt;NovT &lt;/em&gt;39 (1997): 85–87; D.C. Parker, &lt;em&gt;An Introduction to the New Testament Manuscripts and Their Texts&lt;/em&gt; (Cambridge: Cambridge University Press, 2008), 38–46.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn5"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref5" name="_ftn5" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[5]&lt;/span&gt;&lt;/a&gt; We are waiting for a full-scale analysis of the liturgical books catalogued in the Liste before we undertake any efforts to sort through which manuscripts in the lectionary category should be removed. &lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn6"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref6" name="_ftn6" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[6]&lt;/span&gt;&lt;/a&gt; This error seems to stem from translating the Italian "distrutto" as "destroyed" instead of "badly damaged." See &lt;a href="https://dlib.nyu.edu/ancientworld/books/isaw_asp000007/109"&gt;Iginio Crisci “La collezione dei papiri di Firenze”&lt;/a&gt; in &lt;em&gt;Proceedings of the Twelfth International Congress of Papyrology&lt;/em&gt;, ed. Deborah H. Samuel, ASP 7 (Toronto: Hakkert, 1970), 93&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn7"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref7" name="_ftn7" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[7]&lt;/span&gt;&lt;/a&gt; R. Ast, A. Lifshits, and J. Lougovaya, "Codex Tischendorfianus 1, Rediscovered and Revisited," ZPE (2016): 141-160.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn8"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref8" name="_ftn8" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[8]&lt;/span&gt;&lt;/a&gt; Thanks to Brent Niedergall for this information.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn9"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref9" name="_ftn9" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[9]&lt;/span&gt;&lt;/a&gt; For some background on these missing fragments see &lt;a href="https://www.lib.cam.ac.uk/collections/departments/taylor-schechter-genizah-research-unit/fragment-month/fotm-2018/fragment"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn10"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref10" name="_ftn10" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[10]&lt;/span&gt;&lt;/a&gt; L1240 and 2856 both stolen from Kosinitza are now in Sofia, Bulgaria. It is also highly likely that this manuscript, &lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2004/western-manuscripts-and-miniatures-l04240/lot.49.html?locale=en"&gt;&lt;u&gt;sold in 2004 through Sotheby’s&lt;/u&gt;&lt;/a&gt;, is Kosinitza's L1244.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn11"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref11" name="_ftn11" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[11]&lt;/span&gt;&lt;/a&gt; Thanks to Hugh Houghton for his assistance in this discovery. Unfortunately, the whole Van Kampen collection seems to have now gone underground with the closing of the Holy Land Experience in Orlando, FL.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn12"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref12" name="_ftn12" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[12]&lt;/span&gt;&lt;/a&gt; Some of these leaves were in the Liste under four different GA numbers. After Andrew Patton identified them as originally belonging to one lectionary, dismembered by Otto Ege, they were consolidated under the GA number L2434. Since then numerous leaves have been added. For more watch the video &lt;a href="https://www.youtube.com/watch?v=0H9wIESDCE8"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn13"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref13" name="_ftn13" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[13]&lt;/span&gt;&lt;/a&gt; Dealing with supplements has admittedly been handled in different ways throughout the years and there are many inconsistencies in the Liste concerning which supplements get their own GA number and why. Hundreds of manuscripts have anomalies, e.g. in contents, line count, different hands etc. and recording these goes beyond the scope of a "&lt;strong&gt;kurz&lt;/strong&gt;gefasste" list.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn14"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref14" name="_ftn14" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[14]&lt;/span&gt;&lt;/a&gt; This is generally observable when the contents of the biblical text overlap (e.g., 278 and 2898), although this is rare—more often a lectionary and a minuscule will share the same codex; or Revelation (which often circulated by itself) will be added to the end of an existing codex.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn15"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref15" name="_ftn15" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[15]&lt;/span&gt;&lt;/a&gt;The most famous exception to this rule is Vatican gr. 1209 (i.e. GA 03 and 1957).&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn16"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref16" name="_ftn16" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[16]&lt;/span&gt;&lt;/a&gt; How much divergent material a manuscript should contain and how many features must be different from the main part of the manuscript depends on several factors. As a rule of thumb, if only one or two features vary, we will insert a brief footnote to explain which features are different. If we are dealing with three or more divergent features, we consider assigning a new number. For example, a manuscript contains 50 pages written three centuries later with a different line count and a different number of columns than the main manuscript, then the case could be made that these folios represent a unique instantiation of the New Testament text which merit a new GA number. This is our criteria going forward. The INTF does not currently have the time and resources to review all previously entered manuscripts for supplements that may meet these criteria. &lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn17"&gt; &lt;p&gt;&lt;span style="font-size:16px;"&gt;&lt;a href="#_ftnref17" name="_ftn17" title=""&gt;&lt;span style="font-family:times new roman,serif;"&gt;[17]&lt;/span&gt;&lt;/a&gt; This is especially true for the lectionaries. We are currently in the process of uploading microfilm images for lectionaries in the NTVMR which will make it much easier to identify duplicate entries or folios that belong together.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2023-09-29T08:33:00Z</dc:date> </entry> <entry> <title>Selective Reading and Unsubstantiated Criticism</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/selective-reading-and-unsubstantiated-criticism" /> <author> <name>Klaus Wachtel</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/selective-reading-and-unsubstantiated-criticism</id> <updated>2023-03-13T13:40:39Z</updated> <published>2023-03-13T08:46:00Z</published> <summary type="html">&lt;style type="text/css"&gt;&lt;!-- .tab { margin-left: 40px; } --&gt; &lt;/style&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;A Response to David Pastorelli: &lt;a href="https://ojs.uclouvain.be/index.php/babelao/article/view/64933/61263"&gt;La mise en oeuvre de la cohérence prégénéalogique dans le cadre de la Coherence-Based Genealogical Method: évaluation critique. BABELAO 10-11 (2022) 169-188&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;David Pastorelli claims to have detected a major flaw in the CBGM: a bias in favor of the Byzantine witnesses due to a “dysfunction of pre-genealogical coherence” (p. 187). He considers pre-genealogical coherence to be “paramount in the implementation of the method”,&lt;a href="#_ftn1" name="_ftnref1" style="background-color: rgb(255, 255, 255);" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[1]&lt;/span&gt;&lt;/a&gt; while genealogical and stemmatic coherence are only mentioned in passing. The claim of the philologists using the CBGM, the editors of the ECM in the first place, who assure that philological assessment of variants is at least as important as the coherence-related calculations, is disregarded altogether. Having thus reduced the object of his criticism to a handy format Pastorelli tries to show pre-genealogical coherence to be a “fallacious employment of percentages and averages”.&lt;a href="#_ftn2" name="_ftnref2" style="background-color: rgb(255, 255, 255);" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[2]&lt;/span&gt;&lt;/a&gt; Instead of using the CBGM, he recommends a return to the text-type theories of the 20th century which he considers to represent facts that need no further discussion.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;The CBGM is a computer-aided philological method that in a fair scientific debate must not be reduced to one of its elements. Had Pastorelli read Mink’s introductions to the CBGM more carefully, he could not put forth a sentence like this:&lt;/span&gt;&lt;/p&gt; &lt;p class="tab" style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;Pre-genealogical coherence is the type of coherence most important for establishing the initial text.&lt;a href="#_ftn2" id="_ftnref3" name="_ftnref3" style="background-color: rgb(255, 255, 255);" title=""&gt;&lt;span style="font-family: calibri, sans-serif;"&gt;[3]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Moreover, he would not confuse the terms “substemma” with “local stemma” or textual flow diagrams with the global stemma.&lt;a href="#_ftn4" name="_ftnref4" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[4]&lt;/span&gt;&lt;/a&gt; Nevertheless, let us see whether Pastorelli’s criticism of pre-genealogical coherence as such is valid.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;For the main part of his critical review Pastorelli refers to the chapter on pre-genealogical coherence in an introduction to the CBGM by Wasserman and Gurry.&lt;a href="#_ftn5" name="_ftnref5" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[5]&lt;/span&gt;&lt;/a&gt; In this chapter Wasserman and Gurry demonstrate how pre-genealogical coherence could be applied to two variant passages:&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Mark 1:1 om. υἱοῦ τοῦ θεοῦ&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Wachtel_+Pastorelli_Picture1.png/47da7f9e-44c4-4128-be78-caa53db1c83d?t=1678698441695" style="height: 50%; width: 50%;" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Matthew 16:27&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Wachtel_Pastorelli_Picture2.png/a9344e3a-2521-4d65-8029-6b66085a8ef7?t=1678698449917" style="height: 50%; width: 50%;" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Using data available at &amp;lt;&lt;a href="http://intf.uni-muenster.de/TT_PP/"&gt;http://intf.uni-muenster.de/TT_PP/&lt;/a&gt;&amp;gt; Wasserman and Gurry show that the pre-genealogical coherence of the attestations of Mk 1:1&lt;em&gt;b&lt;/em&gt; and Mt 16:27&lt;em&gt;b&lt;/em&gt; and &lt;em&gt;c&lt;/em&gt; is weak. This means that for several or all of the respective witnesses their close relatives do not share the same variant. This is correctly interpreted as a symptom of multiple emergence of these variants.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Pastorelli criticizes this method in three points.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;1) The calculation of pre-genealogical coherence&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Pastorelli constructs an example of two witnesses &lt;em&gt;x&lt;/em&gt; and &lt;em&gt;y&lt;/em&gt; differing from each other in two passages. The agreement rate of these two would be zero for the variant passages comprised by the sample. Then a third witness &lt;em&gt;z&lt;/em&gt; would be added. This witness would differ from &lt;em&gt;x&lt;/em&gt; and &lt;em&gt;y&lt;/em&gt; at 98 passages. On this basis the agreement rate for &lt;em&gt;x&lt;/em&gt; and &lt;em&gt;y&lt;/em&gt; would rise to 98%. Concerned by this result Pastorelli asks, “What should the proportion of witnesses and variant passages be?”&lt;a href="#_ftn6" name="_ftnref6" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[6]&lt;/span&gt;&lt;/a&gt; – The answer is simple. As Mink has repeatedly emphasized, all relevant evidence has to be taken into account, and that is, in the case of the Greek New Testament, the total of variants yielded by a full collation of all Greek witnesses included in the critical apparatus of a writing.&lt;a href="#_ftn7" name="_ftnref7" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[7]&lt;/span&gt;&lt;/a&gt; The CBGM does not claim to produce useful results for a selection of two or three manuscripts. Pre-genealogical coherence is not about extrapolating on the basis of samples.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;2) The delimitation of the variant passages&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Pastorelli criticizes the delimitation of variant passages in the ECM apparatus as arbitrary without substantiating this proposition with a single example. Instead, he refers to an unsubstantiated statement of Bengt Alexanderson: “This is all arbitrary, a ‘place of variation’, a reading, a variant, a passage can be anything.”&lt;a href="#_ftn8" name="_ftnref8" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[8]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;The terms “reading” and “variant” are well defined for the ECM:&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;“A r&lt;em&gt;eading &lt;/em&gt;is the generic term for the wording of a textual unit in which a manuscript is distinguished from one or more or from all other manuscripts. A &lt;em&gt;variant &lt;/em&gt;refers to one of at least two readings of the same textual unit which is grammatically correct and logically possible in its context. &lt;em&gt;Errors &lt;/em&gt;are readings which do not fulfil these criteria. [...] Alternative and orthographically possible forms of the same variants are classed as &lt;em&gt;orthographica&lt;/em&gt;.”&lt;/span&gt;&lt;a href="#_ftn9" name="_ftnref9" title=""&gt;&lt;span style="color:black;"&gt;&lt;span style="color:black;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;The delimitation of variant passages and, correspondingly, the segmentation of a critical apparatus is a complex editorial task. Mink says,&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;“Places of variation are places in the text where variants appear. At least two different variants occur in a place of variation [...]. A place of variation may comprise more than one word, but it can also be the space between two words. Ideally, it covers a logical unit of variation. This means that mutually interdependent changes to a text should belong to one unit of variation (e.g. if a subject and correspondingly the predicate are put in the singular). A unit of variation can also be postulated when a group of words presumably belonged together in a copyist’s view (e.g. if a word group consisting of article/particle/noun shows changes in different combinations for the article/noun and for the particle). Sometimes, very pragmatic considerations might be adduced to determine a unit of variation, so as to enable the comparison of all texts at a certain place. Places of variation may also overlap. In one place of variation the question may be e.g. whether a rather large group of words has been omitted or not; yet another instance of variation may result from variants within that group of words whenever it was not left out.”&lt;a href="#_ftn10" name="_ftnref10" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[10]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Any editor who ever constructed a critical apparatus will agree that the delimitation of variant passages has a subjective element. Still, it is possible to derive quantitative data as a basis for pre-genealogical coherence from a comparison of the included witnesses at all variant passages since the underlying database contains a statement for each witness at each variant passage as either containing one of its variants or being deficient.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;3) Witnesses may contain mixed texts&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Pastorelli points out that the textual character of 579, 037 and 032 changes due to block mixture. It is true that this was not taken into account by Wasserman and Gurry. This does not call into question, however, their overall result, namely the lack of pre-genealogical coherence of Mk 1:1&lt;em&gt;b&lt;/em&gt; and Mt 16:27&lt;em&gt;b&lt;/em&gt;, because the attestations of these variants do not comprise these witnesses.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;One argument that Pastorelli puts forth against taking account of pre-genealogical coherence is the use of threshold values in Wasserman’s and Gurry’s treatment of Mk 1:1 and Mt 16:27. Once again Pastorelli tries to turn a tool made for a completely different purpose against the CBGM. He states,&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;The most important impact of pre-genealogical coherence in statistical terms is the arbitrary decision to fix a threshold value below which the witnesses are ignored in the comparison. For a given manuscript, this threshold value is its percentage of agreement with the majority text. For example, this percentage of agreement for 09 is 96.3% which does not allow to take more than three witnesses into account: 07 (97.0%), 1341 (96.8%), and 031 (96.4%).&lt;a href="#_ftn11" name="_ftnref11" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[11]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;As if it was the only means available for the study of pre-genealogical coherence, Pastorelli here refers to a clustering tool developed in the context of &lt;em&gt;Parallel Pericopes&lt;/em&gt;, a special ECM volume regarding selected pericopes in the Synoptic Gospels:&lt;a href="#_ftn12" name="_ftnref12" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[12]&lt;/span&gt;&lt;/a&gt; &amp;lt;&lt;a href="http://intf.uni-muenster.de/TT_PP/"&gt;http://intf.uni-muenster.de/TT_PP/&lt;/a&gt;&amp;gt;. The data basis and the purpose of the two clustering tools offered on this site are clearly explained on the start page:&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;The two clustering tools may be used to compare groupings found through “Text und Textwert” with ones based on the full collations for “Parallel Pericopes”.&lt;/span&gt;&lt;a href="#_ftn13" name="_ftnref13" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[13]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;A third tool called “Find Relatives” is introduced on the same page as related to pre-genealogical coherence:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;“Find Relatives” applies the “Parallel Pericopes” groupings to attestations of variant passages. It is designed to show an important aspect of the Coherence-Based Genealogical Method &lt;/span&gt;&lt;a href="http://egora.uni-muenster.de/intf/projekte/gsm_aus_en.shtml"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;(CBGM)&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;: &lt;em&gt;pre-genealogical coherence&lt;/em&gt; in attestations. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;All three tools are explained by comprehensive guides accessible from their individual interfaces.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Pastorelli does not care about such complexities when he launches his attack against the threshold value in the lists of relatives produced by the &lt;em&gt;Parallel Pericopes&lt;/em&gt; clustering tool. Neither does he care about tools developed after 2011 in the context of the ECM. In 2013, the second edition of the Catholic Letters appeared along with a suite of CBGM tools related to these writings &lt;a href="http://intf.uni-muenster.de/cbgm/index_en.html"&gt;here&lt;/a&gt;. In 2017, Acts appeared along with an online counterpart &lt;a href="https://ntvmr.uni-muenster.de/ecm"&gt;here&lt;/a&gt;. The same applies to Mark, which appeared in 2021. For Acts and Mark, CBGM tools are available &lt;a href="https://ntg.uni-muenster.de/"&gt;here&lt;/a&gt;. Had Pastorelli cared to look at these tools he could have seen that none of the lists of relatives provided for each included witness is ever cut off due to a threshold value.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;In 2016, Wasserman and Gurry used the &lt;em&gt;Parallel Pericopes&lt;/em&gt; clustering tool for their demonstration of pre-genealogical coherence in a brief introduction to the CBGM. Pastorelli’s criticism against the CBGM is based on this introduction and the clustering tool published in 2011. He ignores the CBGM tools and related literature published since. It is probably due to such selective reading that Pastorelli thinks a Byzantine variant to be automatically preferred by ECM editors, just because its attestation is pre-genealogically coherent:&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;Well, as far as the Byzantine text-type features the strongest homogeneity, a characteristically Byzantine reading definitely shows the strongest coherence and automatically obtains the preference (reading a).&lt;a href="#_ftn14" name="_ftnref14" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[14]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;However, about ten percent of the majority readings listed in the ECM apparatus have coherent attestations but still are deemed secondary, because internal evidence argues against them. The ECM commentary on Mk 1:1/12-16 is a good example for a discussion of all evidence relevant for the decision in favor of a majority reading.&lt;a href="#_ftn15" name="_ftnref15" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[15]&lt;/span&gt;&lt;/a&gt; Coherence provides only one argument among many others.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;The reasons for a preference of 36 majority readings in Acts are spelled out in general terms in the introduction to ECM Acts:&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="color:black;"&gt;Since the Textus Receptus was overcome by the scholarly textual criticism of the 19th century, there is tenacious negative bias against the Byzantine majority text. Wherever well-known, older textual witnesses like Vaticanus and Sinaiticus, and even more so in combination with a papyrus, stand against the majority of minuscules, the decision against the majority text was often made easily, without seriously considering the quality of the variants in question. Therefore, the editors of the present edition have taken two facts as paramount. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="color:black;"&gt;First, it is often overlooked that in the vast majority of variant passages only a few witnesses differ from all the others. As a rule, the popular witnesses from the 4th/5th centuries and, if extant, from even earlier papyri, agree with the majority of all witnesses. This implies that at all these passages the old age of the majority text is not in doubt. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="color:black;"&gt;Second, it is necessary to distinguish consistently between a manuscript and the text transmitted in it. “&lt;em&gt;Recentiores non deteriores&lt;/em&gt;” is a principle widely accepted in editing philology, but in New Testament scholarship it was applied only to a few younger manuscripts featuring similar textual peculiarities as Vaticanus and Sinaiticus. For the reason given above, it is undoubtedly true that the textual tradition as a whole goes back to a very early period and that the coherent transmission of the majority of all textual witnesses provides a strong argument &lt;em&gt;for&lt;/em&gt;, not &lt;em&gt;against&lt;/em&gt;, the variant in question. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="color:black;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;If the bias against the text of the majority of all witnesses has been overcome, then the variants transmitted by the majority will appear in a different light, even if some early witnesses read differently. It can then be considered with due impartiality whether or not a majority reading does in fact follow the tendency towards the fuller, easier, more smooth variant. There can be no doubt that this tendency exists, but it applies to the transmission on the whole, not only with scribes of younger manuscripts. It is true that variants of this kind accumulated in the majority text, but in more than a few cases the more difficult variant is in the majority text. Moreover, the editorial team of the ECM sees a strong external criterion in favor of the majority reading where a variant with &lt;em&gt;A&lt;/em&gt;-related attestation is confirmed by the majority, because this points to a continuous transmission since the early period. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;&lt;span style="font-size:12px;"&gt;&lt;span style="color:black;"&gt;As a consequence, the text of ECM Acts agrees with the majority variant in 36 out of 52 cases where textual decisions were made against NA28. There are only two cases where a decision was made against the majority variant in NA28.&lt;/span&gt;&lt;a href="#_ftn16" name="_ftnref16" title=""&gt;&lt;span style="color:black;"&gt;&lt;span style="color:black;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[16]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Moreover, Pastorelli purports that by preferring variants because of pre-genealogical coherence users of the CBGM had re-introduced the number of witnesses as a criterion for the assessment of an attestation.&lt;a href="#_ftn17" name="_ftnref17" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[17]&lt;/span&gt;&lt;/a&gt; This contention is just as unsubstantiated as is the purported automatic preference of pre-genealogically coherent attestations.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Another false proposition refers to the Byzantine text. Without looking for a confirmation by ECM editors Pastorelli cites Wasserman and Gurry saying that we still see the Byzantine text form as a text-type.&lt;a href="#_ftn18" name="_ftnref18" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[18]&lt;/span&gt;&lt;/a&gt; It cannot be denied, of course, that the late Byzantine text has reached a relatively stable form, but this is not a valid reason for a partial return to the text-type theory. If we abolish the concept of text-types, it follows that we can no longer use the term “Byzantine text” as defined by Metzger. It has become obsolete to consider the Byzantine text form as “based on the recension prepared near the close of the third century by Lucian of Antioch”,&lt;a href="#_ftn19" name="_ftnref19" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[19]&lt;/span&gt;&lt;/a&gt; but many still see it as the last text-type standing. Having emerged from the recension hypothesis, however, the term “text-type” should be given up completely.&lt;a href="#_ftn20" name="_ftnref20" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[20]&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;If we use the term “Byzantine text” it serves as a short form of “late Byzantine majority text”. If we do so, we are aware that it means the last phase of a process whose beginnings are marked by manuscripts like Vaticanus and Sinaiticus. The transmission of the Greek New Testament forms a continuum whose overall structure is still calling for an adequate description. The goal is to understand how the late Byzantine majority text developed and which factors were at work in this process. New research is due starting from the genealogical relationships between variants and an exploration of the relationships between their witnesses.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;References&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;ECM&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family: calibri, sans-serif; color: inherit; font-weight: bold;"&gt;Novum Testamentum Graecum. Editio Critica Maior&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Ed. by the Institute for New Testament Textual Research.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Vol. I&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt; The Synoptic Gospels, Part 2 The Gospel of Mark, ed. by Holger Strutwolf, Georg Gäbel, Annette Hüffmeier, Marie-Luise Lakmann, Gregory S. Paulson, and Klaus Wachtel. Stuttgart: German Bible Society 2021.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Part 2.1: Text, Part 2.2: Supplementary Material, Part 2.3: Studies.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Vol. III&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt; Acts of the Apostles, ed. by Holger Strutwolf, Georg Gäbel, Annette Hüffmeier, Gerd Mink, and Klaus Wachtel. Stuttgart: German Bible Society 2017. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Part 1.1: Text Chapter 1-14, Part 1.2: Text Chapter 15-28, Part 2: Supplementary Material, Part 3: Studies.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Vol. IV&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt; Catholic Letters, ed. by Barbara Aland, Kurt Aland†, Gerd Mink, Holger Strutwolf, and Klaus Wachtel. Stuttgart: German Bible Society, 2nd rev. edition 2013. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Part 1: Text, Part 2: Supplementary Material.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;Parallel Pericopes&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;. Special volume regarding the synoptic gospels, ed. by Holger Strutwolf and Klaus Wachtel, Stuttgart: German Bible Society 2011.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Metzger, Bruce M.: The Text of the New Testament. New York/Oxford: Oxford University Press &lt;sup&gt;3&lt;/sup&gt;1992.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Metzger, Bruce M., and Bart Ehrman: The Text of the New Testament. New York/Oxford: Oxford University Press &lt;sup&gt;4&lt;/sup&gt;2005.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Mink, Gerd: Contamination, Coherence, and Coincidence in Textual Transmission, in: The Textual History of the Greek New Testament. Changing Views in Contemporary Research, hg. v. Klaus Wachtel und Michael W. Holmes, (SBL Text-Critical Studies 8) Atlanta 2011, p.141-216.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Mink, Gerd: Problems of a highly contaminated tradition: the New Testament. Stemmata of variants as a source of a genealogy for witnesses, in: Studies in Stemmatology II, ed. by P. van Reenen, A. den Hollander and M. van Mulken, Amsterdam [u.a.] 2004, [13]-85., Corrigenda &lt;a href="https://www.uni-muenster.de/INTF/Corrigenda_et_addenda.htm"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Text und Textwert der griechischen Handschriften des Neuen Testaments, ed. K. Aland et al. Vol. IV Die Synoptischen Evangelien, 1 Das Markusevangelium; 2 Das Matthäusevangelium; 3 Das Lukasevangelium (Berlin/New York: De Gruyter, 1998-1999). Vol. V Das Johannesevangelium, 1 Teststellenkollation der Kapitel 1-10 (Berlin/New York: De Gruyter, 2005).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Wasserman, Tommy and Peter Gurry: A New Approach to Textual Criticism: An Introduction to the Coherence-Based Genealogical Method. Atlanta: Society of Biblical Literature 2017.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;hr align="left" size="1" width="33%" /&gt; &lt;div id="ftn1"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref1" name="_ftn1" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[1]&lt;/span&gt;&lt;/a&gt; Pastorelli 174: “capitale dans la mise en oeuvre de la méthode”.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn2"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref2" name="_ftn2" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[2]&lt;/span&gt;&lt;/a&gt; Pastorelli 180: “utilisation fallacieuse des pourcentages et des moyennes”.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn3"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref3" name="_ftn3" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[3]&lt;/span&gt;&lt;/a&gt; Pastorelli 170: “La cohérence pré-généalogique est le type de cohérence le plus important pour l’établissement du texte initial.”&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn4"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref4" name="_ftn4" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[4]&lt;/span&gt;&lt;/a&gt; Cp. Pastorelli 172.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn5"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref5" name="_ftn5" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[5]&lt;/span&gt;&lt;/a&gt; Wasserman/Gurry 2017, p. 37-58.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn6"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref6" name="_ftn6" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[6]&lt;/span&gt;&lt;/a&gt; Pastorelli 178: “Quelle proportion entre témoins et lieux variants faut-il avoir?”&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn7"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref7" name="_ftn7" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[7]&lt;/span&gt;&lt;/a&gt; Cp. Mink 2011, p. 145-146.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn8"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref8" name="_ftn8" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[8]&lt;/span&gt;&lt;/a&gt; Pastorelli 179.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn9"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref9" name="_ftn9" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[9]&lt;/span&gt;&lt;/a&gt; ECM IV.1, p. 27*; ECM III.1, p. 24*; ECM I.2.1, p. 16*-17*.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn10"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref10" name="_ftn10" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[10]&lt;/span&gt;&lt;/a&gt; Mink 2004, 27-28.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn11"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref11" name="_ftn11" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[11]&lt;/span&gt;&lt;/a&gt; Pastorelli 181: “L’impact le plus important de la cohérence pré-généalogique en terme statistique est la décision arbitraire de fixer un seuil en dessous duquel les témoins sont ignorés dans la comparaison. Pour un manuscrit donné, ce seuil est son pourcentage d’accords avec le texte majoritaire. Par exemple, ce pourcentage d’accords pour 09 est 96,3%, ce qui ne permet de prendre en compte plus que trois témoins : 07 (97,0%), 1341 (96,8%) et 031 (96,4%).”&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn12"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref12" name="_ftn12" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[12]&lt;/span&gt;&lt;/a&gt; ECM: Parallel Pericopes, ed. Holger Strutwolf and Klaus Wachtel. Stuttgart: Deutsche Bibelgesellschaft 2011.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn13"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref13" name="_ftn13" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[13]&lt;/span&gt;&lt;/a&gt; The tool called “T&amp;amp;T Mss. Clusters” is based on &lt;em&gt;Text und Textwert der griechischen Handschriften des Neuen Testaments,&lt;/em&gt; ed. K. Aland et al. Vol. IV &lt;em&gt;Die Synoptischen Evangelien,&lt;/em&gt; 1 &lt;em&gt;Das Markusevangelium;&lt;/em&gt; 2 &lt;em&gt;Das Matthäusevangelium;&lt;/em&gt; 3 &lt;em&gt;Das Lukasevangelium&lt;/em&gt; (Berlin/New York: De Gruyter, 1998-1999). Vol. V &lt;em&gt;Das Johannesevangelium,&lt;/em&gt; 1 &lt;em&gt;Teststellenkollation der Kapitel 1-10&lt;/em&gt; (Berlin/New York: De Gruyter, 2005).&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn14"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref14" name="_ftn14" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[14]&lt;/span&gt;&lt;/a&gt; Pastorelli 182: “Or, dans la mesure où le type de texte byzantin présente l’homogénéité la plus forte, une leçon byzantine caractéristique détient, à coup sûr, la cohérence la plus forte et elle reçoit automatiquement la préférence (leçon a).”&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn15"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref15" name="_ftn15" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[15]&lt;/span&gt;&lt;/a&gt; ECM I.2.3, p. 9-10 or &lt;a href="https://ntvmr.uni-muenster.de/forum/-/message_boards/message/1582017"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn16"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref16" name="_ftn16" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[16]&lt;/span&gt;&lt;/a&gt; K. Wachtel: Notes on the text of the Acts of the Apostles, &lt;em&gt;in&lt;/em&gt; ECM III.1,1 p. 30*-31*. By the way, this text also comprises a report about the application of CBGM procedures, including pre-genealogical coherence, to Acts.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn17"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref17" name="_ftn17" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[17]&lt;/span&gt;&lt;/a&gt; Pastorelli 182-183.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn18"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref18" name="_ftn18" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[18]&lt;/span&gt;&lt;/a&gt; Pastorelli 182.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn19"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref19" name="_ftn19" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[19]&lt;/span&gt;&lt;/a&gt; Metzger, Text of the NT, &lt;sup&gt;3&lt;/sup&gt;1992, 212. – The 4th edition of Metzger’s “Text of the New Testament”, co-authored by Bart Ehrman, says about the term “Byzantine text” that “its final form represents a slowly developing tradition, not one that sprang up immediately at one time and place” (&lt;sup&gt;4&lt;/sup&gt;2005, S. 279).&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;div id="ftn20"&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="#_ftnref20" name="_ftn20" title=""&gt;&lt;span style="font-family:calibri,sans-serif;"&gt;[20]&lt;/span&gt;&lt;/a&gt; For a brief discussion of the text-types as defined by Metzger for Mark see Wachtel, Notes on the Text of Mark, &lt;em&gt;in&lt;/em&gt; ECM I.2,3 p. 1-7.&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;</summary> <dc:creator>Klaus Wachtel</dc:creator> <dc:date>2023-03-13T08:46:00Z</dc:date> </entry> <entry> <title>How Does ECM Mark Change the Way Textual Criticism is Taught?</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-does-ecm-mark-change-the-way-textual-criticism-is-taught-" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-does-ecm-mark-change-the-way-textual-criticism-is-taught-</id> <updated>2022-12-05T09:50:11Z</updated> <published>2022-12-05T09:35:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;While the theme of the SBL annual meeting this year in Denver was “reconnect,” the meeting also created unique opportunities to make new connections. One of these opportunities was at a joint session of the ECM and Gospel of Mark program units. This was a chance for exegetes and text critics to come together and share with each other about the intricates of their fields and how textual criticism influences exegesis and vice versa.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;In this spirit, Alicia Myers, New Testament professor and exegete&amp;nbsp;at Campbell University, and I presented on how to use ECM Mark and how this changes the way we teach textual criticism. It was a difficult topic, especially fitting it all in the time limit, but we hope we did it justice. We’ve recorded our presentation and made it available on the INTF’s YouTube channel. Here’s a link:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&lt;a href="https://youtu.be/2txMVZeBIqQ"&gt;https://youtu.be/2txMVZeBIqQ&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;For anyone who has never used an edition of the ECM, this is probably the best place to start since it goes over the basics and gives an impression of how to actually incorporate use of the edition in the classroom.&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2022-12-05T09:35:00Z</dc:date> </entry> <entry> <title>Liste (Greek) and Manuscript Catalogue (all)</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/liste-greek-and-manuscript-catalogue-all-" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/liste-greek-and-manuscript-catalogue-all-</id> <updated>2022-09-20T10:05:30Z</updated> <published>2022-09-20T09:29:00Z</published> <summary type="html">&lt;p style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ManuscriptCatalogue.jpg/4bde5cd9-ecd3-48ec-931d-64f8e7bba63b?t=1663666285894" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The &lt;a href="https://ntvmr.uni-muenster.de/"&gt;NTVMR&lt;/a&gt;&amp;nbsp;began as a digital environment to carry out editorial work on the Greek New Testament. As the NTVMR has continued to expand and evolve, we have hosted a variety of research projects there; although most of these projects are related to the Greek New Testament, some have to do with languages other than Greek (e.g. the &lt;a href="https://ntvmr.uni-muenster.de/web/mark16/mark16"&gt;Mark16 project&lt;/a&gt;) or even deal with non-canonical texts (e.g. &lt;a href="https://ntvmr.uni-muenster.de/web/1clement/home"&gt;1 Clement&lt;/a&gt;).&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;To support these projects, we have been allocating new Doc IDs in the NTVMR to a variety of relevant primary resources which do not belong in the &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/what-is-the-kurzgefass"&gt;&lt;em&gt;Kurzgefaßte Liste&lt;/em&gt;&lt;/a&gt;. For example, &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=940001"&gt;Got1&lt;/a&gt;; &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=700003"&gt;syH3&lt;/a&gt;; &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=601001"&gt;sa 1&lt;/a&gt;; &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=200001"&gt;VL 1&lt;/a&gt;; &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=910252"&gt;arm 252&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;This has recently created some confusion about which materials searchable on the NTVMR actually belong in the &lt;em&gt;Liste &lt;/em&gt;since non-Greek New Testament resources were included in the same database. &amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;Therefore, we have taken steps to make this distinction clearer by changing the “Liste” link so that only what belongs in the &lt;em&gt;Kurzgefaßte Liste&lt;/em&gt;, i.e., manuscripts designated with a Gregory-Aland number, are located under this link. This should correspond to what will be included in the forthcoming printed &lt;em&gt;Liste&lt;/em&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;For those who benefit&amp;nbsp;from other research projects in the NTVMR beyond the parameters of Greek New Testament manuscripts, we have created a new link labeled “Manuscript Catalog,” which has all available documents (including all Greek New Testament witnesses included in the &lt;em&gt;Liste&lt;/em&gt;).&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;All documents in the NTVMR are now available under the new link in the sidebar on &lt;a href="https://ntvmr.uni-muenster.de/home"&gt;the homepage&lt;/a&gt;:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;“&lt;a href="https://ntvmr.uni-muenster.de/catalog"&gt;Manuscript Catalog&amp;nbsp;(All)&lt;/a&gt;”&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;The link for the &lt;em&gt;Liste&lt;/em&gt; is now restricted to only items in the &lt;em&gt;Kurzgefaßte Liste&lt;/em&gt;:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;“&lt;a href="https://ntvmr.uni-muenster.de/liste"&gt;Liste (Greek)&lt;/a&gt;”&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Times New Roman, serif;color:rgb(0, 0, 0);"&gt;By providing separate search tools we hope to offer the user an experience that is tailored to their specific research purposes. Researchers who want to work strictly with Greek New Testament manuscripts will now have a more efficient platform to do so. Likewise, those who want to incorporate other traditions into their research will continue to see all results available under “Manuscript Catalog (all).”&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2022-09-20T09:29:00Z</dc:date> </entry> <entry> <title>ECM Coptic Position (Parttime)</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-coptic-position-parttime-" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-coptic-position-parttime-</id> <updated>2021-12-10T11:45:21Z</updated> <published>2021-12-10T11:44:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;At the INTF there is a parttime position available for a Coptic specialist (36 months maximum). Responsibilities include collecting data on Coptic manuscripts of Galatians and Ephesians and transcribing them for the ECM. Please see the post for more information:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;a href="https://www.uni-muenster.de/Rektorat/Stellen/ausschreibungen/st_20211012_sk2.html"&gt;https://www.uni-muenster.de/Rektorat/Stellen/ausschreibungen/st_20211012_sk2.html&lt;/a&gt;&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2021-12-10T11:44:00Z</dc:date> </entry> <entry> <title>ECM Mark has Arrived</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-mark-has-arrived" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/ecm-mark-has-arrived</id> <updated>2021-08-13T07:47:26Z</updated> <published>2021-08-13T07:47:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;The ECM of Mark was published at the end of July! It is available to order through &lt;a href="https://www.die-bibel.de/en/shop/originaltexte/neues-testament/ecm-i-2.-markusevangelium.-gesamtband-5618"&gt;the German Bible Society’s website&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The complete title is&lt;em&gt; Novum Testamentum Graecum: Editio Critica Maior&lt;/em&gt;, Volume I: The Synoptic Gospels, book 2: The Gospel of Mark.&amp;nbsp;This numbering might be confusing since the Catholic letters were titled ECM IV and Acts was designated as ECM III. The INTF has been working on the Synoptic Gospels (ECM volume I), and Mark is book two of volume I, or ECM I.2 for short. We are now working on ECM Matthew which will be published as ECM I&amp;nbsp;book 1, or ECM I.1. Here's an overview of the ECM volumes, bearing in mind only the Catholic Letters, Acts, and Mark have been published:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume I: Synoptic Gospels&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume II: The Gospel of John&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume III: Acts&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume IV: Catholic Letters&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume V: Paul's Letters&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Volume VI: Revelation&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Like ECM Acts, there are three parts to ECM Mark: (1) text and apparatus, (2) supplementary material that&amp;nbsp;explains which manuscripts were selected and has introductions to the versions and other detailed information, and (3) a collection of studies on the text of Mark in different manuscript traditions. Part 3, Studies, is where the "Text-Critical Commentary" can be found.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM-Mark-Spines.jpg/d626dfe5-4ff1-488a-bdf5-1f63824bb28c?t=1628493103127" /&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;em&gt;Image of&amp;nbsp;the Three Parts of ECM Mark&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;As promised in &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/online-tools-for-the-ecm"&gt;a previous blog post&lt;/a&gt;, we now present links to digital tools and downloads that accompany the printed edition and offer access to the data behind the edition.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Here is the link to &lt;a href="https://ntg.uni-muenster.de/mark/ph35/"&gt;CBGM Mark 3.5&lt;/a&gt;.&amp;nbsp;&lt;span style="font-size: 12pt;"&gt;This is the third&amp;nbsp;phase of the CBGM for Mark. The .5 indicates we&amp;nbsp; have made several changes to the local stemmata in the current phase, but did not systematically go through all the variants again to bring&amp;nbsp;it to a new phase.&amp;nbsp;A local stemma of variants has been established at each variant passage. What we called “Genealogical Queries” for Acts and Catholic Letters, we are now just calling “CBGM” since the former term didn’t really take off.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0);"&gt;The &lt;a href="https://ntg.uni-muenster.de"&gt;start page of the CBGM&lt;/a&gt;&amp;nbsp;(see below) also has instructions for&amp;nbsp;the CBGM Docker, containing now &lt;em&gt;both&lt;/em&gt; Acts and Mark. The CBGM for these two books can be downloaded onto your own computer and you can&amp;nbsp;edit the local stemmata. I’ve already posted &lt;a href="https://www.youtube.com/watch?v=k0_tlbz_YVQ"&gt;a video tutorial on how install Acts CBGM&lt;/a&gt;, but the Docker image now also includes Mark CBGM.&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;a href="https://ntg.uni-muenster.de"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM-Mark-CBGM.png/b3405827-d553-48c8-ab01-2d3b43c32339?t=1628840538631" /&gt;&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;em&gt;Image of the CBGM start page&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The Greek text&amp;nbsp;and apparatus of the ECM of Mark is also available online&amp;nbsp;(&lt;a href="http://ntvmr.uni-muenster.de/ecm"&gt;the digital ECM&lt;/a&gt;).&amp;nbsp;&lt;span style="font-size: 12pt;"&gt;Clicking on a manuscript in the apparatus of Mark calls up its transcription. The “Text-Critical Commentary,” published in the Studies volume (3), is also available free online. All passages with a commentary will display a highlighted speech bubble. For example, go to Mark 1:1, word address 12-16, and click on the speech bubble (see image below). It will bring you t&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;o &lt;a href="https://ntvmr.uni-muenster.de/forum/-/message_boards/message/1582017"&gt;the commentary for that passage&lt;/a&gt; and you can read why υἱοῦ τοῦ θεοῦ, a Byzantine reading, was adopted over υἱοῦ θεοῦ as the initial text. Users are also invited to comment on passages in the NTVMR forum, which Klaus Wachtel also mentioned at the end of his&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&amp;nbsp;&lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts"&gt;blog post on the Text-Critical Commentary&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Returning to the apparatus, if you click on the circle icon (see image below), this brings you to &lt;a href="https://ntg.uni-muenster.de/mark/ph35/coherence/20101012-16"&gt;the CBGM for this passage&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The &lt;a href="http://intf.uni-muenster.de/patristik/"&gt;Patristic database has been updated to include Mark&lt;/a&gt;&amp;nbsp;(see image below). Now both Acts and Mark are available.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM-Mark-dECM.png/be984fde-e7d6-48fc-9a52-2225db47be65?t=1628493207142" /&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;em&gt;Image of Links to the Text-Critical Commentary, CBGM, and the Patristic Database in the digital ECM&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Last but not least, the &lt;a href="http://egora.uni-muenster.de/intf/service/ecm_mark_en.shtml"&gt;ECM Mark page on the INTF's website&lt;/a&gt; now has lists of &lt;a href="http://egora.uni-muenster.de/intf/service/Textual_changes_as_against_NA28.pdf"&gt;textual changes between the ECM of Mark and the text of Mark in NA28&lt;/a&gt;&amp;nbsp;and &lt;a href="http://egora.uni-muenster.de/intf/service/Passages_with_a_split_guiding_line.pdf"&gt;split lines&lt;/a&gt;&amp;nbsp;in ECM Mark.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;In ECM Mark there are:&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;33 textual changes. Interestingly, 21 of these changes are in accordance with the Byzantine text. If you’re curious about the reasons these readings were chosen, the textual commentary can help shed some light on these decisions.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;There are also 126 split lines in ECM of Mark. In most of the split lines (107 to be exact), the Byzantine text is one of the variants given equal weight as the &lt;em&gt;Ausgangstext&lt;/em&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;With its comprehensive apparatus based on full transcriptions of 209 Greek manuscripts and a text newly established on the basis of a systematic method—the CBGM—ECM Mark intends&amp;nbsp;to offer an enduring contribution to the field of textual criticism. It is our hope that researchers will take advantage of the free transcriptions (on the NTVMR) and access to the editorial textual decisions (via the CBGM and Text-Critical Commentary).&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Although these tools (1) the CBGM, (2) the CBGM Docker container, (3) the digital ECM, (4) the Text-Critical Commentary, and (5) the Patristic database may seem daunting at first, they offer a wealth of material; it is worthwhile to take the time to explore them and discover how they might be beneficial for your own research.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;In the Preface to the Studies volume of ECM Acts, Holger Strutwolf said: “The ECM does not see itself as an end at all, but rather as opening a new phase of text-critical work on the New Testament” (ECM III/3, Preface). The same continues to be true for ECM Mark.&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2021-08-13T07:47:00Z</dc:date> </entry> <entry> <title>Greek Lectionary Leaves for Sale in Cologne</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/greek-lectionary-leaves-for-sale-in-cologne" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/greek-lectionary-leaves-for-sale-in-cologne</id> <updated>2021-06-24T09:22:31Z</updated> <published>2021-06-24T08:58:00Z</published> <summary type="html">&lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 10pt;"&gt;In our work updating the &lt;/span&gt;&lt;a href="http://ntvmr.uni-muenster.de/intfblog/-/blogs/what-is-the-kurzgefass"&gt;&lt;em style="font-size: 10pt;"&gt;Kurzgefasste Liste&lt;/em&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;, we discovered these Greek lectionary leaves for sale at a private antiquities dealer in Cologne, Germany. The four 13th century parchment leaves have not been entered in the &lt;em&gt;Liste&lt;/em&gt; yet but&amp;nbsp;seem to be&amp;nbsp;part of&amp;nbsp;L2144, divided between Duke University and Yale.&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L2144Cologne.jpg/0aaea202-0d9a-4ab3-82e5-0eeb7c10a070?t=1624526152976" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;Image from Antiquariat Jürgen Dinter&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;The dealer in Cologne offers no information about provenance, but gives the following description:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size: 10pt;"&gt;4 leaves (225 x 145 mm) of a mid 13th century lectionary on vellum.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;leaf 1&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;recto:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Lucas 22, 32 – 39: περὶ σὺ ἵνα μὴ … καὶ ὁι μαθηταί&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 26, 2: οἰ δατε ὅτι λετὰ … εἰς τὸ σταυρο[θῆναι]&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;verso:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 26, 3-13: [σταυρο]θῆναι … ἐποιησεν αὕτη εἰς&amp;nbsp; [μνημόσυνον αὐτῆσ&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;leaf 2&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;recto:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 14, 15-22: [… καὶ ἡ ὤρα ἤδη παρῆλδεν] ἀπόλυσον τοὺς ὄχλους … πολύσῃ τοὺς ὄχλους&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 15, 32: προσκαλεσάμενος ὁ ισ. τοῖς ματηθαίς … οὐ θέλω μή[ποτε ἐκλυθῶσιν …]&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;verso:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 15, 32, 33: [… μή]ποτε ἐκλυθῶσιν – 39:&amp;nbsp; εἰς τὰ ὅρια Μαγαδάn&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 14, 22-25: ἠνάγκασεν … τετάρτῃ δὲ φυλακῇ τῆς νυκτός [ἤλθεν πρὸς …]&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;leaf 3&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;recto:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 26, 20: […ἐσθι]όντων εἶπεν ἀμὴν λέγω …&amp;nbsp; σκανδαλισθησεσθε ἐν ἐμοὶ [εν τῇ νυκτι ταύτῃ …]&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;verso:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 26, 31-39: ἐν τῇ νυκτὶ ταυτῇ, γέγραπται γὰρ πατάξω τὸν ποιμένα, καὶ διασκορπισθήσονται τὰ πρό βατα τῆς ποίμνης … πλήν οὐχ ὡς ἐγὼ θέλει ἀλλ‘ ὡς σύ.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Lukas, 22, 43-: ὤφτη δὲ αὐτῷ&amp;nbsp; ἄγγελος … ἀπὸ τῃσ προσευχῆς ἔρχεται πρὸς τοὺς&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;leaf 4&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;recto:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Joh. 19, 7-13: [ἀπηκρίθησαν ἀυτῷ] ἰδαίοι ἡμεῖς νόμον ἔχομεν … Τότε οὖν παρέδοκεν αὐτον ἵνα σταυρωθή.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;verso:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Mt 27, 3-14: ἰδῶν ιοῦδασ … θαυμάζειν τὸν [ἡγεμόνα λίαν …]&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;span style="font-size:10pt;"&gt;Here’s the link to the dealer:&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);text-size-adjust:auto;font-stretch:normal;"&gt;&lt;span style="color:#dca10d;"&gt;&lt;span style="font-size:10pt;"&gt;&lt;a href="http://dinter.de/buch/manuscript-in-greek-4-leaves-mid-13th-century/" style="color:blue;text-decoration-line:underline;"&gt;&lt;span style="font-family:helvetica neue;"&gt;http://dinter.de/buch/manuscript-in-greek-4-leaves-mid-13th-century/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);text-size-adjust:auto;font-stretch:normal;min-height:15px;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;span style="font-size:10pt;"&gt;We hope these leaves find a good home! &lt;/span&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;span style="font-size:10pt;"&gt;We’d also be very happy if the new owner would let us know where they have landed so we can keep track of them for the &lt;em&gt;Liste&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p style="margin: 0cm; font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;, serif; color: rgb(0, 0, 0);"&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Helvetica Neue&amp;quot;;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2021-06-24T08:58:00Z</dc:date> </entry> <entry> <title>Online Tools for the ECM</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/online-tools-for-the-ecm" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/online-tools-for-the-ecm</id> <updated>2021-06-14T07:14:06Z</updated> <published>2021-06-10T14:26:00Z</published> <summary type="html">&lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;The ECM of Mark is currently&amp;nbsp;being printed and will be available soon. Once it appears in print, we will make our online tools for it accessible. These will include the digital edition, the CBGM, a Docker container, and a list of textual changes compared to the NA28.&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Even though the ECM of Acts was published back in 2017, we realized we have not posted the list of textual changes online for Acts like was done for the ECM of the Catholic Letters. So, in this post, I thought I would take the opportunity to review what is already available for the ECM of the Catholic Letters, update online resources for ECM Acts, and explain what will be available for the ECM Mark.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The INTF’s homepage lists a number of “&lt;a href="http://egora.uni-muenster.de/intf/index_en.shtml"&gt;&lt;u&gt;Online Utilities&lt;/u&gt;&lt;/a&gt;”. These cover different topics but I’ve singled out the pertinent ones for the ECM and CBGM and have listed them here for convenience.&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM-digitaltools.jpg/a9be4735-aac1-4441-adfb-94ca7b98f282?t=1623402254465" /&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Calibri, sans-serif;"&gt;Image: ECM Volumes and available Digital Tools and Downloads&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;ECM IV: The Catholic Letters&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Textual Changes&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The ECM of the Catholic Letters (2nd edition, 2013) contained 33 textual changes compared to the NA27. These changes were adopted in the NA28 and are listed in the NA28 on pages 50*-51* and posted on the INTF’s website under “NA28” and &lt;a href="http://intf.uni-muenster.de/NA28/files/TextChangesNA28.pdf"&gt;&lt;u&gt;Textual Changes&lt;/u&gt;&lt;/a&gt;. The first printing of the NA28 listed 34 textual changes, but the entry concerning the elision in ἀλλά in 1 Peter 2:25 was removed in later printings (since it is only orthographical);&amp;nbsp;this resulted in 33 textual changes. Spellings were changed in a number of locations in the NA28. For a complete list see &lt;a href="http://intf.uni-muenster.de/NA28/files/OrthNA28en.pdf"&gt;&lt;u&gt;Orthographical standardization&lt;/u&gt;&lt;/a&gt;&amp;nbsp;under “NA28” in “Online Utilities”.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Split Primary Lines&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;A split primary line occurs when the editors leave the decision open where two or more variants of about equal weight should be adopted in their reconstruction of the &lt;em&gt;Ausgangstext&lt;/em&gt;. There are 43 split-line (diamond) readings in the ECM of the Catholic Letters, which were incorporated into the NA28. A list of diamond readings was posted under the “NA28” link under &lt;a href="http://intf.uni-muenster.de/NA28/en.html"&gt;&lt;u&gt;Split Primary Line in ECM2&lt;/u&gt;&lt;/a&gt;. The NA28 itself does not list these.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;CBGM&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The Coherence-Based Genealogical Method (CBGM) offers tools for reconstructing the &lt;em&gt;Ausgangstext &lt;/em&gt;in the ECM which is based on full transcriptions of witnesses. Decisions are based on textual criticism and philological study of all variants. The CBGM and its data for the Catholic Letters is available online &lt;a href="http://intf.uni-muenster.de/cbgm/index_en.html"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;ECM III: Acts&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Textual Changes&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;Compared to the NA28, the ECM of Acts has 52 textual changes. For a list, see &lt;a href="http://egora.uni-muenster.de/intf/service/ECMActs_Textual-changes_Eng.pdf"&gt;&lt;u&gt;Textual Changes&lt;/u&gt;&lt;/a&gt;&amp;nbsp;under “ECM Acts” in “Online Utilities”.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Split Guiding Lines&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;There are 155 split lines in ECM Acts. A list of these is found under &lt;a href="http://egora.uni-muenster.de/intf/service/ECMActs_Split-primary-line_Eng.pdf"&gt;&lt;u&gt;Split Primary Line&lt;/u&gt;&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;CBGM&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The CBGM for Acts is also available online &lt;a href="https://ntg.uni-muenster.de/acts/ph4/"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;. Phase 4 of the CBGM for Acts uses the new interface designed by the Cologne Center for eHumanities.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Textual Commentary and Digital Edition&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;It’s important to note that all of the textual changes and split lines are discussed in the online textual commentary on the NTVMR, explained &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;. The “Text-Critical Commentary” gives concise reasons why one variant is favored over another (in the case of textual changes) or explains why the decision has been left open (in the case of split lines).&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This commentary has been integrated into the &lt;a href="https://ntvmr.uni-muenster.de/ecm"&gt;&lt;u&gt;digital ECM (dECM)&lt;/u&gt;&lt;/a&gt;. The dECM displays the text of ECM Acts (different from the NA28) and offers interactivity that is not possible in a printed edition. For example, the apparatus links to transcriptions and images of manuscripts, there is more versional data included than what was in the printed ECM, and every variant unit has a link to the specific passage in the CBGM.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Patristic Citations&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;There is also the online database of Patristic citations available &lt;a href="http://intf.uni-muenster.de/patristik/"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;. What is innovative about this database is that the reader is not only given the specific work of the author cited but also the full context of the quote. Nikolai Kiel has described &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/patristic-citations-in-new-testament-textual-criticism"&gt;how the ECM treats Patristic citations&lt;/a&gt;.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em&gt;Docker Container&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The newest addition to ECM Acts is the Docker container, which is a downloadable package that enables you to run the CBGM for Acts on your own computer. Different from the online CBGM, the program enables you to make different textual decisions and reestablish the local stemmata to your own theories. Video instructions for the CBGM Acts Docker are found &lt;a href="https://www.youtube.com/watch?v=k0_tlbz_YVQ"&gt;&lt;u&gt;here&lt;/u&gt;&lt;/a&gt;, which also includes a short introduction to the CBGM.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;Mark&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;After the ECM of the Gospel of Mark appears in print (26 July 2021), we’ll upload a list of textual changes and split guiding lines online. Like Acts, there will be an online textual commentary, a digital version on the NTVMR, the CBGM (with downloadable docker container), and the Patristic citations database.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/ECM-Mark-Advert.jpg/1c6d25ca-1f2d-48c5-8db0-a1b8275ebb38?t=1623654806225" /&gt;&lt;/p&gt; &lt;p style="font-size: 12pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); text-align: center;"&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;&lt;span style="color: rgb(0, 0, 0); font-family: Calibri, sans-serif;"&gt;Image: Advertisement of ECM Mark from German Bible Society&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;We hope these resources will guide readers to better understand the data behind the editions and can provide a solid starting place for further research to take place. Now that a Docker container is available for Acts, anyone can now experiment with the CBGM, which may be the best way to learn how the method works firsthand.&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2021-06-10T14:26:00Z</dc:date> </entry> <entry> <title>How to Make a Critical Edition on the NTVMR</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-to-make-a-critical-edition-on-the-ntvmr" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/how-to-make-a-critical-edition-on-the-ntvmr</id> <updated>2022-02-07T18:50:03Z</updated> <published>2021-04-08T07:26:00Z</published> <summary type="html">&lt;p&gt;(Updated @Classics URL for how to make a critical edition.)&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The &lt;a href="https://ntvmr.uni-muenster.de/"&gt;NTVMR&lt;/a&gt; is useful tool for researching Greek New Testament manuscripts (and manuscripts in other languages as well). The platform can, however, seem daunting at first sight. Over at the &lt;em&gt;Digital Orientalist&lt;/em&gt;, I have written a short overview of the NTVMR and given brief explanations of the its main features. It can be read here: &lt;a href="https://digitalorientalist.com/2021/04/02/introduction-to-the-ntvmr/"&gt;https://digitalorientalist.com/2021/04/02/introduction-to-the-ntvmr/&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/CriticalEdition1.jpg/ba398ab4-ecd5-4f57-887a-fdcb057dc402?t=1617867076809" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;You can also find helpful information about how to use the NTVMR under: &lt;a href="https://ntvmr.uni-muenster.de/help"&gt;https://ntvmr.uni-muenster.de/help&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;For those of you who are already familiar with the NTVMR and want to collate manuscripts and make your own critical edition, there is a step-by-step guide, now published in &lt;em&gt;@Classics&lt;/em&gt;, which can be accessed here: &lt;a href="https://classics-at.chs.harvard.edu/classics18-paulson/"&gt;https://classics-at.chs.harvard.edu/classics18-paulson/&lt;/a&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;This guide will show you how to view the differences between any manuscripts of your choosing (provided you or someone else has already transcribed them) on the NTVMR.&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/CriticalEdition2.jpg/138f3fbf-3939-4d82-85a2-737dc6fb749c?t=1617867084189" /&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&lt;em style="font-size: 12pt;"&gt;Image of Unedited Realtime Collation tool in the NTVMR&lt;/em&gt;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/p&gt; &lt;p style="font-size:12pt;font-family:Calibri, sans-serif;color:rgb(0, 0, 0);"&gt;The NTVMR is not just a space to view images, but offers a customizable environment to build your own text-critical project. I hope you give it a try! Feedback is welcome.&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2021-04-08T07:26:00Z</dc:date> </entry> <entry> <title>Download the CBGM Docker Container</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/download-the-cbgm-docker-container" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/download-the-cbgm-docker-container</id> <updated>2020-12-04T11:19:45Z</updated> <published>2020-12-04T11:19:00Z</published> <summary type="html">&lt;p&gt;&lt;span style="font-size:14px;"&gt;There is now a docker container available for the Coherence-Based Genealogical Method (CBGM) for Acts. It can be downloaded here: &lt;a href="https://hub.docker.com/r/scdh/intf-cbgm-db-server"&gt;https://hub.docker.com/r/scdh/intf-cbgm-db-server&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Here is a tutorial on how to install it and a brief introduction to how the CBGM works: &lt;a href="https://www.youtube.com/watch?v=k0_tlbz_YVQ"&gt;https://www.youtube.com/watch?v=k0_tlbz_YVQ&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Mink, Gerd. “The Coherence-Based Genealogical Method (CBGM) – Introductory Presentation.” Release 1.0, 2009, &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;egora.uni-muenster.de/intf/service/downloads_en.shtml&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;---. “Problems of a Highly Contaminated Tradition: the New Testament. Stemmata of Variants as a Source of a Genealogy for Witnesses.” &lt;em&gt;Studies in Stemmatology II&lt;/em&gt;, edited by Pieter van Reenen, August den Hollander, and Margot van Mulken, John Benjamins Publishing Company, 2004, pp. 13-85. &lt;a href="https://books.google.de/books?id=3UtzCBa9FnEC&amp;amp;pg=PA13&amp;amp;lpg=PA13&amp;amp;dq=mink+%E2%80%9CProblems+of+a+Highly+Contaminated+Tradition:+the+New+Testament.+Stemmata+of+Variants+as+a+Source+of+a+Genealogy+for+Witnesses.%E2%80%9D&amp;amp;source=bl&amp;amp;ots=dc4OsEqeeA&amp;amp;sig=ACfU3U22DX7pwoTOmTmA6x34nJAJ9a2EDA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjSp7fN15XrAhUL8KQKHTEIBZcQ6AEwBHoECAsQAQ#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Limited Google Books preview&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;em&gt;Novum Testamentum Graecum: Editio Critica Maior&lt;/em&gt;, ed. the Institute for New Testament Textual Research. Volume III: The Acts of the Apostles,&amp;nbsp;ed. Holger &lt;/span&gt;Strutwolf, Georg Gäbel, Annette Hüffmeier, Gerd Mink, and Klaus Wachtel. Stuttgart: Deutsche Bibelgesellschaft, 2017.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;Wachtel, Klaus. “An Interactive Textual Commentary on Acts.”&amp;nbsp;&lt;em&gt;INTF Blog,&lt;/em&gt;&amp;nbsp;&lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts"&gt;https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts&lt;/a&gt;.&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2020-12-04T11:19:00Z</dc:date> </entry> <entry> <title>Remarks on Carlson, “A Bias at the Heart of the CBGM” (Guest post by Gerd Mink)</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/remarks-on-carlson-a-bias-at-the-heart-of-the-cbgm-guest-post-by-gerd-mink-" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/remarks-on-carlson-a-bias-at-the-heart-of-the-cbgm-guest-post-by-gerd-mink-</id> <updated>2020-08-28T16:57:59Z</updated> <published>2020-08-28T16:26:00Z</published> <summary type="html">&lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Just recently, Stephen Carlson’s article, &lt;a href="http://www.jstor.org/stable/10.15699/jbl.1392.2020.5?seq=1"&gt;“A Bias at the Heart of the Coherence-Based Genealogical Method (CBGM),”&lt;/a&gt; appeared in &lt;i&gt;Journal of Biblical Literature&lt;/i&gt;. While we at the INTF read this with great interest, we were soon disappointed by the number of misunderstandings contained therein. Criticisms of the CBGM are always welcomed, and we are eager to incorporate suggestions for improving it. Unfortunately we were not able to use Carlson’s publication as fodder for making improvements because his article evinces a general lack of understanding of the method.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The suggestion to integrate “a common-error criterion within the mechanisms of the CBGM” shows that Carlson has not understood how the CBGM approach is fundamentally different from Lachmannian stemmatology, particularly with regard to errors. In a recent publication, Klaus Wachtel targets this exact point:&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;For the CBGM, &lt;i&gt;coherence&lt;/i&gt; is the pre-eminent feature of the New Testament manuscript tradition for which it was developed in the first place. In Lachmannian methodology, common errors are used to trace genealogical structures. [...]&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In the context of the CBGM, all grammatically sound, or at least tolerable textual differences, which are not merely orthographical, are considered variants. An indicative error would have to be a variant in this sense to be genealogically useful because, as a rule, clerical errors were corrected, not copied, by the scribes. The CBGM abstains from identifying variants as errors, a principle that offers two advantages over against the common-error method: (1) we do not have to know at the outset, relying only on our philological acumen, which variants are errors and which are true renderings of the text in a pristine exemplar; and (2) we are not immediately confronted with the problem of contamination which admittedly [...] is the biggest problem for Lachmannian genealogy.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Instead, we can make use of quantitative data regarding similarities and differences between witnesses, i.e. pre-genealogical coherence, to get an impression of the consistency of attestations. [...]&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The most important innovation brought about by the CBGM compared to Lachmannian methodology is the perception and description of genealogical relations. According to [the neo-Lachmannian scholar] Trovato, the relationship between any two manuscripts A and B can be assigned to one of three types, A&amp;gt;B, B&amp;gt;A, or A&amp;lt;x&amp;gt;B. For the textual tradition of the Greek New Testament, it would not be a reasonable goal to describe the relationship between any two manuscripts following this pattern. For any two New Testament witnesses A and B, i.e. states of text preserved in manuscripts, there is textual flow of the type A&amp;gt;B, which stands side by side with flow in the opposite direction (B&amp;gt;A), as well as A&amp;lt;x&amp;gt;B, due to contamination&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;(&lt;a href="http://www.academia.edu/43736768/The_Development_of_the_Coherence_Based_Genealogical_Method_CBGM_its_Place_in_Textual_Scholarship_and_Digital_Editing"&gt;Wachtel, “The Development of the Coherence-Based Genealogical Method (CBGM),”&lt;/a&gt; 438-439, referring to Trovato, &lt;i&gt;Lachmann’s Method&lt;/i&gt;, 57).&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left:42.55pt;mso-layout-grid-align:none; text-autospace:none"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Gerd Mink, who first devised the CBGM, has been retired for some years now but has taken the opportunity to engage with the main points of Carlson’s discussion. Because he wanted to respond in a timely manner, he decided a blog post would be best. Therefore, below I present Mink’s remarks. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;1. Invented Textual Genealogy: Carlson’s Scenario 2&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;In his article “A Bias at the Heart of the CBGM,” Carlson complains that the CBGM cannot figure out a simple scenario that he has invented himself. His scenario 2 has 18 variant passages with two variants each, which are assigned to five witnesses (including the initial text &lt;i&gt;A&lt;/i&gt;); a simple case indeed. Carlson speaks of errors; I will use the term variants and assume that their agreements in the same place are not coincidental and rest upon high connectivity variants. Thus, both errors and variants are equally able to connect witnesses stemmatically. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Mink2.jpg/d224edfa-b24b-453d-846e-9c7be7434f95?t=1597237088277" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;Image: Figure 4. Carlson&lt;/i&gt;,&lt;i&gt; 330&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The stemma in fig. 4 shows Carlson's results, and it is not surprising that it corresponds exactly to the invented case. Carlson uses phylogenetic software to display such figures. The analysis behind them evaluates the agreement of the witnesses and their distance from each other, measured by the number of disagreements that separate them. To put it simply: agreements argue for belonging to the same branch; disagreements cause the branch to split.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/MInk1.jpg/940722ad-b178-490a-aa68-6db7a9e04ef2?t=1597237083365" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;Image: Chart of 18 Passages. Carlson&lt;/i&gt;,&lt;i&gt; 330&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The case seems well constructed to fit the resulting stemma. According to Carlson, the CBGM is not able to reconstruct this scenario and therefore must be rejected.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It is an unfortunate disadvantage for Carlson that his own scenario has such a small number of witnesses and variants because it gives the reader other options to come up with different stemmata than he did. A higher number would have been better since it would restrict the range of possible combinations in the global stemma. In the present simple case the 18 variant places correspond to 18 local stemmata of variants (‘a’ is the prior variant and ‘b’ is the posterior variant: a&amp;gt;b). These also allow for global stemmata of witnesses other than what are presented by Carlson in fig. 4 (see above). In addition to the four witnesses and the initial text &lt;i&gt;A&lt;/i&gt;, Carlson invented two lost hypothetical witnesses, X and Y, that have left no traces in the local stemmata and are only visible to the inventor of the scenario.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Therefore, the text critic can proceed only from the variants at the 18 passages. It is not difficult to find stemmata that are compatible with all 18 local stemmata, for instance: &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Mink0.jpg/38dc1802-1c50-46e2-9aac-e0630f823ddb?t=1598513226953" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The stemmata have 5 nodes (= 4 witnesses and the reconstructed initial text &lt;i&gt;A&lt;/i&gt;) and 6 edges (= arrows connecting stemmatic ancestors and descendants) each. These stemmata are more parsimonious than Carlson's fig. 4 because they do not require hypothetical witnesses. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It may be helpful to give an explanation about the left stemma. Here are what the arrows represent:&lt;/span&gt;&lt;/p&gt; &lt;ul&gt; &lt;li class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Arrow A &amp;gt; B: B agrees with A at the variant places 2-18. At place 1, the variant of B is derived from A. All 18 places are agreements or are prior variants in A.&lt;/span&gt;&lt;/li&gt; &lt;li class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Arrow A &amp;gt; E: E agrees with A at the variant places 1, 6-11, 13-16. E is derived from A at the variant places 2-5, 12, 17-18. All 18 places are agreements or are prior variants in A.&lt;/span&gt;&lt;/li&gt; &lt;li class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Arrows pointing to C: at variant place 1, C agrees with A and E. At variant places 2-5, C agrees with E. At variant places 6-11, C is derivable from A or E. At variant places 12, 17-18, C agrees with A. At variant places 13-16, C agrees with A and E. All 18 places are agreements or are prior variants in A and/or E.&lt;/span&gt;&lt;/li&gt; &lt;li class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Arrows pointing to D: at variant place 1, D agrees with A and E. At variant places 2-5, D agrees with E. At variant places 6-11, D agrees with A and E. At variant place 12, D agrees with E. At variant places 13-16, D is derivable from A or E. At variant places 17-18, D agrees with A. All 18 places are agreements or are prior variants in A and /or E.&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It is a little irritating that Carlson always speaks of “witnesses”, but also calls his invented witnesses “manuscript copies” and uses the formulation “stemma codicum” (p. 326; p. 336 referring to real witnesses), which, however, he contradicts on the same page (cf. note 49). In fact, Carlson has developed two scenarios of &lt;em&gt;manuscript&lt;/em&gt;&lt;em&gt;s&lt;/em&gt; that are copied from each other and whose copyists make errors (on implications of the distinction between witness and manuscript cf. below and Mink, “Manuscripts, Texts, History, and the Coherence-Based Genealogical Method,” 281-283).&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The CBGM deals with witnesses, not manuscripts. In Carlson's constructed case, manuscripts and witnesses are the same thing, a fact that cannot be deduced from the data. The data does not reveal anything about the completeness of the tradition, i.e. whether witnesses are directly or indirectly related. The latter is the normal case in the NT tradition and renders a stemma codicum impossible. In the CBGM, a global stemma displays a structure of the data according to specific rules; it does not immediately display the actual history of transmission—a phylogenetic stemma does nothing else, by the way.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The alternative stemmata above contain contamination. In a global CBGM stemma, which can show only the preserved tradition and does not include lost links, several arrows pointing to a witness do not mean that contamination has necessarily taken place in that witness. Still, it may appear there as a result of contamination in lost predecessor witnesses. (On contamination as a process and as a result of a loss of witnesses cf. Mink “&lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;Introductory Presentation&lt;/a&gt;,” 58-63; cf. also the section “How to Understand a Global Stemma” in Mink, “Manuscripts, Texts, History, and the Coherence-Based Genealogical Method,” 284-287.)&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;In other stemmatic methods, it may be that hyparchetypes represent lost predecessor witnesses. Let us take the left alternative stemma again. Arrows point from E and A to D. E and D show many agreements. At some places, however, we read in E an older variant, in other places vice versa. That is what the local stemmata indicate. The reason for this situation can be that the transmission is split or is contaminated. The data do not tell us anything about it. Maybe a lost hyparchetype caused the textual state in D. Therefore, the left alternative stemma could be compatible with Carlson's stemma. We cannot know how many hyparchetypes and where in the stemma they should be assumed, especially in a more complex situation. (On the needlessness of hyparchetypes, see Mink, “Manuscripts, Texts, History, and the Coherence-Based Genealogical Method,” 289; Mink, “Problems of a Highly Contaminated Tradition,” 48, 59-67; Paulson, “Improving the CBGM,” 301f.)&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;In his essay, Carlson takes scenario 1 (10 variant passages) as his starting point. The only difference in scenario 2 (18 variant passages) discussed here is that C and D have additional variants compared to scenario 1. Yet, according to Carlson's invented scenario, the stemma should remain the same—except for the greater distances of C and D from A. In order to test how the CBGM processes his hypothetical scenario, Carlson has chosen the completely wrong approach; he uses potential ancestors and textual flow diagrams instead of stemmatic coherence. The above mentioned alternative stemmatic possibilities, based on scenario 2, would also be compatible with scenario 1 since its data is only a subset of the data of scenario 2. Carlson's example does not demonstrate what he wanted it to demonstrate.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The essential point is: the CBGM does not claim to reconstruct the historical sequence of copying activities. Phylogenetic methods do not achieve this either (cf. Bordalejo, “Genealogy of Texts”). Also Carlson has not &lt;em&gt;reconstructed &lt;/em&gt;but rather &lt;em&gt;invented &lt;/em&gt;a copying scenario following what his method is able to represent. He must introduce hypothetical witnesses X and Y because his graphic (bifurcating and allowing terminal nodes only for non-hypothetical witnesses) requires this. Yet, X and Y left no definite traces in the data, so in a parsimonious graph there is no need to assume them. And what has left behind no traces, cannot be found. The data is not unambiguous.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;As we see, we can invent still other copy scenarios for the same local stemmata. We can declare that one of them (including contamination) is the actual one, and—as it appears—Carlson's method used for fig. 4 would not find it, despite its simplicity. Would Carlson then make the same judgment about the method he applies as he did about the CBGM?&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;2. Epistemological Premises&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Here is Carlson's verdict on the CBGM: &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;“If a method cannot handle this simple case correctly, it should be rejected or fixed so that it can” (p. 325).&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;“If a method is misled in the simplest of cases due to some bias, how confident can one be that it will work in the more complicated cases?” (p. 335).&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;We should bear in mind that no method, not even computer-aided, can reconstruct historical events in detail (see again Bordalejo). This is even more obvious when elements (here the hypothetical witnesses) are hidden, as is the case in Carlson’s chart of 18 passages.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;In principle, where we have positive knowledge, we do not need hypotheses. If we know some details of the copying history, we must apply this knowledge in the CBGM or any other method. Normally, we know only the variants. As for the stemma, many possibilities may arise. The witnesses in Carlson's fig. 4 have their place due to the introduction of hypothetical witnesses and because Carlson knows the copying history, &lt;i&gt;as he invented it himself&lt;/i&gt;. Again, it is easy to invent another copying history with the same texts, but it would not be represented by the method used for fig. 4. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;3. Key Terms and Concepts of the CBGM Approach Misunderstood&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The core problem of Carlson’s article is that he does not seem to understand the overall concept of the CBGM. Although he refers to CBGM terms, which are explained in almost all publications on the CBGM, he does not understand them according to their rigid and precise definitions; these definitions correspond to rules on how the associated values are obtained and the defined terms do not allow for connotative interpretations. Moreover, he does not observe the intentions and claims of modules contained in the Genealogical Queries.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;3.1 Textual Flow Diagrams&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;One of Carlson’s key misunderstandings is that he reads textual flow diagrams as if they were genealogical representations of actual textual history. He does not follow the definitions of potential ancestor and textual flow diagram (even though he cites them!). The potential ancestors are, of course, hardly ever the actual ancestors of any manuscript. They are also not proxies for which there would be some text to reconstruct. They do not represent anything but themselves. The textual flow diagrams are not stemmata (Gurry wrote explicitly on this point in “The Harklean Syriac” p. 198). Nor does the coherence of an attestation determine whether a reading is the initial text. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It is crucial in the CBGM not to confuse genealogical coherence with stemmatical coherence nor potential ancestors with stemmatic ancestors (or even actual historical ancestors of manuscripts). Only a few of the potential ancestors have a chance to become stemmatic ancestors in a substemma of the descendant in question, even if they have the highest ranking numbers. On the other hand, witnesses which are not potential ancestors can become stemmatic ancestors in an optimal substemma. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;3.2. Relatives Tables&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;To interpret textual flow diagrams correctly, it is important to know that they are only simplifying graphic representations of the data; they must be viewed with the Relatives table in the new interface for Acts, phase 4 (or in “Show Tables” option for the Catholic Letters) for a better understanding of the genealogical scenario. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;For an example in a new interface which has not yet been transferred to the Catholic Letters, go to Coherence and Textual Flow in &lt;a href="https://ntg.uni-muenster.de/acts/ph4/"&gt;Genealogical Queries Acts (phase 4)&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Mink5.jpg/8a0f5857-43f0-4eab-abf6-6b1dd9bf08e1?t=1597237102236" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;Image: Genealogical Queries for Acts&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Next, click on any manuscript and see the result.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Mink4.jpg/9332c48b-855a-4cfc-af8e-9aa45729da7f?t=1597237096870" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;Example of Relatives Table for 03 in Acts&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The column with the percentages shows pre-genealogical coherence, that is, the textual agreement between two witnesses which does not change no matter how many prior variants a witness has. The columns W1&amp;lt;W2 and W1&amp;gt;W2 show the results of the construction of the local stemmata between two witnesses: in the example above, 01 has 192 prior variants to 03, and 03 has 328 prior variants to 01. Using textual flow diagrams without consulting the data behind them (i.e. the Relatives tables) can be misleading. (See also Wachtel on this: &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts"&gt;https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts&lt;/a&gt;; and on how to interpret the listings of potential ancestors, see especially &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;Mink, “Introductory Presentation,”&lt;/a&gt; 255-297.)&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;3.3 Connectivity&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Another fundamental problem is that Carlson does not seem to comprehend the purpose of the connectivity option in Genealogical Queries (cf. Carlson, 325, 334, and passim). &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Mink3.jpg/610b2418-d265-433a-ba08-522710fe48a7?t=1597237092791" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;Image: Option to select connectivity in Genealogical Queries&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;This option enables users to test the stability of the resulting diagrams by setting different values. In many cases, the values of 10 (in the Catholic Letters) or 5 (in Acts) are only reasonable starting points. Instability will raise doubts if high connectivity has been assumed on internal grounds. No definitive statements about connectivity are made regarding textual flow diagrams. There is no right or wrong value. The inserted value is based on the user’s (preliminary) assessment. Different areas in a textual flow diagram may even require different connectivity assumptions (depending on closer or more distant relationship of witnesses in an area). Definitive statements are required during the construction of substemmata to decide on whether possible stemmatic connections are necessary. (Cf. &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;Mink, “Introductory Presentation,”&lt;/a&gt; 529-537.)&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;4. Essential Methodological Procedures Neglected&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;In short: Carlson has used the tool “Coherence in Attestations” for something for which it was not designed. Instead, he should have dealt with stemmatic coherence, the formation of optimal substemmata, and the global stemma; only there do hypotheses about the stemmatic structure of the tradition develop. Carlson, however, neglects this and other major parts of the methodology he criticizes.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;4.1 The Text Is the Witness, the Manuscript its Carrier&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It is also unclear whether Carlson understands that in a contaminated tradition almost every witness, even a potential ancestor, has a proportion of both older and younger variants compared to any close relative. In his section that deals with 1 Jn 1:7 (scenario 3), Carlson writes (p. 336), &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-left: 40px;"&gt;&lt;span style="font-size:14px;"&gt;This situation not only resembles that of scenario 2, but it inspired it. In both cases, the potential ancestor bias manifests itself against witnesses that branched off early from the predominant textual flow but acquired a large number of secondary and singular readings of their own. The texts that correspond to scenario 2's C and D in the textual transmission of 1 John are 01 and 02.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Carlson correctly identifies the reasons that lead to greater distances from A than we see in 1739. His phylogenetic software displays these distances, too (for the place of 01 in light of CBGM data, see &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;Mink, “Introductory Presentation,”&lt;/a&gt; 270-295, especially 290.). As for scenario 2, we do not know the kind of variants which produce the distances there.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;To take 01, 02, and 1739, which are cited by Carlson, as examples: in the Catholic Letters. The text of 1739 does not have a genealogically older text than 01 or 02 in &lt;i&gt;every&lt;/i&gt; place but in the&lt;i&gt; majority &lt;/i&gt;of places, i.e. it has ancestor variants more often than vice versa. Only these places could offer a connection pointing from a stemmatic ancestor to a descendant in the global stemma (i.e. not the places where the ancestor reads text posterior to the descendant). And of course, there are places where 1739 has text posterior to 01 or 02. Carlson claims there is “a bias against texts on old lineages like 01 and 02, and a bias in favor of stemmatically later texts like 1739 whose copying is more strictly controlled. The net effect of this bias is to overvalue the witness of 1739 at the expense of 01 and 02” (p. 337). &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;On which basis are texts considered “stemmatically later”? Is an early textual error more valuable than textual accuracy documented in a later manuscript? It is neither bias nor contradiction to identify older variants in younger manuscripts. At the many variant places where the witness 01 reads a posterior variant, it cannot be an ancestor of the witness 1739. Carlson jettisons the important distinction between the age of a manuscript and the age of its text as represented in the majority of its variants. In this context again, it is of great significance not to confuse potential ancestors with stemmatic ancestors, nor textual flow diagrams with global stemmata, and a stemma of witnesses (=texts) must not be read in the same way as a stemma codicum. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;4.2 The CBGM Is a Tool, not a Decision-Maker&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;At the end of his essay, we find the following curious statement: “The potential-ancestor formula favors certain witnesses at the expense of others in certain genealogical configurations that it cannot detect a priori” (p. 339). The role of potential ancestors is not to detect genealogical configurations. A potential ancestor is a witness with more prior variants than the witness being compared. Genealogical configurations are offered in optimal substemmata. The role a given potential ancestor will play there cannot be read from lists of potential ancestors or textual flow diagrams.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Carlson continues: “For 1 John, it appears that the CBGM favors 1739 at the expense of Codex Sinaiticus and Codex Alexandrinus, and the full extent of the bias is not apparent. It has probably made the omission of δέ in 1 John 1:7 more viable than it really is.” Apart from the fact that there is no bias, the textual non-decision (i.e. split primary line) in 1 Jn 1:7 is not required by the CBGM as such. The CBGM provides tools and does not make textual decisions. Text-critical decisions like the one in 1Jn 1:7/3 are never enforced by some algorithm or automatism of the CBGM. These decisions are made by the editors. Anyone who has familiarized themselves with a basic introduction like Wasserman and Gurry’s &lt;i&gt;A New Approach to Textual Criticism &lt;/i&gt;would know this. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16px;"&gt;5. Conclusion&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;span lang="EN-US"&gt;In closing, Carlson's assumption that there is bias in the CBGM is the result of misunderstandings and wrong application. Any method will have advantages and disadvantages as well. Proper understanding of its possibilities and limitations is crucial. Different methodological approaches to textual criticism are highly welcome as is informed and substantiated criticism. Overall, however, it appears that Carlson’s latest article has only very selectively grappled with literature which explains the CBGM and has not grasped the overall concept of the method and its key components. Wachtel's essay, &lt;/span&gt;“&lt;span lang="EN-US"&gt;The Development of the Coherence-Based Genealogical Method (CBGM), its Place in Textual Scholarship, and Digital Editing,&lt;/span&gt;”&lt;span lang="EN-US"&gt; would serve here as a useful corrective to understanding that the CBGM is deliberately non-Lachmannian.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;The problem is not that Carlson clearly favors a different method than the CBGM. In fact, Edmondson's 2018 Ph.D. thesis demonstrates that an analysis of the CBGM is also possible from a phylogenetic perspective (Edmondson, &lt;em&gt;An Analysis of the Coherence-Based Genealogical Method Using Phylogenetics&lt;/em&gt;). In only selectively and superficially engaging with the relevant literature, Carlson’s article has unfortunately cultivated a new series of misunderstandings about the CBGM and its functionalities, most of which could have been avoided had he just made use of my entry level &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;“Introductory Presentation.”&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;It is hoped that my blogpost encourages interested researchers to form their own opinion based on the relevant literature on the CBGM. The aforementioned &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;“Introductory Presentation” &lt;/a&gt;may be a good start.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;b&gt;Works Cited&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Bordalejo, Barbara. “The Genealogy of Texts: Manuscript Traditions and Textual Traditions.” &lt;i&gt;Digital Scholarship in the Humanities&lt;/i&gt;, vol. 31, no. 3, 2016, pp. 563-577. Links to &lt;a href="https://doi.org/10.1093/llc/fqv038"&gt;publisher&lt;/a&gt; and &lt;a href="https://www.academia.edu/16837584/The_Genealogy_of_Texts_Manuscript_Traditions_and_Textual_Traditions"&gt;Academia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="https://www.jstor.org/stable/10.15699/jbl.1392.2020.5?seq=1"&gt;Carlson, Stephen C. “A Bias at the Heart of the Coherence-Based Genealogical Method (CBGM).” &lt;i&gt;Journal of Biblical Literature&lt;/i&gt;, vol. 139, no. 2, 2020, pp. 319-340&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Edmondson, Andrew Charles. &lt;i&gt;An Analysis of the Coherence-Based Genealogical Method Using Phylogenetics&lt;/i&gt;. 2019. University of Birmingham, PhD dissertation. &lt;a href="https://etheses.bham.ac.uk/id/eprint/9150/"&gt;https://etheses.bham.ac.uk/id/eprint/9150/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Gurry, Peter J. “The Harklean Syriac and the Development of the Byzantine Text: A Historical Test for the Coherence-Based Genealogical Method (CBGM).” &lt;i&gt;Novum Testamentum&lt;/i&gt;, vol. 60, 2020, pp. 183-200. Links to &lt;a href="https://doi.org/10.1163/15685365-12341595"&gt;publisher&lt;/a&gt; and &lt;a href="https://www.academia.edu/36221977/The_Harklean_Syriac_and_the_Development_of_the_Byzantine_Text_A_Historical_Test_for_the_Coherence_Based_Genealogical_Method_CBGM_Prepub"&gt;Academia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Mink, Gerd. “The Coherence-Based Genealogical Method (CBGM) – Introductory Presentation.” Release 1.0, 2009, &lt;a href="http://egora.uni-muenster.de/intf/service/downloads_en.shtml"&gt;egora.uni-muenster.de/intf/service/downloads_en.shtml&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;---. “Manuscripts, Texts, History, and the Coherence-Based Genealogical Method (CBGM): Some Thoughts and Clarifications.” &lt;em&gt;The New Testament in Antiquity and Byzantium: Traditional and Digital Approached to its Texts and Editing. A Festschrift for Klaus Wachtel&lt;/em&gt;, edited by H.A.G. Houghton, David C. Parker, and Holger Strutwolf, De Gruyter, 2019, pp. 281-293. Link to &lt;a href="https://doi.org/10.1515/9783110591682"&gt;publisher&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;---. “Problems of a Highly Contaminated Tradition: the New Testament. Stemmata of Variants as a Source of a Genealogy for Witnesses.” &lt;i&gt;Studies in Stemmatology II&lt;/i&gt;, edited by Pieter van Reenen, August den Hollander, and Margot van Mulken, John Benjamins Publishing Company, 2004, pp. 13-85. &lt;a href="https://books.google.de/books?id=3UtzCBa9FnEC&amp;amp;pg=PA13&amp;amp;lpg=PA13&amp;amp;dq=mink+%E2%80%9CProblems+of+a+Highly+Contaminated+Tradition:+the+New+Testament.+Stemmata+of+Variants+as+a+Source+of+a+Genealogy+for+Witnesses.%E2%80%9D&amp;amp;source=bl&amp;amp;ots=dc4OsEqeeA&amp;amp;sig=ACfU3U22DX7pwoTOmTmA6x34nJAJ9a2EDA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwjSp7fN15XrAhUL8KQKHTEIBZcQ6AEwBHoECAsQAQ#v=onepage&amp;amp;q&amp;amp;f=false"&gt;Limited Google Books preview&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Paulson, Gregory S. “Improving the CBGM: Recent Interactions.” &lt;i&gt;The New Testament in Antiquity and Byzantium: Traditional and Digital Approached to its Texts and Editing. A Festschrift for Klaus Wachtel&lt;/i&gt;, edited by H.A.G. Houghton, David C. Parker, and Holger Strutwolf, De Gruyter, 2019, pp. 295-307. Links to &lt;a href="https://doi.org/10.1515/9783110591682-021"&gt;publisher&lt;/a&gt; and &lt;a href="https://www.academia.edu/41359440/_Improving_the_CBGM_Recent_Interactions_in_The_New_Testament_in_Antiquity_and_Byzantium_Traditional_and_Digital_Approaches_to_its_Texts_and_Editing_A_Festschrift_for_Klaus_Wachtel_ed_H_A_G_Houghton_David_C_Parker_and_Holger_Strutwolf_ANTF_52_Berlin_de_Gruyter_2019_295_307"&gt;Academia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="https://www.libreriauniversitaria.it/everything-you-always-wanted-to/libro/9788862928601"&gt;Trovato, Paolo. &lt;i&gt;Everything you always Wanted to Know about Lachmann’s Method&lt;/i&gt;. 2nd ed., Libreriauniversitaria.it, 2017&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;Wachtel, Klaus. “The Development of the Coherence-Based Genealogical Method (CBGM), its Place in Textual Scholarship, and Digital Editing.” &lt;i&gt;The Future of New Testament Textual Scholarship&lt;/i&gt;, edited by Garrick Allen, Mohr-Siebeck, 2019, pp. 435-446. Links to &lt;a href="https://www.mohrsiebeck.com/en/book/the-future-of-new-testament-textual-scholarship-9783161566622"&gt;publisher&lt;/a&gt; and &lt;a href="https://www.academia.edu/43736768/The_Development_of_the_Coherence_Based_Genealogical_Method_CBGM_its_Place_in_Textual_Scholarship_and_Digital_Editing"&gt;Academia&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;---. “An Interactive Textual Commentary on Acts.” &lt;i&gt;&lt;span lang="DE"&gt;INTF Blog&lt;/span&gt;&lt;/i&gt;&lt;span lang="DE"&gt;, &lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts"&gt;https://ntvmr.uni-muenster.de/intfblog/-/blogs/an-interactive-textual-commentary-on-acts&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;span lang="DE"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="https://secure.aidcvt.com/sbl/ProdDetails.asp?ID=060399C&amp;amp;PG=1&amp;amp;Type=BL&amp;amp;PCS=SBL"&gt;Wasserman, Tommy and Peter Gurry. &lt;i&gt;A New Approach to Textual Criticism: An Introduction to the Coherence-Based Genealogical Method&lt;/i&gt;. SBL, 2017&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2020-08-28T16:26:00Z</dc:date> </entry> <entry> <title>Gospel Lectionary for Sale</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/l1996" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/l1996</id> <updated>2020-07-16T04:27:38Z</updated> <published>2020-05-29T09:42:00Z</published> <summary type="html">&lt;p&gt;&lt;em&gt;Update July 16, 2020&lt;/em&gt;: L1996 is no longer a private sale, but is now being auctioned: &lt;a href="https://www.lotsearch.net/lot/anonymous-scribe-and-illuminator-50082880"&gt;https://www.lotsearch.net/lot/anonymous-scribe-and-illuminator-50082880&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;One of the most challenging parts of keeping the &lt;em&gt;Kurzgefasste Liste&lt;/em&gt; up to date is keeping track of the current locations of manuscripts. While many manuscripts remain at the same location for centuries, others have the tendency to be more elusive and have proven tricky to keep tabs on. Take, for example, the manuscripts in the Schøyen collection. In the last few years, we’ve discovered that a number of these have been auctioned:&lt;/span&gt;&lt;/p&gt; &lt;ul&gt; &lt;li&gt;&lt;span style="font-size:14px;"&gt;0220&lt;/span&gt;&lt;/li&gt; &lt;li&gt;&lt;span style="font-size:14px;"&gt;64&lt;/span&gt;&lt;/li&gt; &lt;li&gt;&lt;span style="font-size:14px;"&gt;1361 / L2383&lt;/span&gt;&lt;/li&gt; &lt;li&gt;&lt;span style="font-size:14px;"&gt;L1995&lt;/span&gt;&lt;/li&gt; &lt;li&gt;&lt;span style="font-size:14px;"&gt;L2404&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;These are now housed at the Museum of the Bible. Schøyen also had a lectionary, L1996 (MS 800), in his possession until it was sold it in 2010. Formerly part of the Sir Thomas Phillipps collection, L1996 is a 12th century Greek Gospel lectionary with 247 leaves. We didn’t have any information about its new location since 2010.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;&lt;a href="https://pinakes.irht.cnrs.fr/notices/cote/75226/"&gt;Pinakes noted&lt;/a&gt; that the Robert McCarthy Collection in London had a leaf of L1996, a miniature of the evangelist John.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;As far as we were aware, the McCarthy Collection only had single pages of artwork (miniatures) from manuscripts rather than full manuscripts with text of the Greek New Testament. However, after inquiring with Georgi Parpulov, who contributed to &lt;a href="https://www.academia.edu/37612628/Byzantine_Miniatures_in_the_McCarthy_Collection"&gt;&lt;em&gt;The McCarthy Collection, vol. 1 &lt;/em&gt;&lt;em&gt;Byzantine Miniatures&lt;/em&gt; (2018)&lt;/a&gt; catalogue, we learned that actually the whole L1996 manuscript was in the McCarthy collection (BM 2326), and Parpulov had personally examined it. He explained that a miniature was bound to the binding of L1996 but did not originally belong to it; in 2018, this miniature leaf was removed from L1996.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1996+miniature.jpg/6ca3c702-acb5-4010-97d8-0f4628feb93c?t=1590746176914" /&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span style="font-size:14px;"&gt;Microfilm of miniature from L1996 on NT.VMR&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;We updated the Liste with this new information and were happy to have found the new location for L1996 after having lost track of it for over 10 years.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Literally one hour later, we came across the sale of a 12th century Greek Gospel lectionary through Christie’s. After requesting more information about the private sale, we discovered this lectionary was, in fact, L1996! See &lt;a href="https://www.christies.com/features/Viewing-Room-Books-and-Manuscripts-Private-Sales-10415-7.aspx?sc_lang=en&amp;amp;PID=mslp_related_features15"&gt;here for the Christie’s private sale&lt;/a&gt;, although it takes a little scrolling to find it.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/L1996+Lect.jpg/e03410ae-e2ce-4604-8569-24365dd3bd95?t=1590746347790" /&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;Screenshot of Christie's sale&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;At the time of writing, this manuscript is still available for purchase. We are hopeful we’ll receive a notification from the new owner when it is sold so we don’t lose track of it again. We are also lucky to have &lt;a href="https://ntvmr.uni-muenster.de/manuscript-workspace?docID=41996"&gt;images of L1996 on the NT.VMR&lt;/a&gt; to help identify it in the future.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;Keeping track of auctioned manuscripts is not an easy task. We are very grateful to the many scholars and researchers out there who continue to assist us with this endeavor.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;To that end, we are still trying to trace down the location of these three Greek NT manuscripts, auctioned in the last few years (&lt;a href="https://ntvmr.uni-muenster.de/intfblog/-/blogs/announcement-a-new-edition-of-the-kurzgefasste-liste-is-in-the-works"&gt;also mentioned here&lt;/a&gt;).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;GA 2346: &lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/2016/bible-collection-of-charles-caldwell-ryrie-n09539/lot.11.html"&gt;Sold on Sotheby’s in 2016, 11th century Gospels with commentary sold as part of the Charles Caldwell Ryrie collection&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;GA 2805: &lt;a href="https://www.christies.com/lotfinder/books-manuscripts/the-acts-and-letters-of-the-apostles-5749305-details.aspx?from=searchresults&amp;amp;intObjectID=5749305&amp;amp;sid=a856c98f-db09-4aef-9419-936e95adbd98"&gt;Sold on Christie’s in 2013, 11th century, Acts and Letters of the Apostles, formerly in Athens&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;GA 851: &lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/2009/western-manuscripts-l09741/lot.39.html"&gt;Sold on Sotheby’s in 2009, Gospels, illuminated Gospel manuscript on vellum, owner unknown for many years&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14px;"&gt;The INTF is still offering a small prize for anyone who can help us pin down the new location of these manuscripts!&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2020-05-29T09:42:00Z</dc:date> </entry> <entry> <title>Änderung der Transkripte: ΤΓ &gt; ΤΤ</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/anderung-der-transkripte-tg-tt" /> <author> <name>marie-luise lakmann</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/anderung-der-transkripte-tg-tt</id> <updated>2020-04-23T10:41:50Z</updated> <published>2020-04-23T05:03:00Z</published> <summary type="html">&lt;p&gt;&lt;em&gt;ΚΡΑΒΑ &lt;span style="color:#FF0000;"&gt;Τ Γ&lt;/span&gt; ΟΣ&amp;nbsp; ► ΚΡΑΒΑ &lt;span style="color:#FF0000;"&gt;Τ Τ&lt;/span&gt; ΟΣ&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;Änderung der Transkripte des Markusevangeliums für die Editio Critica Maior (ECM) aufgrund paläographischer Untersuchungen zu dem Wort κραβαττος.&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;Eines der schwierigsten Wörter sowohl für die frühen Kopisten als auch für die heutigen Transkribenten ist das Wort κραβαττος ("das Bett"), das in den neutestamentlichen Berichten von der Heilung gelähmter Menschen mehrfach verwendet wird (insgesamt 12x: Mk 2:4. 9. 11. 12; 6:55; Joh 5:8-11. 12v.l.; Act 5:15; 9:33).&lt;/p&gt; &lt;p&gt;Κραβαττος, so die lexikalischen Form, erscheint in den Handschriften (des Markusevangeliums) auf sehr unterschiedliche Weise und weist in den Transkripten eine ungewöhnlich hohe Fehlerquote auf; es findet sich kaum ein Transkript, dass den Text der Vorlage korrekt kopiert - auch nicht bei Transkribenten mit langjähriger Erfahrung. Dies liegt sicherlich nicht zuletzt in der Lesegewohnheit begründet, bei der das Auge hauptsächlich die ersten und die letzen Buchstaben eines Wortes erfasst, die dazwischen liegenden Buchstaben nur oberflächlich aufnimmt und aus der Erinnerung ergänzt bzw. beim Kollationieren dem vorgegebenen Basistext anpasst.&lt;/p&gt; &lt;p&gt;Zu den Orthographica gehören die Vertauschung der doppelt bzw. einfach gesetzten Konsonanten β und τ:&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;a. κραββατος&amp;nbsp;&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;b. κραβατος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;c. κραββαττος&lt;/p&gt; &lt;p&gt;sowie die Lesart&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;d. κραβακτος (und das Neutrum το κραβακτον).&lt;/p&gt; &lt;p&gt;Als Fehlerlesarten sind zu werten:&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;a. κραμβατος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;b. γραβαττος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;c. κραβαντος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;d. κραββαντος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;e. κραβανττος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;f. κρεβαττος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;g. κρεβαντος&lt;/p&gt; &lt;p style="margin-left: 40px;"&gt;h. κραβαγτος&lt;/p&gt; &lt;p&gt;die sich jedoch z.T. erklären lassen:&amp;nbsp;&lt;/p&gt; &lt;p&gt;a. verschreibt das erste β durch μ, verursacht durch das vergleichbare Erscheinungsbild in der Minuskelschrift (wobei allerdings das Beta nicht nach links verbunden wird). Dies begegnet z.B. auch bei dem Wort ραββι/ραμβι (vgl. V. Gardthausen, Griechische Palaeographie, 2. Aufl., Leipzig 1978, II 213 f). (&lt;a href="https://archive.org/details/griechischepaleo02gard/page/214/mode/2up"&gt;Link zu 1. Aufl.&lt;/a&gt;).&lt;/p&gt; &lt;p&gt;b. ähnelt der lateinischen Form &lt;em&gt;grabatus.&lt;/em&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;c.-e. verschreiben ττ durch ντ, vielleicht aus lautmalerischen Gründen.&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/p&gt; &lt;p&gt;f.-g. Vokalvertauschung α/ε. Hierfür gibt es allerdings lediglich&amp;nbsp;zwei Zeugen (GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=20032"&gt;032&lt;/a&gt; und &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30013"&gt;13&lt;/a&gt;; vgl. auch &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30872"&gt;872&lt;/a&gt;*), die allerdings nur in 6:55 κρεβαττος bzw. κρεβαντος schreiben, in der Geschichte der Heilung des Gelähmten in Kapharnaum (2:4. 9. 11. 12) jedoch übereinstimmend die korrekte Form κραβαττος bezeugen. Dies deutet auf ein Versehen hin.&lt;/p&gt; &lt;p&gt;h. Mit dieser Lesart begegnet eine Wortform, die - wenn sie nicht ähnlich wie c.-e. auf lautmalerische Gründe zurückgeht - eine Fehlerlesart ist, die ihren Urspung in einer paläographischen Besonderheit hat, die offenbar vom Schreiber&amp;nbsp;nicht (mehr) erkannt wurde: Die Schreibung des Doppelkonsonanten ττ in der Minuskelschrift (s.u.).&lt;/p&gt; &lt;p style="color: rgb(0, 0, 0);"&gt;Am weitesten verbreitet waren die Lesarten κραβαττος und κραββατος. Auffällig ist, dass die Schreibweise auch innerhalb einer Handschrift variieren kann, die Schreiber also an den verschiedenen Stellen unterschiedliche Wortformen genutzt haben, wie beispielsweise:&lt;/p&gt; &lt;table border="1" cellpadding="1" cellspacing="1" style="color: rgb(0, 0, 0); width: 500px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;GA&lt;/td&gt; &lt;td&gt;Mk 2:4&lt;/td&gt; &lt;td&gt;Mk 2:9&lt;/td&gt; &lt;td&gt;Mk 2:11&lt;/td&gt; &lt;td&gt;Mk 2:12&lt;/td&gt; &lt;td&gt;Mk 6:55&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31216"&gt;1216&lt;/a&gt;&lt;/td&gt; &lt;td&gt;κραββατον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραββατον&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31579"&gt;1579&lt;/a&gt;&lt;/td&gt; &lt;td&gt;κραβατον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραβαττον&lt;/td&gt; &lt;td&gt;κραββατον&lt;br /&gt; &amp;nbsp;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Insgesamt kann aber beobachtet werden, dass häufig bei textlicher Nähe (2:4-12) die gleiche Schreibweise verwendet wurde, an der späteren Stelle dagegen (6:55) eine andere.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;Eine Besonderheit stellt in diesem Zusammenhang die Schreibweise des doppelten Tau (ττ) dar, die in den Handschiften oftmals wie eine Verbindung von Tau und Gamma&amp;nbsp; (τγ) erscheint&amp;nbsp;und daher in den Transkripten - fälschlicherweise - bisher auch als solche transkribiert wurde (z.B. κραβατγον).&lt;/p&gt; &lt;p&gt;Hinter dieser Ligatur steht das Bestreben der Minuskelschrift, Buchstaben ohne Aufheben des Stiftes in einer Linie zu schreiben und die waagerechten und senkrechten Striche miteinander zu verbinden. Dies führte sowohl für das Gamma als auch für das Tau zu ähnlich erscheinenden&amp;nbsp;offenen Formen: ⋎.&amp;nbsp;Beide Buchstaben konnten nach rechts mit dem folgenden Buchstaben verbunden werden, so dass es zu einem nicht mehr unterscheidbaren Erscheingungsbild kam:&lt;/p&gt; &lt;p&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31243"&gt;1243&lt;/a&gt;, Mk 6,55, Z.15 &lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Krabbatos1.jpg/87246f6a-efa0-4551-bd36-25bae4abf0c6?t=1587381616408" /&gt;&amp;nbsp; (κραβατ-τοις)&lt;/p&gt; &lt;p&gt;und ebd. 7,4, Z.27&amp;nbsp;&amp;nbsp;&lt;img alt="" src="https://ntvmr.uni-muenster.de/documents/420496/0/Krabbatos2.jpg/0b605fdf-684e-47dd-8a55-49d4c1452710?t=1587381629725" /&gt; (αγο-ρας).&lt;/p&gt; &lt;p&gt;Diese offene Form des Tau war vor allem in der frühen Kursive gebräuchlich. In den Handschriften wird sie jedoch nicht mehr für ein allein stehendes Tau verwendet; sie findet sich nur noch in den Ligaturen für das doppelte Tau (ττ = τ&lt;span style="color: rgb(255, 0, 0);"&gt;γ&lt;/span&gt;) (vgl. Gardthausen [s.o.] ΙΙ 202. 215).&lt;/p&gt; &lt;p&gt;Ein Vergleich aller Schreibweisen dieses Wortes an den fünf Stellen im Markusevangelium zeigt, dass die Majuskelform ττ sowie die kursive Schreibweise in der Ligatur τγ unterschiedslos verwendet wurden:&lt;/p&gt; &lt;table border="1" cellpadding="1" cellspacing="1" style="width:500px;"&gt; &lt;tbody&gt; &lt;tr&gt; &lt;td&gt;GA&lt;/td&gt; &lt;td&gt;2,4&lt;/td&gt; &lt;td&gt;2,9&lt;/td&gt; &lt;td&gt;2,11&lt;/td&gt; &lt;td&gt;2,12&lt;/td&gt; &lt;td&gt;6,55&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt; &lt;p&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30023"&gt;23&lt;/a&gt;&lt;/p&gt; &lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τ&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;γ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30351"&gt;351&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τ&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;γ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τ&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;γ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τ&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;γ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30788"&gt;788&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30826"&gt;826&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30863"&gt;863&lt;/a&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31029"&gt;1029&lt;/a&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31216"&gt;1216&lt;/a&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31243"&gt;1243&lt;/a&gt;&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31579"&gt;1579&lt;/a&gt;&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31675"&gt;1675&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;τ / ττ&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=32193"&gt;2193&lt;/a&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;a href="https://ntvmr.uni-muenster.de/liste?docID=32411"&gt;2411&lt;/a&gt;&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;ττ&lt;/td&gt; &lt;td&gt;&lt;span style="color:#FF0000;"&gt;τγ&lt;/span&gt;&lt;/td&gt; &lt;td&gt;τ&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;p class="MsoNormal" style="text-align:justify;text-justify:inter-ideograph; line-height:150%"&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;Dass die Schreibung τγ die offene Darstellungsform des ττ ist und nicht als Tau-Gamma gelesen werden darf, zeigt sich vor allem bei Worttrennungen zwischen diesen beiden Buchstaben, wie sie z.B. GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30261"&gt;261&lt;/a&gt; bei Mk 2:4; GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30495"&gt;495&lt;/a&gt;. &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30543"&gt;543&lt;/a&gt;. &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30826"&gt;826&lt;/a&gt; bei Mk 6:55 und GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30892"&gt;892&lt;/a&gt; bei Mk 2:11 vorkommen: An (fast) allen genannten Stellen im Markusevangelium verwendet der jeweilige Schreiber die Ligatur in Form von τγ, nur an der Stelle der Worttrennung schreibt er: κραβατ-τον. Er versteht also die Ligatur korrekt, wohingegen in GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30124"&gt;124&lt;/a&gt; an der ersten Selle Tau - Gamma getrennt und im weiteren Verlauf der Schrift einheitlich τγ verwendet wird; hier scheint der Schreiber das Wort κραβατγον gelesen zu haben, wohl in Unkenntnis dieses paläographischen Phänomens.&lt;/p&gt; &lt;p&gt;Die Verwendung der Ligatur für das doppelte Tau kommt neben κραβαττον auch in anderen Worten des Markusevangeliums vor:&lt;/p&gt; &lt;p&gt;GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30472"&gt;472&lt;/a&gt;: 7:37 εκπληττοντο&lt;/p&gt; &lt;p&gt;GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=30863"&gt;863&lt;/a&gt;: 7:36 εκηρυττον&lt;/p&gt; &lt;p&gt;GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=31542"&gt;1542&lt;/a&gt;: 1:22 εκπληττοντο&lt;/p&gt; &lt;p&gt;GA &lt;a href="https://ntvmr.uni-muenster.de/liste?docID=32738"&gt;2738&lt;/a&gt;: 1:27 επιταττω; 1:30 πυρεττουσα&lt;/p&gt; &lt;p&gt;Wir haben uns entschieden, die Ligatur des doppelten Tau in den Minuskeln - die ja vergleichbar ist mit der offenen Form des doppelten Sigma - auch als ττ zu transkribieren und nicht mehr - wie bisher - als Fehlerlesart τγ.&lt;/p&gt; &lt;p&gt;Die entsprechenden Korrekturen der im NT.VMR publizierten Transkripte des Markusevangeliums für die ECM wurden bereits abgeschlossen, für die übrigen Transkripte - besonders der Apostelgeschichte (ECM Bd. III) - wird sie folgen.&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</summary> <dc:creator>marie-luise lakmann</dc:creator> <dc:date>2020-04-23T05:03:00Z</dc:date> </entry> <entry> <title>New Developments in Text Type Theories</title> <link rel="alternate" href="https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/new-developments-in-text-type-theories" /> <author> <name>Greg Paulson</name> </author> <id>https://ntvmr.uni-muenster.de/ja_JP/intfblog/-/blogs/new-developments-in-text-type-theories</id> <updated>2020-04-06T16:12:00Z</updated> <published>2020-04-06T16:02:00Z</published> <summary type="html">&lt;div&gt;The latest issue of &lt;em&gt;Biblische Notizen&lt;/em&gt; has just been published and&amp;nbsp;should be useful for anyone interested in text types (see &lt;a href="https://www.herder.de/bn-nf/hefte/archiv/2020/184-2020/"&gt;here&lt;/a&gt;). One of the articles, written by Holger Strutwolf, offers a historical foray into theories of the development of variants, suggesting that new methods and theories are needed to take into account the complexity of the New Testament manuscript tradition. Another article, written by Klaus Wachtel, describes how traditional theories of text types can be abandoned using the CBGM. His abstract states, “Dieser Neuansatz geht von der Beschreibung von Beziehungen zwischen individuellen Textzeugen aus, die als Elemente einer generellen Entwicklung gesehen werden, die in der spätbyzantinischen Textform ihren Abschluss findet.”&lt;br /&gt; &amp;nbsp;&lt;/div&gt; &lt;div&gt;We hope everyone is staying safe and taking good care of yourself and your loved ones during this difficult time.&lt;/div&gt;</summary> <dc:creator>Greg Paulson</dc:creator> <dc:date>2020-04-06T16:02:00Z</dc:date> </entry> </feed> 